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Author: Christopher B. Balme
Publisher: Cambridge University Press
ISBN: 110700683X
Category : Drama
Languages : en
Pages : 233
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Book Description
The first in-depth study of theatre's relationship to the public sphere in a wide range of cultural and historical contexts.
Author: Christopher B. Balme
Publisher: Cambridge University Press
ISBN: 110700683X
Category : Drama
Languages : en
Pages : 233
Get Book Here
Book Description
The first in-depth study of theatre's relationship to the public sphere in a wide range of cultural and historical contexts.
Author: Christopher B. Balme
Publisher: Cambridge University Press
ISBN: 1139991817
Category : Drama
Languages : en
Pages : 233
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Book Description
The concept of the public sphere, as first outlined by German philosopher Jürgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces its origins and argues that the theatrical public sphere invariably focuses attention on theatre as an institution between the shifting borders of the private and public, reasoned debate and agonistic intervention. Chapters explore this concept in a variety of contexts, including the debates that led to the closure of British theatres in 1642, theatre's use of media, controversies surrounding race, religion and blasphemy, and theatre's place in a new age of globalised aesthetics. Balme concludes by addressing the relationship of theatre today with the public sphere and whether theatre's transformation into an art form has made it increasingly irrelevant for contemporary society.
Author: Árpád Szakolczai
Publisher: Routledge
ISBN: 041562391X
Category : Performing Arts
Languages : en
Pages : 378
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Book Description
The book aims at reframing the discussion on the "public sphere," usually understood as the place where the public opinion is formed, through rational discussion. The aim of this book is to give an account of this rationality, and its serious shortcomings, examining the role of the media and the confusing of public roles and personal identity. It focuses in particular on the role of the theatrical and comical in the historical development of the public sphere, and in this manner reformulating definitions of common sense, personal identity, and culture.
Author: Babak Rahimi
Publisher: BRILL
ISBN: 9004207562
Category : History
Languages : en
Pages : 404
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Book Description
During the Safavid period, the Shi'i Muharram commemorative rites which had been publically practiced since the 7th century, became a manifestation of state power. Already during the reign of Shah 'Abbas I (1587-1629) the Muharram rituals had transformed into an extraordinary rich repertoire of ceremonies and ceremonial spaces that can be defined as 'theater state'. Under Shah Safi I (1629-1642) these ceremonies ultimately led to carnivalesque celebrations of misrule and transgression. This first systematic study of a wide range of Persian and European archival and primary sources, analyzes how the Muharram rites changed from being an originally devotional practice to an ambiguous ritualization that in combination with other public arenas, such as the bazaar, coffeehouses or travel lodges, created distinct spaces of communication whereby the widening gap between state and society gave way to the formation of the early Iranian public sphere. Ultimately, the Muharram public spaces allowed for a shift in individual and collective identities, opening the way to multifaceted living fields of interaction, as well as being sites of contestation where innovative expressions of politics were made. In particular, the construction of the new Isfahan in 1590 is linked with the widespread proliferation of the Muharram mortuary rites by discussing rituals performed in major urban spaces.
Author: Katia Arfara
Publisher: Springer
ISBN: 3319753436
Category : Performing Arts
Languages : en
Pages : 278
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Book Description
This volume is a collection of scholarly articles and interviews with intermedial artists working with the concepts of public sphere at the intersection of aesthetics and politics. It explores the response of socially-engaged artistic practices to the current crisis in politics and media. It also critically examines urgent issues such as rampant nationalism and populism, expanding neoliberalism, the refugee crisis, growing inosculations of corporate and cyber culture, and the ongoing geopolitical changes in the Middle East. Can intermedial performances reflect the present artistic and political dilemmas in Europe and beyond? The collection provides theoretical frameworks that interrogate the role that spectators as citizens can play in our mediatized world while focusing on the functions of immersion, participation, and civic engagement in contemporary performance and society. The collection provides analyses by international scholars from Europe, Asia, and the USA, covering global performance created in the twenty-first century. It also introduces interviews with internationally acclaimed intermedial artists and companies such as BERLIN, Rimini Protokoll, Dries Verhoeven, Akira Takayama, and Kris Verdonck.
Author: Katrin Beushausen
Publisher: Cambridge University Press
ISBN: 1107181453
Category : Drama
Languages : en
Pages : 313
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Book Description
The first study to systematically trace the impact of theatre on the emerging public of the early modern period.
Author: Jeffrey S. Doty
Publisher: Cambridge University Press
ISBN: 1107163374
Category : Drama
Languages : en
Pages : 219
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Book Description
Machine generated contents note: 1. Introduction ; 2. Richard II and the early modern public sphere ; 3. Henry IV, the theater, and the popular appetite ; 4. Political interpretation in Julius Caesar ; 5. Measure for Measure and the problem of popularity ; 6. Coriolanus the popular man ; Conclusion
Author: Katalin Cseh-Varga
Publisher: Routledge
ISBN: 1351757075
Category : Art
Languages : en
Pages : 286
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Book Description
Performance Art in the Second Public Sphere is the first interdisciplinary analysis of performance art in East, Central and Southeast Europe under socialist rule. By investigating the specifics of event-based art forms in these regions, each chapter explores the particular, critical roles that this work assumed under censorial circumstances. The artistic networks of Yugoslavia, Hungary, Latvia, Lithuania, Poland, Romania, East Germany and Czechoslovakia are discussed with a particular focus on the discourses that shaped artistic practice at the time, drawing on the methods of Performance Studies and Media Studies as well as more familiar reference points from art history and area studies.
Author: Seyla Benhabib
Publisher: Cambridge University Press
ISBN: 113946437X
Category : Political Science
Languages : en
Pages : 32
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Book Description
Where do political identities come from, how do they change over time, and what is their impact on political life? This book explores these and related questions in a globalizing world where the nation state is being transformed, definitions of citizenship are evolving in unprecedented ways, and people's interests and identities are taking on new local, regional, transnational, cosmopolitan, and even imperial configurations. Pre-eminent scholars examine the changing character of identities, affiliations, and allegiances in a variety of contexts: the evolving character of the European Union and its member countries, the Balkans and other new democracies of the post-1989 world, and debates about citizenship and cultural identity in the modern West. These essays are essential reading for anyone interested in the political and intellectual ferment that surrounds debates about political membership and attachment, and will be of interest to students and scholars in the social sciences, humanities, and law.
Author: Jeffrey S. Ravel
Publisher: Cornell University Press
ISBN: 9780801485411
Category : History
Languages : en
Pages : 276
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Book Description
In the playhouses of eighteenth-century France, clerks and students, soldiers and merchants, and the occasional aristocrat stood in the pit, while the majority of the elite sat in loges. These denizens of the parterre, who accounted for up to two-thirds of the audience, were given to disruptive behavior that culminated in full-scale riots in the last years before the Revolution. Offering a commoner's eye view of the drama offstage, this fascinating history of French theater audiences clearly demonstrates how problems in the parterre reflected tensions at the heart of the Old Regime.Jeffrey S. Ravel vividly depicts the scene in the parterre where the male spectators occupied themselves shoving one another, drinking, urinating, and confronting the actors with critiques of the performance. He traces the futile efforts of the Bourbon Court--and later its Enlightened opponents--to control parterre behavior by both persuasion and force. Ravel describes how the parterre came to represent a larger, more politicized notion of the public, one that exposed the inability of the government to accommodate the demands of French citizens. An important contribution to debates on the public sphere, Ravel's book is the first to explore the role of the parterre in the political culture of eighteenth-century France.
