The Theatrical Notation of Roman and Pre-Shakespearean Comedy PDF Download
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Author: Georg Rudolf
Publisher:
ISBN:
Category : Classical drama (Comedy)
Languages : en
Pages : 194
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Book Description
Author: Georg Rudolf
Publisher:
ISBN:
Category : Classical drama (Comedy)
Languages : en
Pages : 194
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Book Description
Author: Stanley Wells
Publisher: Cambridge University Press
ISBN: 9780521523752
Category : Drama
Languages : en
Pages : 244
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Book Description
The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Author: Timothy J. Moore
Publisher: Cambridge University Press
ISBN: 0521138183
Category : Juvenile Nonfiction
Languages : en
Pages : 185
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Book Description
An exciting series that provides students with direct access to the ancient world by offering new translations of extracts from its key texts.
Author: Balz Engler
Publisher:
ISBN:
Category : Oral interpretation
Languages : en
Pages : 152
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 196
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Book Description
Author: Martin T. Dinter
Publisher: Cambridge University Press
ISBN: 1107002109
Category : Drama
Languages : en
Pages : 449
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Book Description
Provides a comprehensive critical engagement with Roman comedy and its reception presented by leading international scholars in accessible and up-to-date chapters.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 838
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category : Athens (Greece)
Languages : en
Pages : 114
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Book Description
Author: Amy Richlin
Publisher: Cambridge University Press
ISBN: 1108216439
Category : History
Languages : en
Pages : 582
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Book Description
Roman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displaced persons and the newly enslaved; together, the actors made comedy to address mixed-class, hybrid, multilingual audiences. Surveying the whole of the Plautine corpus, where slaves are central figures, and the extant fragments of early comedy, this book is grounded in the history of slavery and integrates theories of resistant speech, humor, and performance. Part I shows how actors joked about what people feared - natal alienation, beatings, sexual abuse, hard labor, hunger, poverty - and how street-theater forms confronted debt, violence, and war loss. Part II catalogues the onstage expression of what people desired: revenge, honor, free will, legal personhood, family, marriage, sex, food, free speech; a way home, through memory; and manumission, or escape - all complicated by the actors' maleness. Comedy starts with anger.
Author: Gesine Manuwald
Publisher: Bristol Classical Press
ISBN: 9780715638699
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Roman drama is a genre of Latin literature that was influential both in the cultural life of the ancient Romans and in the European theatre tradition. Plays of Plautus, Terence and Seneca are still very well known today; yet there were numerous works by other poets besides, though they survive only in fragmentary form. On the basis of a selection of paradigmatic sample texts by a number of Roman dramatists, this anthology provides a stimulating overview of the entire literary genre, including its various subtypes (tragedy, praetexta, comedy, togata, mime) and its historical development. To make these texts accessible to a wide readership, new English translations (on facing pages) as well as introductions to the individual excerpts and to the general context have been included. A selection of relevant testimonia provides information about the cultural background to Roman drama and ancient views on this literary genre. Paradigmatic extracts from dramas written in England between the sixteenth and twentieth centuries illustrate the continuing influence of Roman plays. Thus this anthology conveniently documents the history of an interesting and exciting literary genre from its beginnings to the modern period.
