The Theatrical Inquisitor, Or, Monthly Mirror PDF Download
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Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 428
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Book Description
Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 428
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Book Description
Author:
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 674
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Book Description
Author: Tim Fulford
Publisher: Taylor & Francis
ISBN: 104024887X
Category : Literary Criticism
Languages : en
Pages : 832
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Book Description
Central to any reappraisal of Southey’s mid to late career, is 'Roderick'. This best-selling epic romance has not been republished since 1838 and is contextualised here within Southey’s wider oeuvre. The four-volume edition also benefits from a general introduction, volume introductions, textual variants, endnotes and a consolidated index.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 796
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Book Description
Author: Allen A. Brown Collection (Boston Public Library)
Publisher: Boston : The Trustees
ISBN:
Category : Drama
Languages : en
Pages : 976
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 688
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Book Description
Author: Deborah Sutton
Publisher: State University of New York Press
ISBN: 1438499221
Category : History
Languages : en
Pages : 313
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Book Description
From 1800 onwards, the Hindu temple occupied a fragile and uneasy proximity to Imperial governance in India. The colonial state sought to regulate and extract the wealth of large temples. Imperial scholars classified the extraordinary diversity of architectural forms from across India, and selected temples were defined as monuments and brought into the custody of Imperial archaeology. Over time, the Imperial literary imagination transformed the Hindu temple from a place of worship and devotion into a space of wealth, sensuality, and violence. However, the Hindu temple also tested the Imperial state. Devotees and trustees manipulated and rejected attempts at governance, and the Hindu temple became a site at which the authority of the state was persistently modified or curtailed. Ruling Devotion combines historical, literary, art historical, and archaeological perspectives to explore the idea of the temple in particular localities, through the formation of pan-British-Indian policy and in the broadest of transnational realms of Imperial culture. Drawing on a huge range and diversity of archival materials, the book explores the preoccupations and frailties of the colonial state in India.
Author: Ben P Robertson
Publisher: Routledge
ISBN: 1317316517
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
Through an examination of her complete works and public response to them, Robertson gauges the extent of Inchbald's reputation as the dignified Mrs Inchbald, as well as providing a clear sense of what it meant to be a female Romantic writer.
Author:
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ISBN:
Category : Theater
Languages : en
Pages : 494
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Book Description
Author: James Armstrong
Publisher: Springer Nature
ISBN: 3031137108
Category : Performing Arts
Languages : en
Pages : 237
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Book Description
This book reinterprets British dramas of the early-nineteenth century through the lens of the star actors for whom they were written. Unlike most playwrights of previous generations, the writers of British Romantic dramas generally did not work in the theatre themselves. However, they closely followed the careers of star performers. Even when they did not directly know actors, they had what media theorists have dubbed "para-social interactions" with those stars, interacting with them through the mediation of mass communication, whether as audience members, newspaper and memoir readers, or consumers of prints, porcelain miniatures, and other manifestations of "fan" culture. This study takes an in-depth look at four pairs of performers and playwrights: Sarah Siddons and Joanna Baillie, Julia Glover and Samuel Taylor Coleridge, Edmund Kean and Lord Byron, and Eliza O'Neill and Percy Bysshe Shelley. These charismatic performers, knowingly or not, helped to guide the development of a character-based theatre—from the emotion-dominated plays made popular by Baillie to the pinnacle of Romantic drama under Shelley. They shepherded in a new style of writing that had verbal sophistication and engaged meaningfully with the moral issues of the day. They helped to create not just new modes of acting, but new ways of writing that could make use of their extraordinary talents.
