The New Republic PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The New Republic PDF full book. Access full book title The New Republic by Herbert David Croly. Download full books in PDF and EPUB format.
Author: Herbert David Croly
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 430
Get Book Here
Book Description
Author: Herbert David Croly
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 430
Get Book Here
Book Description
Author: Zeami Motokiyo
Publisher: Volume Edizioni srl
ISBN: 8897747108
Category : Drama
Languages : en
Pages : 37
Get Book Here
Book Description
The japanese Noh drama by the Master Zeami Motokiyo about the Buddhist priest Rensei and the warrior of the Taira Clan Atsumori. The story of redention of the warrior Kumagai Jiro Naozane that killed the young Atsumori. One of the most popular and touching Zeami's Noh drama inspired by "The Tales of Heike". Contents: Preface by Massimo Cimarelli Atsumori by Zeami Motokiyo Pearson Part I Interlude Part II Glossary Notes
Author: Alan Ayckbourn
Publisher: Samuel French, Inc.
ISBN: 9780573693779
Category : Drama
Languages : en
Pages : 188
Get Book Here
Book Description
Jack McCraken has the opportunity of a lifetime: he is the new head of a family furniture business and believes he will initiate a new age of honesty and integrity. He quickly learns that everyone else involved in the enterprise has a vested interest in maintaining business as usual, rife with dishonesty and deceit "--
Author: Anna Kibort
Publisher: OUP Oxford
ISBN: 0191574503
Category : Language Arts & Disciplines
Languages : en
Pages : 352
Get Book Here
Book Description
This book presents a critical overview of current work on linguistic features and establishes new bases for their use in the study and understanding of language. Features are fundamental components of linguistic description: they include gender (feminine, masculine, neuter); number (singular, plural, dual); person (1st, 2nd, 3rd); tense (present, past, future); and case (nominative, accusative, genitive, ergative). Despite their ubiquity and centrality in linguistic description, much remains to be discovered about them: there is, for example, no readily available inventory showing which features are found in which of the world's languages; there is no consensus about how they operate across different components of language; and there is no certainty about how they interact. This book seeks at once to highlight and to tackle these problems. It brings together perspectives from phonology to formal syntax and semantics, expounding the use of linguistic features in typology, computer applications, and logic. Linguists representing different standpoints spell out clearly the assumptions they bring to different kinds of feature and describe how they use them. Their contrasting contributions highlight the areas of difference and the common ground between their perspectives. The book brings together original work by leading international scholars. It will appeal to linguists of all theoretical persuasions.
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 618
Get Book Here
Book Description
Author: Lloyd Suh
Publisher: Dramatists Play Service, Inc.
ISBN: 0822239906
Category : Performing Arts
Languages : en
Pages : 48
Get Book Here
Book Description
Afong Moy is fourteen years old when she’s brought to the United States from Guangzhou Province in 1834. Allegedly the first Chinese woman to set foot on U.S. soil, she has been put on display for the American public as “The Chinese Lady.” For the next half-century, she performs for curious white people, showing them how she eats, what she wears, and the highlight of the event: how she walks with bound feet. As the decades wear on, her celebrated sideshow comes to define and challenge her very sense of identity. Inspired by the true story of Afong Moy’s life, THE CHINESE LADY is a dark, poetic, yet whimsical portrait of America through the eyes of a young Chinese woman.
Author: Rufus Bonds Jr.
Publisher: Routledge
ISBN: 1000504131
Category : Performing Arts
Languages : en
Pages : 274
Get Book Here
Book Description
Production Collaboration in the Theatre reveals the ingredients of proven successful collaborations in academic and professional theatre training, where respect, trust, and inclusivity are encouraged and roles are defined with a clear and unified vision. Garnering research from conversations with over 100 theatre professionals on Broadway and in regional and educational theatre, the authors provide multiple approaches to working together that are designed to help students and teachers of theatre discover and develop the collaborative tools that work best for them. Each chapter offers practical application with discussion prompts from real-life scenarios to practice and develop the critical problem-solving skills necessary for theatre artists to navigate common collaboration challenges. Compelling topical case studies and insightful interviews invite readers to explore the principles of collaboration and inspire them to build joyful, equitable, and collaborative relationships in academic and professional settings. Production Collaboration for the Theatre offers theatre faculty and students a practical approach to developing the interpersonal skills necessary for a lifetime career in collaboration in the theatre. An ideal resource for actors, directors, designers, and production teams, this book provides theatre artists in training with an opportunity to develop their collaborative style in a way that will guide and support the longevity of a successful career.
Author: James Moran
Publisher: Bloomsbury Publishing
ISBN: 1472570391
Category : Literary Criticism
Languages : en
Pages : 265
Get Book Here
Book Description
This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama. F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'. But this book foregrounds Lawrence's career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier's Friday Night. It examines how Lawrence's novels are suffused with theatrical thinking, revealing how Lawrence's fictions – from his first published work to the last story that he wrote before his death – continually take inspiration from the playhouse. The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence's work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage.
Author: Graham Robb
Publisher: W. W. Norton & Company
ISBN: 9780393318999
Category : Biography & Autobiography
Languages : en
Pages : 726
Get Book Here
Book Description
"Graham Robb tells the complicated story of this colossal life with authority and sympathy. . . . Unquestionably, a magnificent biography".--"Washington Square Press". of photos.
Author: Loren Kruger
Publisher: University of Chicago Press
ISBN: 9780226454962
Category : Art
Languages : en
Pages : 260
Get Book Here
Book Description
The idea of staging a nation dates from the Enlightenment, but the full force of the idea emerges only with the rise of mass politics. Comparing English, French, and American attempts to establish national theatres at moments of political crisis—from the challenge of socialism in late nineteenth-century Europe to the struggle to "salvage democracy" in Depression America—Kruger poses a fundamental question: in the formation of nationhood, is the citizen-audience spectator or participant? The National Stage answers this question by tracing the relation between theatre institution and public sphere in the discourses of national identity in Britain, France, and the United States. Exploring the boundaries between history and theory, text and performance, this book speaks to theatre and social historians as well as those interested in the theoretical range of cultural studies.
