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Author: Edward Gordon Craig
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 380
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Book Description
Author: Edward Gordon Craig
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 380
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Book Description
Author: Christopher Innes
Publisher: Routledge
ISBN: 1134402945
Category : Performing Arts
Languages : en
Pages : 354
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Book Description
Edward Gordon Craig's ideas regarding set and lighting have had an enormous impact on the development of the theatre we know today. In this new and updated edition of his well-known study of Edward Gordon Craig, Professor Christopher Innes shows how Craig's stage work and theoretical writings were crucial to the development of modern theatre. This book contains extensive documentation and re-evaluates his significance as an artist, actor, director and writer. Craig is placed in historical context, and his productions are reconstituted from unpublished prompt-books, sketches, journals and correspondence. Most of the designs and photographs, and many of Craig's writings cited, are not available elsewhere in print. Readers will gain insight into a key period of theatrical history, the life of one of its most fascinating individuals, the nature of stage performance, and into revolutionary ideas that are still challenging today.
Author: Olga Taxidou
Publisher: Routledge
ISBN: 1134424507
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
No study of modern theater is complete without a thorough understanding of the enormous influence of visionary genius Edward Gordon Craig. Born in England in 1872, Craig went on to become famous world-wide as an actor, manager, director, playwright, designer, and most importantly an author and theorist, whose books were translated into German, Russian, Japanese, Dutch, Hungarian, and Danish. Although an essential parallel to the European avant-garde, Craig was often read as "exceptional" and highly innovative in his native Britain, thus, The Mask not only appears as Craig's main cosmopolitan project but also at times functions as a surrogate stage for his experiments in theater practice. The book has a comprehensive chronology, extensive notes and a bibliography making it an essential text for undergraduates, postgraduates, actors, theatre professionals, designers, directors, researchers and writers in the fields of theatre studies (especially theater set and lighting) and theater history.
Author: Denis Bablet
Publisher: Theatre Arts Books
ISBN: 9780878305810
Category :
Languages : en
Pages :
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Book Description
Author: Edward Gordon Craig
Publisher:
ISBN:
Category : Wood-engravers
Languages : en
Pages : 154
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Book Description
Collection of the author's woodcuts made between 1898 and 1923 along with information about himself and tips for woodcutters.
Author: Jennifer Buckley
Publisher: University of Michigan Press
ISBN: 0472074253
Category : Performing Arts
Languages : en
Pages : 293
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Book Description
Taking up the work of prominent theater and performance artists, Beyond Text reveals the audacity and beauty of avant-garde performance in print. With extended analyses of the works of Edward Gordon Craig, German expressionist Lothar Schreyer, the Living Theatre, Carolee Schneemann, and Guillermo Gómez-Peña, the book shows how live performance and print aesthetically revived one another during a period in which both were supposed to be in a state of terminal cultural decline. While the European and American avant-gardes did indeed dismiss the dramatic author, they also adopted print as a theatrical medium, altering the status, form, and function of text and image in ways that continue to impact both the performing arts and the book arts. Beyond Text participates in the ongoing critical effort to unsettle conventional historical and theoretical accounts of text-performance relations, which have too often been figured in binary, chronological (“from page to stage”), or hierarchical terms. Across five case studies spanning twelve decades, Beyond Text demonstrates that print—as noun and verb—has been integral to the practices of modern and contemporary theater and performance artists.
Author: Rachel Hann
Publisher: Routledge
ISBN: 0429950985
Category : Performing Arts
Languages : en
Pages : 397
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Book Description
Focused on the contemporary Anglophone adoption from the 1960s onwards, Beyond Scenography explores the porous state of contemporary theatre-making to argue a critical distinction between scenography (as a crafting of place orientation) and scenographics (that which orientate acts of worlding, of staging). With sections on installation art and gardening as well as marketing and placemaking, this book is an argument for what scenography does: how assemblages of scenographic traits orientate, situate, and shape staged events. Established stage orthodoxies are revisited - including the symbiosis of stage and scene and the aesthetic ideology of 'the scenic' - to propose how scenographics are formative to all staged events. Consequently, one of the conclusions of this book is that there is no theatre practice without scenography, no stages without scenographics. Beyond Scenography offers a manifesto for a renewed theory of scenographic practice for the student and professional theatrical designer.
Author: Edward Braun
Publisher: A&C Black
ISBN: 1408149257
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
Beginning with the triple impulses of Naturalism, symbolism and the grotesque, the bulk of the book concentrates on the most famous directors of this century - Stanislavski, Reinhardt, Graig, Meyerhold, Piscator, Brecht, Artuaud and Grotowski. Braun's guide is more practical than theoretical, delineating how each director changed the tradition that came before him.
Author: Edward Gordon Craig
Publisher:
ISBN:
Category : Theaters
Languages : en
Pages : 90
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Book Description
Author: Edward Gordon Craig
Publisher: Methuen Publishing
ISBN:
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Presents the essence of Edward Gordon Craig's ideas.This selection, accompanied by Craig's own drawings and designs includes key sections from his most influential book On the Art of the Theatre, as well as essays from his own theatre journal, The Mask.
