The Impossible Theater

The Impossible Theater PDF Author: Herbert Blau
Publisher: New York : Macmillan
ISBN:
Category : Drama
Languages : en
Pages : 336

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Book Description
The author critiques contemporary American theater.

Performance and Femininity in Eighteenth-Century German Women's Writing

Performance and Femininity in Eighteenth-Century German Women's Writing PDF Author: W. Arons
Publisher: Springer
ISBN: 0230600735
Category : Education
Languages : en
Pages : 274

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Book Description
In this book, Wendy Arons examines how women writers used theater and performance to investigate the problem of female subjectivity and to intervene in the dominant discourse about ideal femininity. Arons shows how contemporary demands for sincerity and authenticity placed a peculiar burden on women in the public sphere, especially on actresses, who - like professional writers - overstepped the boundaries of what was considered proper behavior for women. Paradoxically, in their representations of ideal women engaged in performance, these writers expose ideal femininity as an impossible act, even as they attempt to perform it in their writing and in their lives.

The Impossible Musical

The Impossible Musical PDF Author: Dale Wasserman
Publisher: Applause Theatre & Cinema
ISBN:
Category : Music
Languages : en
Pages : 376

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Book Description
Dale Wasserman had more trouble getting it on to a Broadway stage than Don Quixote ever had with those windmills.

Impossible is Nothing

Impossible is Nothing PDF Author:
Publisher: Daylight Books
ISBN: 9781942084334
Category : Photography
Languages : en
Pages : 0

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Book Description
Impossible is Nothing documents China as a rising power struggling to integrate capitalism into a Communist system.

The Translations

The Translations PDF Author: Langston Hughes
Publisher: University of Missouri Press
ISBN: 082626378X
Category : Literary Collections
Languages : en
Pages : 285

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Book Description
This volume brings together a collection of texts translated by Langston Hughes. It contains his translations of work by the Spanish poet/playwright Federico Garcia Lorca, Afro-Cuban poet Nicolas Guillen and Haitian writer Jacques Roumain.

Journey Through the Impossible

Journey Through the Impossible PDF Author: Jules Verne
Publisher: Prometheus Books
ISBN: 1615923780
Category : Drama
Languages : en
Pages : 184

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Book Description
This is the first complete edition and the first English translation of a surprising work by a popular French novelist whose work continues to delight readers to this day.

The Risk Theatre Model of Tragedy

The Risk Theatre Model of Tragedy PDF Author: Edwin Wong
Publisher: FriesenPress
ISBN: 1525537555
Category : Drama
Languages : en
Pages : 363

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Book Description
WHEN YOU LEAST EXPECT IT, BIRNAM WOOD COMES TO DUNSINANE HILL The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events. In this book, classicist Edwin Wong shows how tragedy imitates reality: heroes, by taking inordinate risks, trigger devastating low-probability, high-consequence outcomes. Such a theatre forces audiences to ask themselves a most timely question---what happens when the perfect bet goes wrong? Not only does Wong reinterpret classic tragedies from Aeschylus to O’Neill through the risk theatre lens, he also invites dramatists to create tomorrow’s theatre. As the world becomes increasingly unpredictable, the most compelling dramas will be high-stakes tragedies that dramatize the unintended consequences of today's risk takers who are taking us past the point of no return.

The Lines Between the Lines

The Lines Between the Lines PDF Author: Bess Rowen
Publisher: University of Michigan Press
ISBN: 0472054368
Category : Performing Arts
Languages : en
Pages : 259

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Book Description
How stage directions convey not what a given moment looks like--but how it feels

The Empty Space

The Empty Space PDF Author: Peter Brook
Publisher: Simon and Schuster
ISBN: 0684829576
Category : Literary Criticism
Languages : en
Pages : 144

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Book Description
From director and cofounder of the Royal Shakespeare Company Peter Brook, The Empty Space is a timeless analysis of theatre from the most influential stage director of the twentieth century. As relevant as when it was first published in 1968, groundbreaking director and cofounder of the Royal Shakespeare Company Peter Brook draws on a life in love with the stage to explore the issues facing a theatrical performance--of any scale. He describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht's revolutionary alienation technique to the free form happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Passionate, unconventional, and fascinating, this book shows how theatre defies rules, builds and shatters illusions, and creates lasting memories for its audiences.

Imagined Theatres

Imagined Theatres PDF Author: Daniel Sack
Publisher: Taylor & Francis
ISBN: 1351965603
Category : Drama
Languages : en
Pages : 313

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Book Description
Imagined Theatres collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre. Each scenario is mirrored by a brief accompanying reflection, asking what they might mean for our thinking about the theatre. These many possible worlds circle around questions that include: In what way is writing itself a performance? How do we understand the relationship between real performances that engender imaginary reflections and imaginary conceptions that form the basis for real theatrical productions? Are we not always imagining theatres when we read or even when we sit in the theatre, watching whatever event we imagine we are seeing?