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Author: Philip Parisi
Publisher: Texas A&M University Press
ISBN: 9781623494889
Category : History
Languages : en
Pages : 200
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Book Description
Walk into any of sixty post offices or federal buildings in the state of Texas and you may be greeted by a surprising sight: magnificent mural art on the lobby walls. In the midst of the Great Depression, a program was born that would not only give work to artists but also create beauty and optimism for a people worn down by hardship and discouragement. This New Deal program commissioned artists to create post office murals—the people’s art—to celebrate the lives, history, hopes, and dreams of ordinary Americans. In Texas alone, artists painted ninety-seven artworks for sixty-nine post offices and federal buildings around the state. Painted by some of the best-known artists of the day, these murals sparkled with scenes of Texas history, folklore, heroes, common people, wildlife, and landscapes. Murals were created from San Antonio, Houston, and Dallas to Big Spring, Baytown, and Hamilton. The artists included Tom Lea, Jerry Bywaters, Peter Hurd, Otis Dozier, Alexandre Hogue, and Xavier Gonzalez. The images showed people at work and featured industries specific to the region, often coupled with symbols of progress such as machinery and modern transportation. Murals depicted cowboys and stampedes, folk heroes from Sam Bass to Davy Crockett, revered Indian chief Quanah Parker, and community symbols such as Eastland’s lizard mascot, Ol’ Rip. In this beautiful volume Philip Parisi has gathered 115 photographs of these stunning and historic works of art—36 in full color. He tells the story of how they came to be, how the communities influenced and accepted them, and what efforts have been made to restore and preserve them. Enjoy this beautiful book in the comfort of your living room, or take it with you on the road as a guide to the people’s art in the Lone Star State.
Author: Philip Parisi
Publisher: Texas A&M University Press
ISBN: 9781623494889
Category : History
Languages : en
Pages : 200
Get Book Here
Book Description
Walk into any of sixty post offices or federal buildings in the state of Texas and you may be greeted by a surprising sight: magnificent mural art on the lobby walls. In the midst of the Great Depression, a program was born that would not only give work to artists but also create beauty and optimism for a people worn down by hardship and discouragement. This New Deal program commissioned artists to create post office murals—the people’s art—to celebrate the lives, history, hopes, and dreams of ordinary Americans. In Texas alone, artists painted ninety-seven artworks for sixty-nine post offices and federal buildings around the state. Painted by some of the best-known artists of the day, these murals sparkled with scenes of Texas history, folklore, heroes, common people, wildlife, and landscapes. Murals were created from San Antonio, Houston, and Dallas to Big Spring, Baytown, and Hamilton. The artists included Tom Lea, Jerry Bywaters, Peter Hurd, Otis Dozier, Alexandre Hogue, and Xavier Gonzalez. The images showed people at work and featured industries specific to the region, often coupled with symbols of progress such as machinery and modern transportation. Murals depicted cowboys and stampedes, folk heroes from Sam Bass to Davy Crockett, revered Indian chief Quanah Parker, and community symbols such as Eastland’s lizard mascot, Ol’ Rip. In this beautiful volume Philip Parisi has gathered 115 photographs of these stunning and historic works of art—36 in full color. He tells the story of how they came to be, how the communities influenced and accepted them, and what efforts have been made to restore and preserve them. Enjoy this beautiful book in the comfort of your living room, or take it with you on the road as a guide to the people’s art in the Lone Star State.
Author: John C. Carlisle
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 116
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Book Description
Author: Diane Chamberlain
Publisher: St. Martin's Press
ISBN: 125008735X
Category : Fiction
Languages : en
Pages : 352
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Book Description
From New York Times bestselling author Diane Chamberlain comes a novel of chilling intrigue, a decades-old disappearance, and one woman’s quest to find the truth... “A novel about arts and secrets...grippingly told...pulls readers toward a shocking conclusion.”—People magazine, Best New Books North Carolina, 2018: Morgan Christopher's life has been derailed. Taking the fall for a crime she did not commit, her dream of a career in art is put on hold—until a mysterious visitor makes her an offer that will get her released from prison immediately. Her assignment: restore an old post office mural in a sleepy southern town. Morgan knows nothing about art restoration, but desperate to be free, she accepts. What she finds under the layers of grime is a painting that tells the story of madness, violence, and a conspiracy of small town secrets. North Carolina, 1940: Anna Dale, an artist from New Jersey, wins a national contest to paint a mural for the post office in Edenton, North Carolina. Alone in the world and in great need of work, she accepts. But what she doesn't expect is to find herself immersed in a town where prejudices run deep, where people are hiding secrets behind closed doors, and where the price of being different might just end in murder. What happened to Anna Dale? Are the clues hidden in the decrepit mural? Can Morgan overcome her own demons to discover what exists beneath the layers of lies? “Chamberlain, a master storyteller, keeps readers hooked, with a story line that leavens history and social commentary with romance and mystery.”—Lexington Dispatch
Author: David W. Gates Jr
Publisher:
ISBN: 9781970088007
Category : Travel
Languages : en
Pages : 178
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Book Description
The united states government commissioned over 1,100 murals for the embellishment of post offices nationwide. Wisconsin received 35 of these murals. After nearly 85 years, the story of their existence is elusive and often overlooked. Gates's research of the correspondence between the artists and government tells the stories of how the murals were developed and eventually installed in small towns throughout Wisconsin. Wisconsin Post Office Murals is packed with fascinating details: 130 full-color images of the murals 70 images of buildings and cornerstones Full-color map with the location of each town The history and story of each mural Written to educate and promote these wonderful Depression-era works of art and buildings, Wisconsin Post Office Murals is a must-have for any New Deal, history, or post office enthusiast. If you've ever been to any of the 35 post offices written about here and asked yourself, Why is there a mural in the lobby or Who is the artist who painted the mural on the wall, this is the book for you.
Author: Shirley Reece-Hughes
Publisher: Texas A&M University Press
ISBN: 1623498899
Category : Art
Languages : en
Pages : 446
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Book Description
Everett Spruce came to Texas from his Arkansas home in 1925 to study at the Dallas Art Institute. Over the next seven decades, he became one of the most important painters and teachers in the region. One of the “Dallas Nine,” a group of influential Texas Regionalists that included Jerry Bywaters, Otis Dozier, William Lester, and others, Spruce was among the artists who lobbied the Texas Centennial Commission for a greater role in the Centennial Exposition of 1936. These efforts, though unsuccessful, nevertheless led to greater recognition and influence for Texas art and artists. Spruce was assistant director and taught art at the Dallas Museum of Fine Arts until 1940 when he joined the faculty of the University of Texas at Austin. He painted and taught at the university for the next 38 years, guiding and shaping the next generation of Texas artists, including Roger Winter, William Hoey, and others. Spruce died in 2002 at the age of 94. Texas Made Modern: The Art of Everett Spruce traces Spruce’s artistic evolution from his early experimental work of the 1920s through the mysterious, surrealist-imbued landscapes of the 1930s. The work addresses his boldly expressionistic imagery of the 1940s and his abstract expressionist–inspired paintings of the mid-twentieth century. Departing from previous accounts of Spruce, which label him a prototypical regionalist, this study reveals the nuanced meanings behind the artist’s shifting approaches to Texas subject matter and resituates his artwork within the broader narrative of American art.
Author: Karal Ann Marling
Publisher: U of Minnesota Press
ISBN: 9780816636730
Category : Art
Languages : en
Pages : 370
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Book Description
From the back cover of the book, quoted in part:"The America Karal Ann Marling (the author) refers to is small-town America during the depression era; in particular those communities that were portrayed in the 1000-odd murals that appeared in post offices around the country under the auspices of the Treasury Department Section of Fine Arts. She goes far beyond an investigation of the murals as art, and 'Wall to Wall America' becomes an intelligent, often irreverent, discussion of popular taste and culture during the depression decade. "
Author: William E. Reaves
Publisher: Texas A&M University Press
ISBN: 1623496667
Category : Art
Languages : en
Pages : 162
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Book Description
A significant collection of Texas paintings and prints hangs humbly and inconspicuously throughout the offices, conference rooms, and hallways of Texas A&M University Press. These works comprise the Frank H. Wardlaw Collection of Texas Art, named in honor of the Press’s founding director, who was one of the genuine publishing icons of his day. Established in 1983 at the dedication of the new headquarters of Texas A&M University Press on the campus of Texas A&M, the collection began with twenty inaugural contributions that came as gifts from respected Texas artists whose art appeared in the books Wardlaw had shepherded to publication at the Press. Since then, the collection—which continues to be linked to artists published by the Press—has grown to house more than one hundred paintings, photographs, and illustrations. Among the noted artists featured in the collection are E. M. (Buck) Schiwetz, Otis Dozier, Michael Frary, Everett Spruce, Emily Guthrie Smith, Jerry Bywaters, and, among more recent additions, Dorothy Hood and Richard Stout. Through interviews with longtime staff and research into the Press’s book files and correspondence, William and Linda Reaves have uncovered the captivating history of this unlikely collection. In A Book Maker’s Art, they present the freshly assembled story of the Wardlaw collection, from its modest yet unique beginning to its present-day status as one of the university’s excellent collections of Texas art, reflecting the exceptional bond of arts and letters that has come to distinguish Texas A&M University Press.
Author: Diana L. Linden
Publisher: Wayne State University Press
ISBN: 0814339840
Category : Art
Languages : en
Pages : 185
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Book Description
A study of Ben Shahn’s New Deal murals (1933–43) in the context of American Jewish history, labor history, and public discourse. Lithuanian-born artist Ben Shahn learned fresco painting as an assistant to Diego Rivera in the 1930s and created his own visually powerful, technically sophisticated, and stylistically innovative artworks as part of the New Deal Arts Project’s national mural program. InBen Shahn’s New Deal Murals: Jewish Identity in the American Scene author Diana L. Linden demonstrates that Shahn mined his Jewish heritage and left-leaning politics for his style and subject matter, offering insight into his murals’ creation and their sometimes complicated reception by officials, the public, and the press. In four chapters, Linden presents case studies of select Shahn murals that were created from 1933 to 1943 and are located in public buildings in New York, New Jersey, and Missouri. She studies Shahn’s famous untitled fresco for the Jersey Homesteads—a utopian socialist cooperative community populated with former Jewish garment workers and funded under the New Deal—Shahn’s mural for the Bronx Central Post Office, a fresco Shahn proposed to the post office in St. Louis, and a related one-panel easel painting titled The First Amendment located in a Queens, New York, post office. By investigating the role of Jewish identity in Shahn’s works, Linden considers the artist’s responses to important issues of the era, such as President Roosevelt’s opposition to open immigration to the United States, New York’s bustling garment industry and its labor unions, ideological concerns about freedom and liberty that had signifcant meaning to Jews, and the encroachment of censorship into American art. Linden shows that throughout his public murals, Shahn literally painted Jews into the American scene with his subjects, themes, and compositions. Readers interested in Jewish American history, art history, and Depression-era American culture will enjoy this insightful volume.
Author: Tom Lea
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Marlene Park
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 288
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Book Description
