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Author: Jodi Hauptman
Publisher: The Museum of Modern Art
ISBN: 0870706012
Category :
Languages : en
Pages : 284
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Book Description
Author: Jodi Hauptman
Publisher: The Museum of Modern Art
ISBN: 0870706012
Category :
Languages : en
Pages : 284
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Book Description
Author: Deborah Wye
Publisher: The Museum of Modern Art
ISBN: 9780870701252
Category : Architecture
Languages : en
Pages : 296
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Book Description
Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.
Author: Stephen F. Eisenman
Publisher: University of Chicago Press
ISBN: 9780226195483
Category : Art
Languages : en
Pages : 322
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Book Description
Bristling with demons, grotesques, and bizarre apparitions, the graphic work of Odilon Redon has often seemed to be the product of a mind unhinged. In The Temptation of Saint Redon, Stephen F. Eisenman argues instead that these works are Redon's conscious and considered response to changing social realities—an attempt to find refuge from the forces of modernization in an imaginative world of the macabre and the fantastic. Eisenman's careful attention to the circumstances of Redon's life (1840-1916) allows him to bring into focus the interconnections between Redon's complex style and the culture and society of his time. Born and raised on a sixteenth-century estate near Bordeaux, Redon was immersed as a child in traditional rural culture. "I spent my entire childhood in the Médoc completely free, among peasant children," he recalled in his memoirs. "I heard them tell supernatural tales—witches still exist there." Indeed, local tales and legends of witches, ghosts, one-eyed monsters, evil eyes, and wood fairies figure prominently in Redon's graphic works, which he called his noirs, or "blacks." After formal training at Bordeaux and Paris in the 1850s and 1860s, Redon began to chart his independent artistic course. Eisenman shows how, rejecting both naturalism and classicism, Redon, a prototypical Symbolist, found in grotesque and epic genres the expression of organic communities and precapitalist societies. He places Redon's desire for this imagined world of superstitious simplicity a desire manifest in his entire mature artistic practice in the context of contemporary avant-garde movements. Redon's great noirs of the 1870s and 1880s, dreamlike configurations of seemingly irreconcilable elements from portraits, still lifes, and landscapes, show an increasingly subtle control of connotation and a complex indebtedness to caricature, allegory, and puns. Many of the noirs also visually interpret works by like-minded authors, including Baudelaire, Flaubert, Poe, and Mallarmé, one of Redon's close friends. Eisenman's analysis of the noirs underscores Redon's interest in creating an imaginative, even fantastic art, that could act directly on the human spirit. In addition to deepening our understanding of Redon and his art, The Temptation of Saint Redon exposes a link between place, politics, personal history, and the artistic imagination.
Author: Benjamin F. Bart
Publisher:
ISBN: 9780914337027
Category :
Languages : en
Pages : 30
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Book Description
Author: Benjamin F. Bart
Publisher:
ISBN: 9780914337027
Category :
Languages : en
Pages : 30
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Book Description
Author: Albright-Knox Art Gallery
Publisher: Albright Knox Art Gallery
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 104
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Book Description
Author: Odilon Redon
Publisher: Courier Corporation
ISBN: 0486156451
Category : Art
Languages : en
Pages : 240
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Book Description
A prominent Symbolist and a precursor to the Surrealists, Redon transformed common subjects into fantastic images, depicting serpents, skeletons, and monsters with a distinctive style of realism. 172 lithographs, plus 37 etchings and engravings.
Author: Andrew Nagorski
Publisher: Simon & Schuster
ISBN: 1501181130
Category : History
Languages : en
Pages : 400
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Book Description
Bestselling historian Andrew Nagorski “brings keen psychological insights into the world leaders involved” (Booklist) during 1941, the critical year in World War II when Hitler’s miscalculations and policy of terror propelled Churchill, FDR, and Stalin into a powerful new alliance that defeated Nazi Germany. In early 1941, Hitler’s armies ruled most of Europe. Churchill’s Britain was an isolated holdout against the Nazi tide, but German bombers were attacking its cities and German U-boats were attacking its ships. Stalin was observing the terms of the Nazi-Soviet Pact, and Roosevelt was vowing to keep the United States out of the war. Hitler was confident that his aim of total victory was within reach. But by the end of 1941, all that changed. Hitler had repeatedly gambled on escalation and lost: by invading the Soviet Union and committing a series of disastrous military blunders; by making mass murder and terror his weapons of choice, and by rushing to declare war on the United States after Japan’s attack on Pearl Harbor. Britain emerged with two powerful new allies—Russia and the United States. By then, Germany was doomed to defeat. Nagorski illuminates the actions of the major characters of this pivotal year as never before. 1941: The Year Germany Lost the War is a stunning and “entertaining” (The Wall Street Journal) examination of unbridled megalomania versus determined leadership. It also reveals how 1941 set the Holocaust in motion, and presaged the postwar division of Europe, triggering the Cold War. 1941 was “the year that shaped not only the conflict of the hour but the course of our lives—even now” (New York Times bestselling author Jon Meacham).
Author: Odilon Redon
Publisher:
ISBN: 9780979984754
Category : Charcoal drawing
Languages : en
Pages : 0
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Book Description
"I am the first consciousness of chaos collects the key "noirs" -- lithographs, etchings and charcoals -- of Odilon Redon, perhaps the most enigmatic and esoteric works in the artistic lineage that leads directly from Symbolism to Surrealism. Never previously available in a single trade volume, the majority of Redon's noirs -- over 250 illustrations -- are finally collated here, along with illuminating excerpts from the decadent texts which inspired their creation. Authors featured include J-K Huysmans, Gustave Flaubert, Charles Baudelaire, Edward Bulwer-Lytton, St. John the Divine, Edgar Allan Poe and others; the book also includes an autobiographical introductory essay by Redon himself."--Publisher's description.
Author: Dawn Ades
Publisher: David Zwirner Books
ISBN: 9781941701881
Category : Art
Languages : en
Pages : 240
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Book Description
Endless Enigma: Eight Centuries of Fantastic Art explores the ways in which artists have sought to explain their world in terms of an alternate reality, drawn from imagination, the subconscious, poetry, nature, myth, and religion. Endless Enigma takes as its point of departure Alfred H. Barr Jr.’s legendary 1936 exhibition at The Museum of Modern Art, New York, Fantastic Art, Dada, Surrealism, which not only introduced these movements to the American public, but also placed them in a historical and cultural context by situating them with artists from earlier centuries. Presenting works from the twelfth century to the present day, this catalogue is organized into six themes—Monsters & Demons, Dreams & Temptation, Fragmented Body, Unconscious Gesture, Super Nature, and Sense of Place. Works included range from medieval gargoyles to twentieth-century works by Louise Bourgeois, Sigmar Polke, and Pablo Picasso as well as contemporary works by Michaël Borremans, Marcel Dzama, and Raymond Pettibon. Masterworks from the likes of Piero di Cosimo, Francisco de Goya, and Titian are considered alongside those by William Blake and Odilon Redon. Time folds and temporal barriers collapse when Damiano Cappelli meets Edvard Munch, and Salvator Rosa encounters Luc Tuymans and Lisa Yuskavage. Salvador Dalí, Sherrie Levine, Giuseppe Arcimboldo, Kerry James Marshall—eight centuries intersect and, as such, this wide-ranging catalogue examines affinities in intention and imagery between works executed across a broad span of time. Organized in collaboration with Nicholas Hall, a specialist in the field of Old Masters and nineteenth-century art, this fully illustrated catalogue is published on the occasion of the eponymous exhibition at David Zwirner, New York, in 2018. It includes new scholarship by Dawn Ades, Olivier Berggruen, and J. Patrice Marandel.
