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Author: Charlton Andrews
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 304
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Author: Charlton Andrews
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 304
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Book Description
Author:
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 992
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Author: Malden Public Library (Mass.)
Publisher:
ISBN:
Category : Public libraries
Languages : en
Pages : 520
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Author: Brooklyn Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
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Author: Enoch Pratt Free Library of Baltimore City
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 376
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Author: Harold Newcomb Hillebrand
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 264
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Author: Brooklyn Public Library
Publisher:
ISBN:
Category : Brooklyn (New York, N.Y.)
Languages : en
Pages : 474
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Author: Ted Nannicelli
Publisher: Routledge
ISBN: 1135085412
Category : Philosophy
Languages : en
Pages : 278
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Book Description
Recently, scholars in a variety of disciplines—including philosophy, film and media studies, and literary studies—have become interested in the aesthetics, definition, and ontology of the screenplay. To this end, this volume addresses the fundamental philosophical questions about the nature of the screenplay: What is a screenplay? Is the screenplay art—more specifically, literature? What kind of a thing is a screenplay? Nannicelli argues that the screenplay is a kind of artefact; as such, its boundaries are determined collectively by screenwriters, and its ontological nature is determined collectively by both writers and readers of screenplays. Any plausible philosophical account of the screenplay must be strictly constrained by our collective creative and appreciative practices, and must recognize that those practices indicate that at least some screenplays are artworks.
Author: Chicago Public Library
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 144
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Author:
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 548
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