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Author: Tate Gallery
Publisher:
ISBN:
Category :
Languages : en
Pages : 296
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Book Description
Author: Tate Gallery
Publisher:
ISBN:
Category :
Languages : en
Pages : 296
Get Book Here
Book Description
Author: Tate Gallery
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 96
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Book Description
Author: Commonwealth Shipping Committee
Publisher:
ISBN:
Category : Shipping
Languages : en
Pages : 960
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 192
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Book Description
Author: Tate Gallery
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 256
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Book Description
Author: ChristopherR. Marshall
Publisher: Routledge
ISBN: 1351549545
Category : Art
Languages : en
Pages : 227
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Book Description
Sculpture and the Museum is the first in-depth examination of the varying roles and meanings assigned to sculpture in museums and galleries during the modern period, from neo-classical to contemporary art practice. It considers a rich array of curatorial strategies and settings in order to examine the many reasons why sculpture has enjoyed a position of such considerable importance - and complexity - within the institutional framework of the museum and how changes to the museum have altered, in turn, the ways that we perceive the sculpture within it. In particular, the contributors consider the complex issue of how best to display sculpture across different periods and according to varying curatorial philosophies. Sculptors discussed include Canova, Rodin, Henry Moore, Flaxman and contemporary artists such as Rebecca Horn, Rachel Whiteread, Mark Dion and Olafur Eliasson, with a variety of museums in America, Canada and Europe presented as case studies. Underlying all of these discussions is a concern to chart the critical importance of the acquisition, placement and display of sculpture in museums and to explore the importance of sculptures as a forum for the expression of programmatic statements of power, prestige and the museum's own sense of itself in relation to its audiences and its broader institutional aspirations.
Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 1300
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Book Description
A union list of serials commencing publication after Dec. 31, 1949.
Author: Great Britain. Standing Commission on Museums and Galleries
Publisher:
ISBN:
Category :
Languages : en
Pages : 480
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Book Description
Author: Alexandra Moschovi
Publisher: Leuven University Press
ISBN: 946270242X
Category : Photography
Languages : en
Pages : 332
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Book Description
The first transnational history of photography’s accommodation in the art museum Photography was long regarded as a “middle-brow” art by the art institution. Yet, at the turn of the millennium, it became the hot, global art of our time. In this book—part institutional history, part account of shifting photographic theories and practices—Alexandra Moschovi tells the story of photography’s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography’s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site.
Author:
Publisher: Distributed Art Publishers (DAP)
ISBN: 9781942884651
Category : Art
Languages : en
Pages :
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Book Description
Dramatically reinventing the lineage of Goya, Sargent and Manet, Lynette Yiadom-Boakye imbues the Black subjects in her paintings with atmospheric grace and elegance Taking inspiration from the techniques of historic European portraiture, Lynette Yiadom-Boakye's oil paintings could almost be from a much older era if it were not for the contemporary details of the Black subjects that populate her work. Though her subjects are people conjured in her imagination, Yiadom-Boakye imbues her portraits with a near-tangible spirit through her deliberate brush strokes and rich dark tones. The result is paintings that seem to exist outside of time while still remaining grounded in reality. This lavishly illustrated volume of nearly 80 paintings and drawings--some of which have never been exhibited before--accompanies the first major survey of Yiadom-Boakye's work, shown at Tate Britain. In addition to new fiction writing by the artist, this publication includes in-depth thematic essays on Yiadom-Boakye's artistic development, reflecting the dual aspects of the artist's career as both a painter and a writer and offering an intimate insight into her creative process. Lynette Yiadom-Boakye (born 1977) is a British artist and writer acclaimed for her atmospheric oil paintings that depict imagined sitters in dark color palettes, executed with a contemporary sensibility while still rooted in an art historical practice. She attended Central Saint Martins School of Art and Design, Falmouth College of Art and the Royal Academy Schools. In 2018, she was awarded the prestigious Carnegie Prize.
