Author: Michael A. Amundson
Publisher: University of Oklahoma Press
ISBN: 0806157771
Category : History
Languages : en
Pages : 209
Book Description
Many associate early western music with the likes of Roy Rogers and Gene Autry, but America’s first western music craze predates these “singing cowboys” by decades. Written by Tin Pan Alley songsters in the era before radio, the first popular cowboy and Indian songs circulated as piano sheet music and as cylinder and disc recordings played on wind-up talking machines. The colorful fantasies of western life depicted in these songs capitalized on popular fascination with the West stoked by Buffalo Bill’s Wild West shows, Owen Wister’s novel The Virginian, and Edwin S. Porter’s film The Great Train Robbery. The talking machine music industry, centered in New York City, used state-of-the-art recording and printing technology to produce and advertise songs about the American West. Talking Machine West brings together for the first time the variety of cowboy, cowgirl, and Indian music recorded and sold for mass consumption between 1902 and 1918. In the book’s introductory chapters, Michael A. Amundson explains how this music reflected the nostalgic passing of the Indian and the frontier while incorporating modern ragtime music and the racial attitudes of Jim Crow America. Hardly Old West ditties, the songs gave voice to changing ideas about Indians and assimilation, cowboys, the frontier, the rise of the New Woman, and ethnic and racial equality. In the book’s second part, a chronological catalogue of fifty-four western recordings provides the full lyrics and history of each song and reproduces in full color the cover art of extant period sheet music. Each entry also describes the song’s composer(s), lyricist(s), and sheet music illustrator and directs readers to online digitized recordings of each song. Gorgeously illustrated throughout, this book is as entertaining as it is informative, offering the first comprehensive account of popular western recorded music in its earliest form.
The Talking Machine
Author: Timothy C. Fabrizio
Publisher: Schiffer Publishing
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 290
Book Description
An incredible variety of antique record players is documented, including those with external-horns as well as internal-horn devices, collectively known as "talking machines." The authoritative text and up-to-date value guide complement hundreds of photos to provide in this one volume a veritable library on the subject.
Publisher: Schiffer Publishing
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 290
Book Description
An incredible variety of antique record players is documented, including those with external-horns as well as internal-horn devices, collectively known as "talking machines." The authoritative text and up-to-date value guide complement hundreds of photos to provide in this one volume a veritable library on the subject.
Talking Machine West
Author: Michael A. Amundson
Publisher: University of Oklahoma Press
ISBN: 0806157771
Category : History
Languages : en
Pages : 209
Book Description
Many associate early western music with the likes of Roy Rogers and Gene Autry, but America’s first western music craze predates these “singing cowboys” by decades. Written by Tin Pan Alley songsters in the era before radio, the first popular cowboy and Indian songs circulated as piano sheet music and as cylinder and disc recordings played on wind-up talking machines. The colorful fantasies of western life depicted in these songs capitalized on popular fascination with the West stoked by Buffalo Bill’s Wild West shows, Owen Wister’s novel The Virginian, and Edwin S. Porter’s film The Great Train Robbery. The talking machine music industry, centered in New York City, used state-of-the-art recording and printing technology to produce and advertise songs about the American West. Talking Machine West brings together for the first time the variety of cowboy, cowgirl, and Indian music recorded and sold for mass consumption between 1902 and 1918. In the book’s introductory chapters, Michael A. Amundson explains how this music reflected the nostalgic passing of the Indian and the frontier while incorporating modern ragtime music and the racial attitudes of Jim Crow America. Hardly Old West ditties, the songs gave voice to changing ideas about Indians and assimilation, cowboys, the frontier, the rise of the New Woman, and ethnic and racial equality. In the book’s second part, a chronological catalogue of fifty-four western recordings provides the full lyrics and history of each song and reproduces in full color the cover art of extant period sheet music. Each entry also describes the song’s composer(s), lyricist(s), and sheet music illustrator and directs readers to online digitized recordings of each song. Gorgeously illustrated throughout, this book is as entertaining as it is informative, offering the first comprehensive account of popular western recorded music in its earliest form.
Publisher: University of Oklahoma Press
ISBN: 0806157771
Category : History
Languages : en
Pages : 209
Book Description
Many associate early western music with the likes of Roy Rogers and Gene Autry, but America’s first western music craze predates these “singing cowboys” by decades. Written by Tin Pan Alley songsters in the era before radio, the first popular cowboy and Indian songs circulated as piano sheet music and as cylinder and disc recordings played on wind-up talking machines. The colorful fantasies of western life depicted in these songs capitalized on popular fascination with the West stoked by Buffalo Bill’s Wild West shows, Owen Wister’s novel The Virginian, and Edwin S. Porter’s film The Great Train Robbery. The talking machine music industry, centered in New York City, used state-of-the-art recording and printing technology to produce and advertise songs about the American West. Talking Machine West brings together for the first time the variety of cowboy, cowgirl, and Indian music recorded and sold for mass consumption between 1902 and 1918. In the book’s introductory chapters, Michael A. Amundson explains how this music reflected the nostalgic passing of the Indian and the frontier while incorporating modern ragtime music and the racial attitudes of Jim Crow America. Hardly Old West ditties, the songs gave voice to changing ideas about Indians and assimilation, cowboys, the frontier, the rise of the New Woman, and ethnic and racial equality. In the book’s second part, a chronological catalogue of fifty-four western recordings provides the full lyrics and history of each song and reproduces in full color the cover art of extant period sheet music. Each entry also describes the song’s composer(s), lyricist(s), and sheet music illustrator and directs readers to online digitized recordings of each song. Gorgeously illustrated throughout, this book is as entertaining as it is informative, offering the first comprehensive account of popular western recorded music in its earliest form.
The Compleat Talking Machine
Author: Eric L. Reiss
Publisher: Vestal, N.Y. : Vestal Press
ISBN: 9780911572544
Category : Music
Languages : en
Pages : 0
Book Description
Publisher: Vestal, N.Y. : Vestal Press
ISBN: 9780911572544
Category : Music
Languages : en
Pages : 0
Book Description
The Incredible Talking Machine
Author: Jenni Spangler
Publisher: Simon and Schuster
ISBN: 1471190404
Category : Juvenile Fiction
Languages : en
Pages : 249
Book Description
Pull back the curtain and enter a world where mystery and magic take centre stage . . . Twelve-year-old Tig works at the Theatre Royale, cleaning, selling tickets and doing anything else that is asked of her by her tyrannical boss, Mr Snell. But Tig will do whatever it takes to get closer to her dream – to become a Stage Manager and spend her days inventing new ways to imagine and build the intricate machinery and props that bring the exciting productions to life! But when a strange new act – a talking machine – arrives at the Theatre Royale, it moves and behaves in a way that Tig just can’t work out. It’s as though it’s alive somehow . . . And when the machine appears to be hiding a dangerous secret, Tig must race against time to solve the mystery, before everything and everyone she cares about is lost forever. A gloriously gothic adventure from an original new voice in middle-grade. A gloriously gothic adventure with a magical twist from an original new voice in middle-grade. Perfect for fans of Michelle Harrison, Sophie Anderson and Emma Carroll. Praise for Jenni Spangler’s debut novel, THE VANISHING TRICK: A thrilling, original, evocative and eerie tale - I adored it!’ Michelle Harrison, author of A Pinch of Magic 'A thrilling page-turner. Madame Pinchbeck is a gloriously Dickensian villain’ Abi Elphinstone, author of Sky Song 'Ghosts, gadgets, likeable villains and unlikely heroes: The Vanishing Trick is a dark and dazzling adventure’ Emma Carroll, author of Letters from the Lighthouse 'A completely enthralling tale, oozing with atmosphere and originality’ Catherine Doyle, author of The Storm Keeper's Island
Publisher: Simon and Schuster
ISBN: 1471190404
Category : Juvenile Fiction
Languages : en
Pages : 249
Book Description
Pull back the curtain and enter a world where mystery and magic take centre stage . . . Twelve-year-old Tig works at the Theatre Royale, cleaning, selling tickets and doing anything else that is asked of her by her tyrannical boss, Mr Snell. But Tig will do whatever it takes to get closer to her dream – to become a Stage Manager and spend her days inventing new ways to imagine and build the intricate machinery and props that bring the exciting productions to life! But when a strange new act – a talking machine – arrives at the Theatre Royale, it moves and behaves in a way that Tig just can’t work out. It’s as though it’s alive somehow . . . And when the machine appears to be hiding a dangerous secret, Tig must race against time to solve the mystery, before everything and everyone she cares about is lost forever. A gloriously gothic adventure from an original new voice in middle-grade. A gloriously gothic adventure with a magical twist from an original new voice in middle-grade. Perfect for fans of Michelle Harrison, Sophie Anderson and Emma Carroll. Praise for Jenni Spangler’s debut novel, THE VANISHING TRICK: A thrilling, original, evocative and eerie tale - I adored it!’ Michelle Harrison, author of A Pinch of Magic 'A thrilling page-turner. Madame Pinchbeck is a gloriously Dickensian villain’ Abi Elphinstone, author of Sky Song 'Ghosts, gadgets, likeable villains and unlikely heroes: The Vanishing Trick is a dark and dazzling adventure’ Emma Carroll, author of Letters from the Lighthouse 'A completely enthralling tale, oozing with atmosphere and originality’ Catherine Doyle, author of The Storm Keeper's Island
Listen Up!
Author: Monica Kulling
Publisher: National Geographic Books
ISBN: 0375831150
Category : Juvenile Nonfiction
Languages : en
Pages : 0
Book Description
IT'S 1876 AND THE whole country is celebrating the 100th birthday of the United States. The biggest party is in Philadelphia at the World's Fair, where the latest and greatest inventions are on display for all to see. Alexander Graham Bell is headed to the fair to demonstrate his invention - a talking machine he calls the telephone. But will anyone come to see him at the world's most important science fair? And more importantly, will his machine work? This Step 3 reader celebrates the resilient, quirky spirit of inventors.
Publisher: National Geographic Books
ISBN: 0375831150
Category : Juvenile Nonfiction
Languages : en
Pages : 0
Book Description
IT'S 1876 AND THE whole country is celebrating the 100th birthday of the United States. The biggest party is in Philadelphia at the World's Fair, where the latest and greatest inventions are on display for all to see. Alexander Graham Bell is headed to the fair to demonstrate his invention - a talking machine he calls the telephone. But will anyone come to see him at the world's most important science fair? And more importantly, will his machine work? This Step 3 reader celebrates the resilient, quirky spirit of inventors.
Talking about Machines
Author: Julian E. Orr
Publisher: Cornell University Press
ISBN: 1501707396
Category : Political Science
Languages : en
Pages : 191
Book Description
This is a story of how work gets done. It is also a study of how field service technicians talk about their work and how that talk is instrumental in their success. In his innovative ethnography, Julian E. Orr studies the people who repair photocopiers and shares vignettes from their daily lives. He characterizes their work as a continuous highly skilled improvisation within a triangular relationship of technician, customer, and machine. The work technicians do encompasses elements not contained in the official definition of the job yet vital to its success. Orr's analysis of the way repair people talk about their work reveals that talk is, in fact, a crucial dimension of their practice. Diagnosis happens through a narrative process, the creation of a coherent description of the troubled machine. The descriptions become the basis for technicians' discourse about their experience, and the circulation of stories among the technicians is the principal means by which they stay informed of the developing subtleties of machine behavior. Orr demonstrates that technical knowledge is a socially distributed resource stored and diffused primarily through an oral culture.Based on participant observation with copier repair technicians in the field and strengthened by Orr's own years as a technician, this book explodes numerous myths about technicians and suggests how technical work differs from other kinds of employment.
Publisher: Cornell University Press
ISBN: 1501707396
Category : Political Science
Languages : en
Pages : 191
Book Description
This is a story of how work gets done. It is also a study of how field service technicians talk about their work and how that talk is instrumental in their success. In his innovative ethnography, Julian E. Orr studies the people who repair photocopiers and shares vignettes from their daily lives. He characterizes their work as a continuous highly skilled improvisation within a triangular relationship of technician, customer, and machine. The work technicians do encompasses elements not contained in the official definition of the job yet vital to its success. Orr's analysis of the way repair people talk about their work reveals that talk is, in fact, a crucial dimension of their practice. Diagnosis happens through a narrative process, the creation of a coherent description of the troubled machine. The descriptions become the basis for technicians' discourse about their experience, and the circulation of stories among the technicians is the principal means by which they stay informed of the developing subtleties of machine behavior. Orr demonstrates that technical knowledge is a socially distributed resource stored and diffused primarily through an oral culture.Based on participant observation with copier repair technicians in the field and strengthened by Orr's own years as a technician, this book explodes numerous myths about technicians and suggests how technical work differs from other kinds of employment.
Look for the Dog
Author: Robert W. Baumbach
Publisher: Woodland Hills, Calif. : Stationary X-Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 350
Book Description
Publisher: Woodland Hills, Calif. : Stationary X-Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 350
Book Description
Discovering Antique Phonographs
Author: Timothy C. Fabrizio
Publisher: Atglen, PA : Schiffer Pub.
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 248
Book Description
Out of the authors' latest explorations, this gorgeous new book has come to life---illustrating entirely different talking machines from those in their previous books. Follow the progress of the acoustic talking machine from its crude beginnings in the 1870s to its most splendid and sophisticated heights in the early 20th century. An unparalleled archive of rare, fascinating, and previously undocumented objects has been assembled. The story behind the beautiful, bright machinery is told through clear and insightful descriptions, and many previously unpublished facts are revealed.
Publisher: Atglen, PA : Schiffer Pub.
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 248
Book Description
Out of the authors' latest explorations, this gorgeous new book has come to life---illustrating entirely different talking machines from those in their previous books. Follow the progress of the acoustic talking machine from its crude beginnings in the 1870s to its most splendid and sophisticated heights in the early 20th century. An unparalleled archive of rare, fascinating, and previously undocumented objects has been assembled. The story behind the beautiful, bright machinery is told through clear and insightful descriptions, and many previously unpublished facts are revealed.
Phonograph Dolls and Toys
Author: Joan Rolfs
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 232
Book Description
A Spiral Way
Author: Erika Brady
Publisher: Univ. Press of Mississippi
ISBN: 1578061741
Category : Social Science
Languages : en
Pages : 174
Book Description
The invention of the cylinder phonograph at the end of the nineteenth century opened up a new world for cultural research. Indeed, Edison's talking machine became one of the basic tools of anthropology. It not only equipped researchers with the means of preserving folk songs but it also enabled them to investigate a wide spectrum of distinct vocal expressions in the emerging fields of anthropology and folklore. Ethnographers grasped its huge potential and fanned out through regional America to record rituals, stories, word lists, and songs in isolated cultures. From the outset the federal government helped fuel the momentum to record cultures that were at risk of being lost. Through the Bureau of American Ethnology, the Smithsonian Institution took an active role in preserving native heritage. It supported projects to make phonographic documentation of American Indian language, music, and rituals before developing technologies and national expansion might futher undermine them. This study of the early phonograph's impact shows traditional ethnography being transformed, for attitudes of both ethnographers and performers were reshaped by this exciting technology. In the presence of the phonograph both fieldwork and the materials collected were revolutionized. By radically altering the old research modes, the phonograph brought the disciplines of anthropology and folklore into the modern era. At first the instrument was as strange and new to the fieldworkers as it was to their subjects. To some the first encounter with the phonograph was a deeply unsettling experience. When it was demonstrated in 1878 before members of the National Academy of Sciences, several members of the audience fainted. Even its inventor was astonished. Of his first successful test of his tinfoil phonograph, Thomas A. Edison said, "I was never taken so aback in my life." The cylinders that have survived from these times offer an unrivaled resource not only for contemporary scholarship but also for a grassroots renaissance of cultural and religious values. In tracing the historical interplay of the talking machine with field research, The Spiral Way underscores the natural adaptiblity of cultural study to this new technology. Erika Brady is an associate professor in the folk studies programs at Western Kentucky University. She served as technical consultant and researcher on the staff of the Federal Cylinder Project of the American Folklife Center at the Library of Congress.
Publisher: Univ. Press of Mississippi
ISBN: 1578061741
Category : Social Science
Languages : en
Pages : 174
Book Description
The invention of the cylinder phonograph at the end of the nineteenth century opened up a new world for cultural research. Indeed, Edison's talking machine became one of the basic tools of anthropology. It not only equipped researchers with the means of preserving folk songs but it also enabled them to investigate a wide spectrum of distinct vocal expressions in the emerging fields of anthropology and folklore. Ethnographers grasped its huge potential and fanned out through regional America to record rituals, stories, word lists, and songs in isolated cultures. From the outset the federal government helped fuel the momentum to record cultures that were at risk of being lost. Through the Bureau of American Ethnology, the Smithsonian Institution took an active role in preserving native heritage. It supported projects to make phonographic documentation of American Indian language, music, and rituals before developing technologies and national expansion might futher undermine them. This study of the early phonograph's impact shows traditional ethnography being transformed, for attitudes of both ethnographers and performers were reshaped by this exciting technology. In the presence of the phonograph both fieldwork and the materials collected were revolutionized. By radically altering the old research modes, the phonograph brought the disciplines of anthropology and folklore into the modern era. At first the instrument was as strange and new to the fieldworkers as it was to their subjects. To some the first encounter with the phonograph was a deeply unsettling experience. When it was demonstrated in 1878 before members of the National Academy of Sciences, several members of the audience fainted. Even its inventor was astonished. Of his first successful test of his tinfoil phonograph, Thomas A. Edison said, "I was never taken so aback in my life." The cylinders that have survived from these times offer an unrivaled resource not only for contemporary scholarship but also for a grassroots renaissance of cultural and religious values. In tracing the historical interplay of the talking machine with field research, The Spiral Way underscores the natural adaptiblity of cultural study to this new technology. Erika Brady is an associate professor in the folk studies programs at Western Kentucky University. She served as technical consultant and researcher on the staff of the Federal Cylinder Project of the American Folklife Center at the Library of Congress.