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Author: Donald Crafton
Publisher: Univ of California Press
ISBN: 9780520221284
Category : Business & Economics
Languages : en
Pages : 656
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Book Description
This text offers readers a look at the time when sound was a vexing challenge for filmmakers and the source of contentious debate for audiences and critics. The author presents a view of the talkies' reception, amongst other issues.
Author: Donald Crafton
Publisher: Univ of California Press
ISBN: 9780520221284
Category : Business & Economics
Languages : en
Pages : 656
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Book Description
This text offers readers a look at the time when sound was a vexing challenge for filmmakers and the source of contentious debate for audiences and critics. The author presents a view of the talkies' reception, amongst other issues.
Author: Allardyce Nicoll
Publisher: Read Books Ltd
ISBN: 1473358345
Category : Art
Languages : en
Pages : 44
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Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Harry M. Geduld
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
From the Preface: Few if any events have had greater impact on the history of film than the coming of the talkies, film historians have paid relatively little attention to how and why the transition from silent to sound cinema came about. It is hoped that the present work will provide the factual groundwork for repairing that neglect. Its emphasis is on the history of American contributions to the evolution of the sound film, but significant foreign achievements have not been overlooked. The book surveys the events that led from the invention of the phonograph in 1877 to that momentous evening in 1927 when an audience at the Warner's Theatre in New York City saw and heard Al Jolson speak from the screen. It also considers the effects of the sound revolution on Hollywood and Hollywood film production during the transitional years 1928-29. The published sources on which this study was based have all been indicated in the notes, and the reader is advised to consult that original material whenever he requires additional technical or factual information.
Author: Heidi Wilkins
Publisher: Edinburgh University Press
ISBN: 1474406904
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
The representation of gender in film remains an intensely debated topic, particularly in academic considerations of US mainstream cinema where it is often perceived as perpetuating rigid, binary views of gender, and reinforcing patriarchal, dominant notions of masculinity and femininity. While previous scholarly discussion has focused on visual or narrative portrayals of gender, this book considers the ways that film sound "e; music, voice, sound effects and silence "e; is used to represent gender. Taking a socio-historical approach, Heidi Wilkins investigates a range of popular US genres including screwball comedy, the road movie and chick flicks to explore the ways that film sound can reinforce traditional assumptions about masculinity and femininity, impart ambivalent meanings to them, or even challenge and subvert the notion of gender itself. Case studies include His Girl Friday, Easy Rider and Bridesmaids.
Author: Scott Eyman
Publisher: Simon and Schuster
ISBN: 143910428X
Category : Performing Arts
Languages : en
Pages : 695
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Book Description
From acclaimed author Scott Eyman comes the fascinating story of how the transition from silent films to ‘talkies’ transformed Hollywood. It was the end of an era. It was a turbulent, colorful, and altogether remarkable period, four short years in which America’s most popular industry reinvented itself. Here is the epic story of the transition from silent films to talkies, that moment when movies were totally transformed and the American public cemented its love affair with Hollywood. As Scott Eyman demonstrates in his fascinating account of this exciting era, it was a time when fortunes, careers, and lives were made and lost, when the American film industry came fully into its own. In this mixture of cultural and social history that is both scholarly and vastly entertaining, Eyman dispels the myths and gives us the missing chapter in the history of Hollywood, the ribbon of dreams by which America conquered the world.
Author: Doug Dibbern
Publisher: punctum books
ISBN: 1953035620
Category : Art
Languages : en
Pages : 386
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Book Description
Cinema's Doppelgängers is a counterfactual history of the cinema - or, perhaps, a work of speculative fiction in the guise of a scholarly history of film and movie guide. That is, it's a history of the movies written from an alternative unfolding of historical time - a world in which neither the Bolsheviks nor the Nazis came to power, and thus a world in which Sergei Eisenstein never made movies and German filmmakers like Fritz Lang never fled to Hollywood, a world in which the talkies were invented in 1936 rather than 1927, in which the French New Wave critics didn't become filmmakers, and in which Hitchcock never came to Hollywood. The book attempts, on the one hand, to explore and expand upon the intrinsically creative nature of all historical writing; like all works of fiction, its ultimate goal is to be a work of art in and of itself. But it also aims, on the other hand, to be a legitimate examination of the relationship between the economic and political organization of nations and film industries and the resulting aesthetics of film and thus of the dominant ideas and values of film scholarship and criticism. Doug Dibbern's first book, Hollywood Riots: Violent Crowds and Progressive Politics in American Film, won the 2016 Peter Rollins Prize. He has published scholarly essays on classical Hollywood filmmakers, film criticism for The Notebook at Mubi.com, and literary essays for journals like Chicago Quarterly Review and Hotel Amerika. He has a Ph.D. in Cinema Studies from New York University, where he teaches now in the Expository Writing Program.
Author: James Lastra
Publisher: Columbia University Press
ISBN: 0231505469
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
Representational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect. Lastra argues that we are nowhere better able to track the relations between capital, science, and cultural practice than in photography, phonography, and the cinema. In particular, he maps the development of sound recording from its emergence to its confrontation with and integration into the Hollywood film. Reaching back into the late eighteenth century, to natural philosophy, stenography, automata, and human physiology, Lastra follows the shifting relationships between our senses, technology, and representation.
Author: Eric L. Flom
Publisher: McFarland
ISBN: 1476607982
Category : Performing Arts
Languages : en
Pages : 337
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Book Description
Charles Chaplin's sound films have often been overlooked by historians, despite the fact that in these films the essential character of Chaplin more overtly asserted itself in his screen images than in his earlier silent work. Each of Chaplin's seven sound films--City Lights (1931), Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947), Limelight (1952), A King in New York (1957), and A Countess from Hong Kong (1967)--is covered in a chapter-length essay here. The comedian's inspiration for the film is given, along with a narrative that describes the film and offers details on behind-the-scenes activities. There is also a full discussion of the movie's themes and contemporary critical reaction to it.
Author: Alice Maurice
Publisher: U of Minnesota Press
ISBN: 145293939X
Category : Art
Languages : en
Pages : 385
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Book Description
The Cinema and Its Shadow argues that race has defined the cinematic apparatus since the earliest motion pictures, especially at times of technological transition. In particular, this work explores how racial difference became central to the resolving of cinematic problems: the stationary camera, narrative form, realism, the synchronization of image and sound, and, perhaps most fundamentally, the immaterial image—the cinema’s “shadow,” which figures both the material reality of the screen image and its racist past. Discussing early “race subjects,” Alice Maurice demonstrates that these films influenced cinematic narrative in lasting ways by helping to determine the relation between stillness and motion, spectacle and narrative drive. The book examines how motion picture technology related to race, embodiment, and authenticity at specific junctures in cinema’s development, including the advent of narratives, feature films, and sound. In close readings of such films as The Cheat, Shadows, and Hallelujah!, Maurice reveals how the rhetoric of race repeatedly embodies film technology, endowing it with a powerful mix of authenticity and magic. In this way, the racialized subject became the perfect medium for showing off, shoring up, and reintroducing the cinematic apparatus at various points in the history of American film. Moving beyond analyzing race in purely thematic or ideological terms, Maurice traces how it shaped the formal and technological means of the cinema.
Author: Paul Young
Publisher: U of Minnesota Press
ISBN: 1452904847
Category :
Languages : en
Pages : 351
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Book Description
Hollywood's reaction to it's media rivals throughout the history of cinema in America.
