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Author: Matteo Greco
Publisher: Cambridge Scholars Publishing
ISBN: 1527543781
Category : Language Arts & Disciplines
Languages : en
Pages : 240
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Book Description
Negation is a universal syntactic phenomenon only employed in human languages. People use negative sentences in everyday conversations, and they display complex semantic and syntactic properties when doing so. Crucially, some languages employ negative sentences to assert affirmative and surprise propositions. A clear example of this is offered by Italian, as in: ‘E non (not) mi è scesa dal treno Maria?!’ (‘Maria got off the train!’). This special type of negation is called surprise negation, and it belongs to the class of expletive negation. This book sheds light on this puzzling phenomenon, by means of a theoretical analysis and an experimental study. It explores the contexts, mainly syntactic, in which negation receives its expletive interpretation, and considers whether expletive negation is grammatically distinct from standard negation.
Author: Matteo Greco
Publisher: Cambridge Scholars Publishing
ISBN: 1527543781
Category : Language Arts & Disciplines
Languages : en
Pages : 240
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Book Description
Negation is a universal syntactic phenomenon only employed in human languages. People use negative sentences in everyday conversations, and they display complex semantic and syntactic properties when doing so. Crucially, some languages employ negative sentences to assert affirmative and surprise propositions. A clear example of this is offered by Italian, as in: ‘E non (not) mi è scesa dal treno Maria?!’ (‘Maria got off the train!’). This special type of negation is called surprise negation, and it belongs to the class of expletive negation. This book sheds light on this puzzling phenomenon, by means of a theoretical analysis and an experimental study. It explores the contexts, mainly syntactic, in which negation receives its expletive interpretation, and considers whether expletive negation is grammatically distinct from standard negation.
Author: Matteo Greco
Publisher: Cambridge Scholars Publishing
ISBN: 9781527540927
Category :
Languages : en
Pages : 240
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Book Description
Negation is a universal syntactic phenomenon only employed in human languages. People use negative sentences in everyday conversations, and they display complex semantic and syntactic properties when doing so. Crucially, some languages employ negative sentences to assert affirmative and surprise propositions. A clear example of this is offered by Italian, as in: â ~E non (not) mi è scesa dal treno Maria?!â (TM) (â ~Maria got off the train!â (TM)). This special type of negation is called surprise negation, and it belongs to the class of expletive negation. This book sheds light on this puzzling phenomenon, by means of a theoretical analysis and an experimental study. It explores the contexts, mainly syntactic, in which negation receives its expletive interpretation, and considers whether expletive negation is grammatically distinct from standard negation.
Author: Agnès Celle
Publisher: John Benjamins Publishing Company
ISBN: 9027265089
Category : Language Arts & Disciplines
Languages : en
Pages : 254
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Book Description
Among emotions, surprise has been extensively studied in psychology. In linguistics, surprise, like other emotions, has mainly been studied through the syntactic patterns involving surprise lexemes. However, little has been done so far to correlate the reaction of surprise investigated in psychological approaches and the effects of surprise on language. This cross-disciplinary volume aims to bridge the gap between emotion, cognition and language by bringing together nine contributions on surprise from different backgrounds – psychology, human-agent interaction, linguistics. Using different methods at different levels of analysis, all contributors concur in defining surprise as a cognitive operation and as a component of emotion rather than as a pure emotion. Surprise results from expectations not being met and is therefore related to epistemicity. Linguistically, there does not exist an unequivocal marker of surprise. Surprise may be either described by surprise lexemes, which are often associated with figurative language, or it may be expressed by grammatical and syntactic constructions. Originally published as a special issue of Review of Cognitive Linguistics 13:2 (2015)
Author: Kate Stanley
Publisher: Cambridge University Press
ISBN: 1108554199
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Practices of Surprise in American Literature After Emerson locates a paradoxical question - how does one prepare to be surprised? - at the heart of several major modernist texts. Arguing that this paradox of perception gives rise to an American literary methodology, this book dramatically reframes how practices of reading and writing evolved among modernist authors after Emerson. Whereas Walter Benjamin defines modernity as a 'series of shocks' inflicted from without, Emerson offers a countervailing optic that regards life as a 'series of surprises' unfolding from within. While Benjaminian shock elicits intimidation and defensiveness, Emersonian surprise fosters states of responsiveness and spontaneity whereby unexpected encounters become generative rather than enervating. As a study of how such states of responsiveness were cultivated by a post-Emerson tradition of writers and thinkers, this project displaces longstanding models of modernist perception defined by shock's passive duress, and proposes alternate models of reception that proceed from the active practice of surprise.
Author: Christopher R. Miller
Publisher: Cornell University Press
ISBN: 0801455774
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
Today, in the era of the spoiler alert, "surprise" in fiction is primarily associated with an unexpected plot twist, but in earlier usage, the word had darker and more complex meanings. Originally denoting a military ambush or physical assault, surprise went through a major semantic shift in the eighteenth century: from violent attack to pleasurable experience, and from external event to internal feeling. In Surprise, Christopher R. Miller studies that change as it took shape in literature ranging from Paradise Lost through the novels of Jane Austen. Miller argues that writers of the period exploited and arbitrated the dual nature of surprise in its sinister and benign forms. Even as surprise came to be associated with pleasure, it continued to be perceived as a problem: a sign of ignorance or naïveté, an uncontrollable reflex, a paralysis of rationality, and an experience of mere novelty or diversion for its own sake. In close readings of exemplary scenes—particularly those involving astonished or petrified characters—Miller shows how novelists sought to harness the energies of surprise toward edifying or comic ends, while registering its underpinnings in violence and mortal danger. In the Roman poet Horace’s famous axiom, poetry should instruct and delight, but in the early eighteenth century, Joseph Addison signally amended that formula to suggest that the imaginative arts should surprise and delight. Investigating the significance of that substitution, Miller traces an intellectual history of surprise, involving Aristotelian poetics, Cartesian philosophy, Enlightenment concepts of the passions, eighteenth-century literary criticism and aesthetics, and modern emotion theory. Miller goes on to offer a fresh reading of what it means to be "surprised by sin" in Paradise Lost, showing how Milton’s epic both harks back to the symbolic functions of violence in allegory and looks ahead to the moral contours of the novel. Subsequent chapters study the Miltonic ramifications of surprise in the novels of Defoe, Haywood, Richardson, Fielding, and Sterne, as well as in the poems of Wordsworth and Keats. By focusing on surprise in its inflections as emotion, cognition, and event, Miller’s book illuminates connections between allegory and formal realism, between aesthetic discourse and prose fiction, and between novel and lyric; and it offers new ways of thinking about the aesthetic and ethical dimensions of the novel as the genre emerged in the eighteenth century.
Author: Kate Stanley
Publisher: Cambridge University Press
ISBN: 1108426875
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
This book establishes surprise as a key Emersonian affect, and demonstrates its significance for transatlantic modernism and the philosophy of pragmatism.
Author: Lars Nordgren
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110394006
Category : Language Arts & Disciplines
Languages : en
Pages : 276
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Book Description
Interjections in Ancient Greek have long lacked a comprehensive account, despite their frequent occurrence in major texts. The present study of their semantics and pragmatics, encompassing all items encountered in Greek drama from the 5th century BC, applies a moderate minimalism, theory-driven method. Readers are offered a thorough and detailed study of this elusive, and in several respects deviant, class of linguistic items.
Author: Andreas Trotzke
Publisher: Oxford University Press
ISBN: 019887121X
Category : Language Arts & Disciplines
Languages : en
Pages : 326
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Book Description
This volume is the first to explore the formal linguistic expressions of emotions at different levels of linguistic complexity. Research on the language-emotion interface has to date concentrated primarily on the conceptual dimension of emotions as expressed via language, with semantic and pragmatic studies dominating the field. The chapters in this book, in contrast, bring together work from different linguistic frameworks: generative syntax, functional and usage-based linguistics, formal semantics and pragmatics, and experimental phonology. The volume contributes to the growing field of research that explores the interaction between linguistic expressions and the 'expressive dimension' of language, and will be of interest to linguists from a range of theoretical backgrounds who are interested in the language-emotion interface.
Author: Michael Theune
Publisher: Teachers & Writers Collaborative
ISBN:
Category : Education
Languages : en
Pages : 268
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Book Description
Structure & Surprise: Engaging Poetic Turns offers a road map for analyzing poetry through examination of poems' structure, rather than their forms or genres. Michael Theune's breakthrough concept encourages students, teachers, and writers to use structure as a tool to see the fundamental affinities between strikingly different kinds of poetry and radically different literary eras. The book includes examination of the mid-course turn and the elegy, as well as the ironic, concessional, emblem, and retrospective-prospective structures, among others. In addition, 14 contemporary poets provide an example of and commentary on their own work.
Author: Robert Freidin
Publisher: Cambridge University Press
ISBN: 1108487726
Category : Language Arts & Disciplines
Languages : en
Pages : 217
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Book Description
An engaging introduction to English sentence structure, showing how users can apply this knowledge to become better readers and writers.
