The Symbolist Home and the Tragic Home: Mallarmé and Oedipus PDF Download
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Author: Richard E. Goodkin
Publisher: John Benjamins Publishing
ISBN: 9027279985
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
Tragedy as Symbolism It is the symbolic nature of Oedipus' quest which most centrally links the notions of Tragedy and Symbolism in the Oedipus Tyrannus, and that under the aegis of the concepts of home and homing.
Author: Richard E. Goodkin
Publisher: John Benjamins Publishing
ISBN: 9027279985
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
Tragedy as Symbolism It is the symbolic nature of Oedipus' quest which most centrally links the notions of Tragedy and Symbolism in the Oedipus Tyrannus, and that under the aegis of the concepts of home and homing.
Author: Robert McGahey
Publisher: SUNY Press
ISBN: 9780791419410
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
This book examines Orpheus as a figure who bridges the experience of the Greek tribal shaman and the modern poet Stéphane Mallarmé, the father of modernism. First mentioned in 600 B.C., Orpheus was present at the moment when the Apolline forms of western culture were being encoded. He appears again at the opposite moment embodied in the language-crisis at the end of the nineteenth century, which inaugurated the break-up of those forms and ushered in the Dionysian. Mallarmé's "Orphic Moment," when Orpheus's scattered limbs first begin to stir back to life, enacts a dance at the boundary of Apollo and Dionysos, marking the collapse of Apolline form back into its Dionysian ground in Nietzsche's The Birth of Tragedy.
Author: Rosemary H. Lloyd
Publisher: Cornell University Press
ISBN: 1501728210
Category : Biography & Autobiography
Languages : en
Pages : 287
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Book Description
Upon his death in 1898, the French Symbolist poet Stephane Mallarmé (b. 1842) left behind a body of published work which though modest in quantity was to have a seminal influence on subsequent poetry and aesthetic theory. He also enjoyed an unparalleled reputation for extending help and encouragement to those who sought him out. Rosemary Lloyd has produced a fascinating literary biography of the poet and his period, offering a subtle exploration of the mind and letters of one of the giants of modern European poetry.Every Tuesday, from the late 1870s on, Mallarmé hosted gatherings that became famous as the "Mardis" and that were attended by a cross section of significant writers, artists, thinkers, and musicians in fin-de-siecle France, England, and Belgium. Through these gatherings and especially through a voluminous correspondence—eventually collected in eleven volumes—Mallarmé developed and recorded his friendships with Paul Valery, Andre Gide, Berthe Morisot, and many others. Attractively written and scrupulously documented, Mallarme: The Poet and His Circle is unique in offering a biographical account of the poet's literary practice and aesthetics which centers on that correspondence.
Author: David Kleinberg-Levin
Publisher: Lexington Books
ISBN: 0739177524
Category : Philosophy
Languages : en
Pages : 240
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Book Description
This book boldly ventures to cross some traditional academic boundaries, offering an original, philosophically informed argument regarding the nature of language by reading and interpreting the poetry of Wallace Stevens and the novels of Vladimir Nabokov. So it is a work both in literary criticism and in philosophy. The approach is strongly influenced by Walter Benjamin’s philosophy of language and Theodor Adorno’s aesthetic theory, but the philosophical thought of other philosophers—notably Plato, Kant, Hegel, Emerson, Heidegger, and Wittgenstein—figures significantly in the reading and interpretation. The essence of the argument is that, despite its damaged condition (standardization, commodification, staleness), language is, as such, by virtue of its very existence, the bearer of a utopian or messianic promise of happiness. Moreover, it is argued that, by reconciling the two senses of sense (sensuous sense and intelligible sense), showing the sheer power of words to create fictional worlds and destroy what they have just created, and redeeming the revelatory power of words—above all, the power to turn the familiar into something no longer familiar, something astonishing or perplexing—the two writers in this study sustain our hope for a world of reconciled antagonisms and contradictions, evoking in the way they freely play with the sounds and meanings of words, some intimations of a world—our world here, this very world, not some heavenly world—in which the promise of happiness would be fulfilled and redeemed. In the first part of the book, reflecting on the poetry of Stevens, Kleinberg-Levin argues that the poet defies the correspondence theory of truth to enable words to be faithful to truth as transformative and revelatory—what Heidegger calls “unconcealment”, translating the Greek. He also argues that in the pleasure we get from the sensuous play of words, there is an anticipation of the promise of happiness that challenges the theological doctrine of an otherworldly happiness and makes the religious experience seem like a paltry substitute. In the second part of the book, Kleinberg-Levin shows how Nabokov inherits Mallarmé’s conception of literature, causing with his word-plays the sudden reduction of the fictional world he has just so compellingly created to its necessary conditions of materiality: white paper, ink, print on the page. We thus see the novel as a work of fiction, as mere semblance; we see its conditions of possibility, created and destroyed before our very eyes. But the pleasure in seeing words doing this, and the pleasure in their sensuous materiality, are intimations of the promise of happiness that language bears. Using a Kantian definition of modernism, according to which a work is modernist if it reveals and questions the inherited assumptions about its necessary conditions of possibility, these studies show how and why both Stevens and Nabokov are exemplars of literary modernism.
Author: Mary Lewis Shaw
Publisher: Penn State Press
ISBN: 0271041587
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake. Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarmé perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarmé's major poetic texts—Herodiade, L'après-midi d'un faune, Igitur, and Un coup de des—revealing the consistent formal expression of his original conception of literature's relationship to the performing arts. Shaw then discusses Mallarmé's monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarmé's corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarmé's literary experimentation and crucial developments in twentieth-century arts.
Author: Richard E. Goodkin
Publisher:
ISBN:
Category :
Languages : en
Pages : 203
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Book Description
Author: John D Lyons
Publisher: Northwestern University Press
ISBN: 0810137119
Category : Literary Criticism
Languages : en
Pages : 399
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Book Description
Early modernity rediscovered tragedy in the dramas and the theoretical writings of the ancient Greeks and Romans. Attempting to make new tragic fictions, writers like Shakespeare, Webster, Hardy, Corneille, and Racine created a dramatic form that would probably have been unrecognizable to the ancient Athenians. Tragedy and the Return of the Dead recovers a model of the tragic that fits ancient tragedies, early modern tragedies, as well as contemporary narratives and films no longer called “tragic” but which perpetuate the same elements. Authoritative, wide-ranging, and thought provoking, Tragedy and the Return of the Dead uncovers a set of interlocking plots of family violence that stretch from Greek antiquity up to the popular culture of today. Casting aside the elite, idealist view that tragedy manifests the conflict between two equal goods or the human struggle against the divine, John D. Lyons looks closely at tragedy’s staging of gory and painful deaths, ignominious burials, and the haunting return of ghosts. Through this adjusted lens Le Cid, Hamlet, Frankenstein, The Spanish Tragedy, Romeo and Juliet, Phèdre, Macbeth, and other early modern works appear in a striking new light. These works are at the center of a panorama that stretches from Aeschylus’s Agamemnon to Hitchcock’s Psycho and are placed against the background of the Gothic novel, Freud’s “uncanny,” and Burke’s “sublime.” Lyons demonstrates how tragedy under other names, such as “Gothic fiction” and “thrillers,” is far from dead and continues as a vital part of popular culture.
Author: Marian Zwerling Sugano
Publisher: Stanford University Press
ISBN: 9780804719469
Category : Poetry
Languages : en
Pages : 300
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Book Description
"Although Mallarme is commonly viewed as the high priest of the autonomous work of art, by far the bulk of his actual poetic writing was occasional verse. With few exceptions the works written after 1873 manifest a reinvestment in the world subsequent to the metaphysical crises of the 1860's. In addition to the "Tombeaux," the toasts, and certain of the "Eventails," Mallarme composed the Vers de circonstance, more than 450 quatrains and distichs inscribed on envelopes, postcards, calling cards, Easter eggs, small stones, photographs, and jugs of Calvados. This is the first comprehensive reading and analysis of the neglected late poetry, heretofore dismissed as of marginal interest." "This book has a dual purpose. By exploring the occasional verse of Mallarme, which itself thematizes the problematics of the occasion, the author seeks to rehabilitate such writing for critical study. She does this not by proclaiming its high seriousness, but by insisting on its casual, amenable, public nature. Unlike previous critics, who have often apologized for straying into the fringes of the canon, the author delights in the marginal, insisting that in a poetics of the occasion, traditional oppositions such as center/margin become skewed and break down." "The author's second purpose is to come to a better understanding of Mallarme in light of what he actually wrote, rather than the work projected in his correspondence and prose articles, which has claimed so much critical attention. Each of the chapters of the book highlights one aspect of occasional poetry through an investigation of representative texts, both canonical and occasional. The author also discusses the relationship between Mallarme's poetics and the plastic arts, tracing the changing conception of the representation of the monument from the nineteenth to the twentieth century, as well as the correspondences between the more radical aspects of Mallarme's practice of writing and the contemporary arts." "Far more than a study of a single writer, this book is the first to propose a pragmatic definition of occasional literature, to undertake a broad study of the problem of occasion in literature, and to trace the historical trajectory of occasional writing as a specific discourse. The book is illustrated with 27 halftones."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: James F. Gaines
Publisher: Bloomsbury Publishing USA
ISBN: 031307657X
Category : Literary Criticism
Languages : en
Pages : 549
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Book Description
Born Jean-Baptiste Poquelin in 1622, the French playwright Moli^D`ere became one of the most influential dramatists of the 17th century. His comedies shaped the development of theater in Europe, inspired his contemporaries in England, and left a lasting dramatic legacy after his death in 1673. Moli^D`re has also inspired a vast body of scholarship, and recent work has dispelled many of the myths surrounding his career. This reference provides English-speaking readers with a current and comprehensive guide to his life and works. Hundreds of A-Z entries cover topics related to his life, works, and theatrical career, including: Plays; Individual characters; Historical persons; Allusions; Influences; Cultural institutions; And much more. This scrupulously researched volume relies on verifiable facts, giving scant attention to the romantic fiction surrounding the playwright. Many of the entries list works for further reading. A chronology outlines the chief events of Moli^D`re's life and his contributions to the stage. The volume concludes with a bibliography.
Author: Vayos Liapis
Publisher: Cambridge Scholars Publishing
ISBN: 1527514676
Category : Performing Arts
Languages : en
Pages : 262
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Book Description
Modern Greek national and cultural identities consist, to a considerable extent, of clusters of cultural memory, shaped by an ongoing dialogue with the classical past. Within this dialogue between modern Greece and classical antiquity, Greek tragedy takes pride of place. In this volume, ten scholars from Cyprus, Greece, the United Kingdom and the United States explore the various ways in which Greek tragedy and tragic myth have been reimagined and rewritten in modern Greek drama and poetry. The book’s extensive coverage includes major modern Greek authors, such as Cavafy, Seferis, and Ritsos, as well as less well-known, but equally rich and rewarding, 20th- and 21st-century texts.
