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Author: M. Flisfeder
Publisher: Springer
ISBN: 1137110740
Category : Performing Arts
Languages : en
Pages : 201
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Book Description
Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
Author: M. Flisfeder
Publisher: Springer
ISBN: 1137110740
Category : Performing Arts
Languages : en
Pages : 201
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Book Description
Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
Author: M. Flisfeder
Publisher: Palgrave Macmillan
ISBN: 9780230341470
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
Author: Matthew Flisfeder
Publisher: Bloomsbury Publishing USA
ISBN: 1501311794
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
Provides an introductory explanation of postmodernism and its connection to film theory, and how it can be used to interpret Ridley Scott’s film, Blade Runner.
Author: Slavoj Zizek
Publisher: Duke University Press
ISBN: 9780822313953
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
DIVA theoretical analysis of social conflict that uses examples from Kant, Hegel, Lacan, popular culture and contemporary politics to critique nationalism./div
Author: Slavoj Zizek
Publisher: MIT Press
ISBN: 9780262740159
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
Slavoj Žižek, a leading intellectual in the new social movements that are sweeping Eastern Europe, provides a virtuoso reading of Jacques Lacan. Žižek inverts current pedagogical strategies to explain the difficult philosophical underpinnings of the French theoretician and practician who revolutionized our view of psychoanalysis. He approaches Lacan through the motifs and works of contemporary popular culture, from Hitchcock's Vertigo to Stephen King's Pet Sematary, from McCullough's An Indecent Obsession to Romero's Return of the Living Dead—a strategy of "looking awry" that recalls the exhilarating and vital experience of Lacan. Žižek discovers fundamental Lacanian categories the triad Imaginary/Symbolic/Real, the object small a, the opposition of drive and desire, the split subject—at work in horror fiction, in detective thrillers, in romances, in the mass media's perception of ecological crisis, and, above all, in Alfred Hitchcock's films. The playfulness of Žižek's text, however, is entirely different from that associated with the deconstructive approach made famous by Derrida. By clarifying what Lacan is saying as well as what he is not saying, Žižek is uniquely able to distinguish Lacan from the poststructuralists who so often claim him.
Author: Slavoj Žižek
Publisher:
ISBN:
Category : Lost highway (Motion picture)
Languages : en
Pages : 72
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Book Description
Author: Slavoj Zizek
Publisher: John Wiley & Sons
ISBN: 0745681441
Category : Philosophy
Languages : en
Pages : 261
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Book Description
What do we know about Hegel? What do we know about Marx? What do we know about democracy and totalitarianism? Communism and psychoanalysis? What do we know that isn't a platitude that we've heard a thousand times - or a self-satisfied certainty? Through his brilliant reading of Hegel, Slavoj Zizek - one of the most provocative and widely-read thinkers of our time - upends our traditional understanding, dynamites every cliché and undermines every conviction in order to clear the ground for new ways of answering these questions. When Lacan described Hegel as the ‘most sublime hysteric’, he was referring to the way that the hysteric asks questions because he experiences his own desire as if it were the Other's desire. In the dialectical process, the question asked of the Other is resolved through a reflexive turn in which the question begins to function as its own answer. We had made Hegel into the theorist of abstraction and reaction, but by reading Hegel with Lacan, Zizek unveils a Hegel of the concrete and of revolution - his own, and the one to come. This early and dazzlingly original work by Zizek offers a unique insight into the ideas which have since become hallmarks of his mature thought. It will be of great interest to anyone interested in critical theory, philosophy and contemporary social thought.
Author: M. Flisfeder
Publisher: Springer
ISBN: 1137110740
Category : Performing Arts
Languages : en
Pages : 188
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Book Description
Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
Author: Slavoj Zizek
Publisher: Macmillan
ISBN: 0312427182
Category : History
Languages : en
Pages : 271
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Book Description
Philosopher, cultural critic, and agent provocateur Zizek constructs a fascinating new framework to look at the forces of violence in the world.
Author: Slavoj Žižek
Publisher: Verso
ISBN: 9780860919711
Category : Philosophy
Languages : en
Pages : 262
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Book Description
In this provocative and original work, Slavoj _i_ek takes a look at the question of human agency in a postmodern world. From the sinking of the Titanic to Hitchcock’s Rear Window, from the operas of Wagner to science fiction, from Alien to the Jewish Joke, the author’s acute analyses explore the ideological fantasies of wholeness and exclusion which make up human society. _i_ek takes issue with analysts of the postmodern condition from Habermas to Sloterdijk, showing that the idea of a ‘post-ideological’ world ignores the fact that ‘even if we do not take things seriously, we are still doing them’. Rejecting postmodernism’s unified world of surfaces, he traces a line of thought from Hegel to Althusser and Lacan, in which the human subject is split, divided by a deep antagonism which determines social reality and through which ideology operates. Linking key psychoanalytical and philosophical concepts to social phenomena such as totalitarianism and racism, the book explores the political significance of these fantasies of control. In so doing, The Sublime Object of Ideology represents a powerful contribution to a psychoanalytical theory of ideology, as well as offering persuasive interpretations of a number of contemporary cultural formations.
