Author: Michael DeMarco
Publisher: Via Media Publishing
ISBN: 1893765482
Category : Sports & Recreation
Languages : en
Pages : 149
Book Description
If the Way of the warrior is the soul of Japan, their magnificent swords were the tools utilized to form the nation and forge their spirit. You’ll find an abundance of information in this special anthology in support of this thesis. Kimberley Taylor wrote four chapters, the first being an interview with 7th-dan Matsuo Haruna. Haruna offers great advice for practitioners based on his first-hand experience. Taylor’s two highly researched chapters give overviews of two major iaido schools. Excellent photos and descriptions of katas accompany the text. Taylor’s finale is a short piece describing two of his favorite techniques, while Deborah Klens-Bigman’s chapter deals with two of her favorite techniques. Another top ranking swordsman, Nicklaus Suino, gets to the finicky details of sword-drawing techniques as performed by masters. From his two chapters, we learn how to watch for telltale signs of expertise and come to a greater appreciation of the art of drawing the sword. Jonathan Seckler’s chapter translates and comments on an essay written by Chozanshi Shissai in 1729. He argues that Neo-Confucianism rather than Zen became the foundation of swordsmanship, and illustrates how the sword arts began to be appreciated for their use for self-development. Andrew Bryant’s chapter focuses on poems passed down within the Muso Jikiden Eishin-ryu School of Iaido. These poems correspond to techniques contained within the system created in the 17th century. The author presents each poem and offers provides textual descriptions of their corresponding applications with each sword technique illustrated. Joseph Svinth’s research presents the earliest kendo clubs to form in Canada. The socio-cultural settings add much flavor to this chapter. Information is provided regarding notable instructors, training, and competitions. Another way to better understand a martial tradition of one country is to compare it with another. Matthew Galas compares and contrasts sword arts in Germany with the Japanese traditions. The focus is on general principles and combat philosophy. Devotees to sword practice are well award that scabbards get damaged. Michael Babin’s chapter shows “how to” build a serviceable scabbard according talents of anyone moderately handy with tools. The twelve chapters described above should inspire further research and practice in the Japanese sword arts, plus bring a greater appreciation for their unique place in world history and culture.
The Sword in Japanese Martial Traditions, Vol. 1
Author: Michael DeMarco
Publisher: Via Media Publishing
ISBN: 1893765482
Category : Sports & Recreation
Languages : en
Pages : 149
Book Description
If the Way of the warrior is the soul of Japan, their magnificent swords were the tools utilized to form the nation and forge their spirit. You’ll find an abundance of information in this special anthology in support of this thesis. Kimberley Taylor wrote four chapters, the first being an interview with 7th-dan Matsuo Haruna. Haruna offers great advice for practitioners based on his first-hand experience. Taylor’s two highly researched chapters give overviews of two major iaido schools. Excellent photos and descriptions of katas accompany the text. Taylor’s finale is a short piece describing two of his favorite techniques, while Deborah Klens-Bigman’s chapter deals with two of her favorite techniques. Another top ranking swordsman, Nicklaus Suino, gets to the finicky details of sword-drawing techniques as performed by masters. From his two chapters, we learn how to watch for telltale signs of expertise and come to a greater appreciation of the art of drawing the sword. Jonathan Seckler’s chapter translates and comments on an essay written by Chozanshi Shissai in 1729. He argues that Neo-Confucianism rather than Zen became the foundation of swordsmanship, and illustrates how the sword arts began to be appreciated for their use for self-development. Andrew Bryant’s chapter focuses on poems passed down within the Muso Jikiden Eishin-ryu School of Iaido. These poems correspond to techniques contained within the system created in the 17th century. The author presents each poem and offers provides textual descriptions of their corresponding applications with each sword technique illustrated. Joseph Svinth’s research presents the earliest kendo clubs to form in Canada. The socio-cultural settings add much flavor to this chapter. Information is provided regarding notable instructors, training, and competitions. Another way to better understand a martial tradition of one country is to compare it with another. Matthew Galas compares and contrasts sword arts in Germany with the Japanese traditions. The focus is on general principles and combat philosophy. Devotees to sword practice are well award that scabbards get damaged. Michael Babin’s chapter shows “how to” build a serviceable scabbard according talents of anyone moderately handy with tools. The twelve chapters described above should inspire further research and practice in the Japanese sword arts, plus bring a greater appreciation for their unique place in world history and culture.
Publisher: Via Media Publishing
ISBN: 1893765482
Category : Sports & Recreation
Languages : en
Pages : 149
Book Description
If the Way of the warrior is the soul of Japan, their magnificent swords were the tools utilized to form the nation and forge their spirit. You’ll find an abundance of information in this special anthology in support of this thesis. Kimberley Taylor wrote four chapters, the first being an interview with 7th-dan Matsuo Haruna. Haruna offers great advice for practitioners based on his first-hand experience. Taylor’s two highly researched chapters give overviews of two major iaido schools. Excellent photos and descriptions of katas accompany the text. Taylor’s finale is a short piece describing two of his favorite techniques, while Deborah Klens-Bigman’s chapter deals with two of her favorite techniques. Another top ranking swordsman, Nicklaus Suino, gets to the finicky details of sword-drawing techniques as performed by masters. From his two chapters, we learn how to watch for telltale signs of expertise and come to a greater appreciation of the art of drawing the sword. Jonathan Seckler’s chapter translates and comments on an essay written by Chozanshi Shissai in 1729. He argues that Neo-Confucianism rather than Zen became the foundation of swordsmanship, and illustrates how the sword arts began to be appreciated for their use for self-development. Andrew Bryant’s chapter focuses on poems passed down within the Muso Jikiden Eishin-ryu School of Iaido. These poems correspond to techniques contained within the system created in the 17th century. The author presents each poem and offers provides textual descriptions of their corresponding applications with each sword technique illustrated. Joseph Svinth’s research presents the earliest kendo clubs to form in Canada. The socio-cultural settings add much flavor to this chapter. Information is provided regarding notable instructors, training, and competitions. Another way to better understand a martial tradition of one country is to compare it with another. Matthew Galas compares and contrasts sword arts in Germany with the Japanese traditions. The focus is on general principles and combat philosophy. Devotees to sword practice are well award that scabbards get damaged. Michael Babin’s chapter shows “how to” build a serviceable scabbard according talents of anyone moderately handy with tools. The twelve chapters described above should inspire further research and practice in the Japanese sword arts, plus bring a greater appreciation for their unique place in world history and culture.
The Sword in Japanese Martial Traditions, Vol. 2
Author: Michael DeMarco
Publisher: Via Media Publishing
ISBN:
Category : Sports & Recreation
Languages : en
Pages : 139
Book Description
If the Way of the warrior is the soul of Japan, their magnificent swords were the tools utilized to form the nation and forge their spirit. You’ll find an abundance of information in this special anthology in support of this thesis. Kimberley Taylor wrote four chapters, the first being an interview with 7th-dan Matsuo Haruna. Haruna offers great advice for practitioners based on his first-hand experience. Taylor’s two highly researched chapters give overviews of two major iaido schools. Excellent photos and descriptions of katas accompany the text. Taylor’s finale is a short piece describing two of his favorite techniques, while Deborah Klens-Bigman’s chapter deals with two of her favorite techniques. Another top ranking swordsman, Nicklaus Suino, gets to the finicky details of sword-drawing techniques as performed by masters. From his two chapters, we learn how to watch for telltale signs of expertise and come to a greater appreciation of the art of drawing the sword. Jonathan Seckler’s chapter translates and comments on an essay written by Chozanshi Shissai in 1729. He argues that Neo-Confucianism rather than Zen became the foundation of swordsmanship, and illustrates how the sword arts began to be appreciated for their use for self-development. Andrew Bryant’s chapter focuses on poems passed down within the Muso Jikiden Eishin-ryu School of Iaido. These poems correspond to techniques contained within the system created in the 17th century. The author presents each poem and offers provides textual descriptions of their corresponding applications with each sword technique illustrated. Joseph Svinth’s research presents the earliest kendo clubs to form in Canada. The socio-cultural settings add much flavor to this chapter. Information is provided regarding notable instructors, training, and competitions. Another way to better understand a martial tradition of one country is to compare it with another. Matthew Galas compares and contrasts sword arts in Germany with the Japanese traditions. The focus is on general principles and combat philosophy. Devotees to sword practice are well award that scabbards get damaged. Michael Babin’s chapter shows “how to” build a serviceable scabbard according talents of anyone moderately handy with tools. The twelve chapters described above should inspire further research and practice in the Japanese sword arts, plus bring a greater appreciation for their unique place in world history and culture.
Publisher: Via Media Publishing
ISBN:
Category : Sports & Recreation
Languages : en
Pages : 139
Book Description
If the Way of the warrior is the soul of Japan, their magnificent swords were the tools utilized to form the nation and forge their spirit. You’ll find an abundance of information in this special anthology in support of this thesis. Kimberley Taylor wrote four chapters, the first being an interview with 7th-dan Matsuo Haruna. Haruna offers great advice for practitioners based on his first-hand experience. Taylor’s two highly researched chapters give overviews of two major iaido schools. Excellent photos and descriptions of katas accompany the text. Taylor’s finale is a short piece describing two of his favorite techniques, while Deborah Klens-Bigman’s chapter deals with two of her favorite techniques. Another top ranking swordsman, Nicklaus Suino, gets to the finicky details of sword-drawing techniques as performed by masters. From his two chapters, we learn how to watch for telltale signs of expertise and come to a greater appreciation of the art of drawing the sword. Jonathan Seckler’s chapter translates and comments on an essay written by Chozanshi Shissai in 1729. He argues that Neo-Confucianism rather than Zen became the foundation of swordsmanship, and illustrates how the sword arts began to be appreciated for their use for self-development. Andrew Bryant’s chapter focuses on poems passed down within the Muso Jikiden Eishin-ryu School of Iaido. These poems correspond to techniques contained within the system created in the 17th century. The author presents each poem and offers provides textual descriptions of their corresponding applications with each sword technique illustrated. Joseph Svinth’s research presents the earliest kendo clubs to form in Canada. The socio-cultural settings add much flavor to this chapter. Information is provided regarding notable instructors, training, and competitions. Another way to better understand a martial tradition of one country is to compare it with another. Matthew Galas compares and contrasts sword arts in Germany with the Japanese traditions. The focus is on general principles and combat philosophy. Devotees to sword practice are well award that scabbards get damaged. Michael Babin’s chapter shows “how to” build a serviceable scabbard according talents of anyone moderately handy with tools. The twelve chapters described above should inspire further research and practice in the Japanese sword arts, plus bring a greater appreciation for their unique place in world history and culture.
Ancient Okinawan Martial Arts Volume 1
Author: Patrick McCarthy
Publisher: PeriplusEdition
ISBN:
Category : Sports & Recreation
Languages : en
Pages : 130
Book Description
Featuring original writings by the founders of some of the world's most popular karate styles, this volume includes untranslated texts by Miyagi Chojun, Mabina Kenwa, Motobu Choki - each of them founders of their own schools of karate."
Publisher: PeriplusEdition
ISBN:
Category : Sports & Recreation
Languages : en
Pages : 130
Book Description
Featuring original writings by the founders of some of the world's most popular karate styles, this volume includes untranslated texts by Miyagi Chojun, Mabina Kenwa, Motobu Choki - each of them founders of their own schools of karate."
Teaching and Learning Japanese Martial Arts: Scholarly Perspectives, Vol. 2
Author: Michael DeMarco
Publisher: Via Media Publishing
ISBN: 1544823096
Category : Sports & Recreation
Languages : en
Pages : 148
Book Description
In contrast to the overabundance of writings about martial arts that are often promotional and misinformative, there are rare works by scholars that are praiseworthy for their sincere, unbiased approach to writing. This is the very definition of “scholarly.” This two-volume anthology brings together the best scholarly works published in the Journal of Asian Martial Arts on the topic of teaching and learning Japanese martial arts. In this second volume, you’ll find eight chapters that dive deep into Japanese martial traditions, combining aspects of history and culture that explain how teaching methods developed and evolved. Chapter one asks: What defines and gives meaning to the practice of karate? The Dr. Wingate looks to the ideology of karate as presented in the writings of founder Ginchin Funakoshi and traditional Japanese martial arts as “ways” of self-cultivation. This ideology is often greatly different from the ideology held by modern practitioners. This chapter explores the differences. Next, Dr. Donohue comments on the ideological complex surrounding training in the Japanese martial traditions. These systems, while remaining relatively uniform through time, have, in fact, been subject to considerable philosophical interpretation and emphasis. Why many practice martial artists has little to do with the essential nature of these arts. Dr. Grossman presents a thesis in his chapter that we can arrive at a deeper understanding of any martial arts—using aikido as an example—if we consider it to be a symbolic form of communication, as well as a martial art, and utilize the science of semiotics to translate the “message” encoded in the “body language” of aikido techniques. A photographic technical section illustrates this process. The next chapter by Sakuyama Yoshinaga discusses the potential growth for learning in children. How can adults provide the best learning environment? The author believes that inspiration comes through subtle emotions of the human heart, influencing others. The theory is found in ancient samurai traditions and applied by the author in teaching Shorinji Kempo. Chapter five by Dr. Dykhuizen point out how Asian martial arts are being practiced in cultures other than those within which they originated. Specific information concerning how practitioners from different cultures understand them becomes increasingly useful to martial artists and martial arts scholars. This chapter summarizes findings of an investigation among aikido practitioners. The Japanese Imperial family is said to have been given three symbols of authority by the gods: a mirror, a jewel, and a sword. Dr. Donohue uses this symbolic structure to discuss varying perspectives on the Japanese martial arts. Each aid in our understanding and appreciation of the multifaceted dimensions of the martial arts. In his chapter, Dr. Edinborough examines how Japanese martial arts, specifically the approach developed by Inaba Minoru, can be functionally understood as a form of art. Through referring to the aesthetic theories, the article examines budo as a means of organizing experience, recognizable alongside painting, dance, theater, and literature. The final chapter by Marvin Labbate looks close at the training hall. Dressed in a uniform, students line up in a ready position, come to attention, sit, meditate, and bow. This ritualized pattern is performed at the beginning, during, and at the end of each class, but what does it mean? In this chapter, each element of the ritualized pattern will be discussed to provide a clear understanding of its original intent. If you are interested in Japanese martial traditions, you will find much in these eight chapters that clarify why the arts are taught according to a longstanding tradition—and also why there have been evolutionary changes in the instructional methods. There is sound logic for the old traditions, as well as for the changes. The scholarly research presented in this anthology will improve a teacher’s way of instructing and help a student understand what to expect out of his or her studies.
Publisher: Via Media Publishing
ISBN: 1544823096
Category : Sports & Recreation
Languages : en
Pages : 148
Book Description
In contrast to the overabundance of writings about martial arts that are often promotional and misinformative, there are rare works by scholars that are praiseworthy for their sincere, unbiased approach to writing. This is the very definition of “scholarly.” This two-volume anthology brings together the best scholarly works published in the Journal of Asian Martial Arts on the topic of teaching and learning Japanese martial arts. In this second volume, you’ll find eight chapters that dive deep into Japanese martial traditions, combining aspects of history and culture that explain how teaching methods developed and evolved. Chapter one asks: What defines and gives meaning to the practice of karate? The Dr. Wingate looks to the ideology of karate as presented in the writings of founder Ginchin Funakoshi and traditional Japanese martial arts as “ways” of self-cultivation. This ideology is often greatly different from the ideology held by modern practitioners. This chapter explores the differences. Next, Dr. Donohue comments on the ideological complex surrounding training in the Japanese martial traditions. These systems, while remaining relatively uniform through time, have, in fact, been subject to considerable philosophical interpretation and emphasis. Why many practice martial artists has little to do with the essential nature of these arts. Dr. Grossman presents a thesis in his chapter that we can arrive at a deeper understanding of any martial arts—using aikido as an example—if we consider it to be a symbolic form of communication, as well as a martial art, and utilize the science of semiotics to translate the “message” encoded in the “body language” of aikido techniques. A photographic technical section illustrates this process. The next chapter by Sakuyama Yoshinaga discusses the potential growth for learning in children. How can adults provide the best learning environment? The author believes that inspiration comes through subtle emotions of the human heart, influencing others. The theory is found in ancient samurai traditions and applied by the author in teaching Shorinji Kempo. Chapter five by Dr. Dykhuizen point out how Asian martial arts are being practiced in cultures other than those within which they originated. Specific information concerning how practitioners from different cultures understand them becomes increasingly useful to martial artists and martial arts scholars. This chapter summarizes findings of an investigation among aikido practitioners. The Japanese Imperial family is said to have been given three symbols of authority by the gods: a mirror, a jewel, and a sword. Dr. Donohue uses this symbolic structure to discuss varying perspectives on the Japanese martial arts. Each aid in our understanding and appreciation of the multifaceted dimensions of the martial arts. In his chapter, Dr. Edinborough examines how Japanese martial arts, specifically the approach developed by Inaba Minoru, can be functionally understood as a form of art. Through referring to the aesthetic theories, the article examines budo as a means of organizing experience, recognizable alongside painting, dance, theater, and literature. The final chapter by Marvin Labbate looks close at the training hall. Dressed in a uniform, students line up in a ready position, come to attention, sit, meditate, and bow. This ritualized pattern is performed at the beginning, during, and at the end of each class, but what does it mean? In this chapter, each element of the ritualized pattern will be discussed to provide a clear understanding of its original intent. If you are interested in Japanese martial traditions, you will find much in these eight chapters that clarify why the arts are taught according to a longstanding tradition—and also why there have been evolutionary changes in the instructional methods. There is sound logic for the old traditions, as well as for the changes. The scholarly research presented in this anthology will improve a teacher’s way of instructing and help a student understand what to expect out of his or her studies.
Aikido and Chinese Martial Arts
Author: Tetsutaka Sugawara
Publisher: Japan Publications Trading
ISBN: 9780870409639
Category : Aikido
Languages : en
Pages : 0
Book Description
Aikido & Chinese Martial Arts V2 is a Japan Publications publication.
Publisher: Japan Publications Trading
ISBN: 9780870409639
Category : Aikido
Languages : en
Pages : 0
Book Description
Aikido & Chinese Martial Arts V2 is a Japan Publications publication.
Koryu Bujutsu
Author: Diane Skoss
Publisher:
ISBN: 9781890536046
Category : Biography & Autobiography
Languages : en
Pages : 196
Book Description
Publisher:
ISBN: 9781890536046
Category : Biography & Autobiography
Languages : en
Pages : 196
Book Description
Clouds in the West
Author: Dave Lowry
Publisher: Lyons Press
ISBN: 9781592285907
Category : Martial arts
Languages : en
Pages : 0
Book Description
CLOUDS IN THE WEST is a thought-provoking look at the essence of traditional Asian martial arts--and how it has been adapted, misunderstood, sometimes perverted, and sometimes enhanced in the West.
Publisher: Lyons Press
ISBN: 9781592285907
Category : Martial arts
Languages : en
Pages : 0
Book Description
CLOUDS IN THE WEST is a thought-provoking look at the essence of traditional Asian martial arts--and how it has been adapted, misunderstood, sometimes perverted, and sometimes enhanced in the West.
Sogobujutsu
Author: David C. Falcaro
Publisher: iUniverse
ISBN: 9781475936353
Category : Sports & Recreation
Languages : en
Pages : 484
Book Description
David C. Falcaro, a longtime martial arts expert, presents this textbook exploring the history, philosophy, codes of conduct, psychology, and traditions of the Neji Gekken Ryu. Falcaro is a Sodenkethat is, he has received scrolls after attaining proficiency. Students of the Godaishin Dojo can rely on this guide to excel in their study of Sogobujutsu, learning codes of conduct found in a traditional dojo setting; ways former warriors applied important teachings; forms of martial arts and how they diff er; and terms that can improve your understanding of martial arts. Jumpstart your understanding of martial arts or reinforce important principles youve already learned. With this portable form of instruction, you can strengthen your mental and physical skills so that class time can be efficiently spent on training. This important first look into the many aspects of martial arts etiquette brings meaning to the common acts and actions found in traditional dojo settings. Prepare yourself for success and begin the journey from white belt to black belt with Sogobujutsu.
Publisher: iUniverse
ISBN: 9781475936353
Category : Sports & Recreation
Languages : en
Pages : 484
Book Description
David C. Falcaro, a longtime martial arts expert, presents this textbook exploring the history, philosophy, codes of conduct, psychology, and traditions of the Neji Gekken Ryu. Falcaro is a Sodenkethat is, he has received scrolls after attaining proficiency. Students of the Godaishin Dojo can rely on this guide to excel in their study of Sogobujutsu, learning codes of conduct found in a traditional dojo setting; ways former warriors applied important teachings; forms of martial arts and how they diff er; and terms that can improve your understanding of martial arts. Jumpstart your understanding of martial arts or reinforce important principles youve already learned. With this portable form of instruction, you can strengthen your mental and physical skills so that class time can be efficiently spent on training. This important first look into the many aspects of martial arts etiquette brings meaning to the common acts and actions found in traditional dojo settings. Prepare yourself for success and begin the journey from white belt to black belt with Sogobujutsu.
Okinawan Martial Traditions: Te, Tode, Karate, Karatedo, Kobudo - Vol. 3
Author: Michael DeMarco, M.A., et al.
Publisher: Via Media Publishing
ISBN: 1893765423
Category : Sports & Recreation
Languages : en
Pages : 206
Book Description
What would you like to obtain from your research and practice of an Okinawan martial art? For an academic, it would be to obtain historical and cultural facts and details. For a practitioner, it would be to gain expertise in the combative skills. If you’re interested in both, this first of a three-volume anthology is assembled for your convenience to facilitate your endeavors. These volumes assemble a wealth of material originally published during the two decades when the Journal of Asian Martial Arts was in print. Hundreds of pages and photographs present the richness of Okinawan martial traditions, from the original combatives to those influenced by Chinese and mainland Japanese martial art styles. The variety of topics shown in the table of contents indicate the depth and breath in the chapters, along with the authors who are well-known for their meticulous research and practical skills in specific arts. These three volumes dive deep into the history and culture of Okinawan martial arts. You’ll find coverage of the actual artifacts—the material culture related to weaponry and training methods. Instructions from the masters details both open-hand techniques as well as with weapons. The chapters offer insights into “the lives of many masters over the past few centuries, giving the raison d’être for these unique fighting arts—their reason for being. Many streams of arts have contributed to the martial traditions found on the small island: Naha-te, Shuri-te, Fukien White Crane, Shorin, Goju, Motobu, Shotokan, Isshin, Kyokushin, Pwang Gai Noon, Shito, Uechi, and the list continues … Along with the various styles come the associated training methods, such as conditioning exercises with weights and creatively designed apparatus, such as the punching post (makiwara), or stone lever and stone padlockshaped weights. Some become battle-hardened by active and passive breaking of objects (tameshiwari), including wooden boards, baseball bats, rocks, and ice. The extensive use of weaponry is found in many Okinawan styles, often associated with their farming and fishing occupations. Such a blend of history and culture make the Okinawan fighting traditions a fascinating field of study. Besides being such vital sources of information, these three volumes will prove enjoyable reading and permanent at-hand reference sources in your library.
Publisher: Via Media Publishing
ISBN: 1893765423
Category : Sports & Recreation
Languages : en
Pages : 206
Book Description
What would you like to obtain from your research and practice of an Okinawan martial art? For an academic, it would be to obtain historical and cultural facts and details. For a practitioner, it would be to gain expertise in the combative skills. If you’re interested in both, this first of a three-volume anthology is assembled for your convenience to facilitate your endeavors. These volumes assemble a wealth of material originally published during the two decades when the Journal of Asian Martial Arts was in print. Hundreds of pages and photographs present the richness of Okinawan martial traditions, from the original combatives to those influenced by Chinese and mainland Japanese martial art styles. The variety of topics shown in the table of contents indicate the depth and breath in the chapters, along with the authors who are well-known for their meticulous research and practical skills in specific arts. These three volumes dive deep into the history and culture of Okinawan martial arts. You’ll find coverage of the actual artifacts—the material culture related to weaponry and training methods. Instructions from the masters details both open-hand techniques as well as with weapons. The chapters offer insights into “the lives of many masters over the past few centuries, giving the raison d’être for these unique fighting arts—their reason for being. Many streams of arts have contributed to the martial traditions found on the small island: Naha-te, Shuri-te, Fukien White Crane, Shorin, Goju, Motobu, Shotokan, Isshin, Kyokushin, Pwang Gai Noon, Shito, Uechi, and the list continues … Along with the various styles come the associated training methods, such as conditioning exercises with weights and creatively designed apparatus, such as the punching post (makiwara), or stone lever and stone padlockshaped weights. Some become battle-hardened by active and passive breaking of objects (tameshiwari), including wooden boards, baseball bats, rocks, and ice. The extensive use of weaponry is found in many Okinawan styles, often associated with their farming and fishing occupations. Such a blend of history and culture make the Okinawan fighting traditions a fascinating field of study. Besides being such vital sources of information, these three volumes will prove enjoyable reading and permanent at-hand reference sources in your library.
Japanese Swords
Author: Colin M. Roach
Publisher: Tuttle Publishing
ISBN: 1462915752
Category : Antiques & Collectibles
Languages : en
Pages : 589
Book Description
With over 300 stunning photographs and woodblock prints along with extensive historical and cultural commentary, Japanese Swords is the ultimate authority on Samurai weaponry. Historically, Japanese warriors considered their swords to be far greater than simple weaponry. Their swords were both lethal tools and divine companions -- social and religious icons. Traditionally worn by the samurai as a sign of social status, the Japanese sword represented the junction between the reigning military class and those whom they ruled. Moreover, the samurai sword was a technological and artistic marvel. Many scholars consider it to be the finest sword ever constructed. In terms of symbolism and historical importance, no other blade comes close to the Japanese sword. With a historical, iconographical, and technological perspective, author Cohn M. Roach provides an in-depth study of these magnificent weapons in Japanese Swords. This richly illustrated sword book weaves the blade's primary influences together, tracking its history and illuminating its progress from infancy to grandeur. By studying the evolution of the Japanese sword from this perspective, we better understand Japan and its warrior archetype. Combining research materials from multiple disciplines, Roach uses his expertise as an educator to guide readers through the sword's rise to greatness in a unique way. This book discusses the history, development, and spiritual symbolism of the sword, as well as the esoteric metallurgical techniques used in making it. It also covers the difficult training practices used by skilled swordsmen. Japanese Swords also includes a companion video content featuring a beautifully-filmed documentary that explores the traditional swordmaker's craft. The video content also contains an introduction to the Japanese sword at a sword shop in Kyoto and a visit to a dojo for a beginner's class in the medieval sword-drawing art called iaido.
Publisher: Tuttle Publishing
ISBN: 1462915752
Category : Antiques & Collectibles
Languages : en
Pages : 589
Book Description
With over 300 stunning photographs and woodblock prints along with extensive historical and cultural commentary, Japanese Swords is the ultimate authority on Samurai weaponry. Historically, Japanese warriors considered their swords to be far greater than simple weaponry. Their swords were both lethal tools and divine companions -- social and religious icons. Traditionally worn by the samurai as a sign of social status, the Japanese sword represented the junction between the reigning military class and those whom they ruled. Moreover, the samurai sword was a technological and artistic marvel. Many scholars consider it to be the finest sword ever constructed. In terms of symbolism and historical importance, no other blade comes close to the Japanese sword. With a historical, iconographical, and technological perspective, author Cohn M. Roach provides an in-depth study of these magnificent weapons in Japanese Swords. This richly illustrated sword book weaves the blade's primary influences together, tracking its history and illuminating its progress from infancy to grandeur. By studying the evolution of the Japanese sword from this perspective, we better understand Japan and its warrior archetype. Combining research materials from multiple disciplines, Roach uses his expertise as an educator to guide readers through the sword's rise to greatness in a unique way. This book discusses the history, development, and spiritual symbolism of the sword, as well as the esoteric metallurgical techniques used in making it. It also covers the difficult training practices used by skilled swordsmen. Japanese Swords also includes a companion video content featuring a beautifully-filmed documentary that explores the traditional swordmaker's craft. The video content also contains an introduction to the Japanese sword at a sword shop in Kyoto and a visit to a dojo for a beginner's class in the medieval sword-drawing art called iaido.