Author: Richard Marschall
Publisher: Chelsea House Pub
ISBN: 9780877540694
Category : Caricatures and cartoons
Languages : en
Pages : 48

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Book Description

Author: Brian Walker
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 344

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Book Description
More than 500 strips take the reader through the comics history of the first half of the 20th century. A brief chapter on each decade gives the reader a frame of reference, and biographies of the most important artists are included.

Author:
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 118

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Book Description

Author: Randall William Scott
Publisher: Greenwood
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 168

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Book Description
This bibliography collects, organizes, and annotates the most important information sources in the comics area: books, periodicals, and library collections.

Author: Michigan State University. Libraries. Special Collections Division
Publisher: Greenwood
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 1458

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Book Description
This is the most comprehensive dictionary available on comic art produced around the world. The catalog provides detailed information about more than 60,000 cataloged books, magazines, scrapbooks, fanzines, comic books, and other materials in the Michigan State University Libraries, America's premiere library comics collection. The catalog lists both comics and works about comics. Each book or serial is listed by title, with entries as appropriate under author, subject, and series. Besides the traditional books and magazines, significant collections of microfilm, sound recordings, vertical files, and realia (mainly T-shirts) are included. Comics and related materials are grouped by nationality (e.g., French comics) and genre (e.g., funny animal comics). Several times larger than any previously published bibliography, list, or catalog on the comic arts, this unique international dictionary catalog is indispensible for all scholars and students of comics and the broad field of popular culture.

Author: Paul Williams
Publisher: Rutgers University Press
ISBN: 197880508X
Category : Literary Criticism
Languages : en
Pages : 278

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Book Description
Winner of the Best Book Award in Comics History from the Grand Comics Database Honorable Mention, 2019-2020 Research Society for American Periodicals Book Prize The term “graphic novel” was first coined in 1964, but it wouldn’t be broadly used until the 1980s, when graphic novels such as Watchmen and Maus achieved commercial success and critical acclaim. What happened in the intervening years, after the graphic novel was conceptualized yet before it was widely recognized? Dreaming the Graphic Novel examines how notions of the graphic novel began to coalesce in the 1970s, a time of great change for American comics, with declining sales of mainstream periodicals, the arrival of specialty comics stores, and (at least initially) a thriving underground comix scene. Surveying the eclectic array of long comics narratives that emerged from this fertile period, Paul Williams investigates many texts that have fallen out of graphic novel history. As he demonstrates, the question of what makes a text a ‘graphic novel’ was the subject of fierce debate among fans, creators, and publishers, inspiring arguments about the literariness of comics that are still taking place among scholars today. Unearthing a treasure trove of fanzines, adverts, and unpublished letters, Dreaming the Graphic Novel gives readers an exciting inside look at a pivotal moment in the art form’s development.

Author: John R. Bittner
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 468

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Book Description

Author:
Publisher:
ISBN:
Category : Journalism
Languages : en
Pages : 774

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Book Description
Includes section "Book reviews" and other bibliographical material.

Author: M. Keith Booker
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 2803

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Book Description
Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.

Author: Peter Maresca
Publisher: Sunday Press (CA)
ISBN: 9780983550419
Category : Art
Languages : en
Pages : 151

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Book Description
"Mit dose kids, society is nix!" So said the Inspector about the Katzenjammer kids, but he could have been speaking of all comic strips in their formative years at the turn of the last century. From the very first color Sunday supplement, comics were a driving force in newspaper sales, even though their crude and often offensive content placed them in a whirl of controversy. Sunday comics presented a wild parody of the world and the culture that surrounded them. Society didn't stand a chance. These are the origins of the American comic strip, born at a time when there were no set styles or formats, when artistic anarchy helped spawn a new medium. Here are the earliest offerings from known greats like R. F. Outcault, George McManus, Winsor McCay, and George Herriman, along with the creations of more than fifty other superb cartoonists; over 150 Sunday comics dating from 1895 to 1915.