Don Quijote, 2nd Norton Critical Edition PDF Download
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Author: Miguel de Cervantes Saavedra
Publisher:
ISBN: 9780393617474
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
"Diana de Armas Wilson's introductory study captures the true essence of why Cervantes's novel has become a valuable piece of our shared cultural heritage. Humour, satire, and the religious and political conflicts that plagued the era all form part of Cervantes's great vision, and Wilson's study provides thorough analysis of why we still want to read the adventures of his would-be knight errant and his loyal squire over four centuries later." --AARON KAHN, University of Sussex
Author: Miguel de Cervantes Saavedra
Publisher:
ISBN: 9780393617474
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
"Diana de Armas Wilson's introductory study captures the true essence of why Cervantes's novel has become a valuable piece of our shared cultural heritage. Humour, satire, and the religious and political conflicts that plagued the era all form part of Cervantes's great vision, and Wilson's study provides thorough analysis of why we still want to read the adventures of his would-be knight errant and his loyal squire over four centuries later." --AARON KAHN, University of Sussex
Author: Dominick L. Finello
Publisher: Bucknell University Press
ISBN: 9780838752555
Category : Literary Criticism
Languages : en
Pages : 318
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Book Description
"Pastoral Themes and Forms in Cervantes's Fiction explores the various pastoral dimensions of Cervantes's art, from his early Galatea, which is a pastoral novel, to his masterful Don Quijote de la Mancha. Dominick Finello here focuses on the pastoral's impact on the composition of Don Quijote: its rural backdrop of a rustic Spain; the literary inheritance of its characters and style; its dialogic structure, which reflects that of the pastoral novel; and the vital stimulus produced by Cervantes's direct observation of the effects of imaginative pastoral disguises and mimetic play on its characters, including bucolic games, the representation of eclogues and masques, and other such diversions. The blending of pastoral themes and forms into his fiction has led Cervantes to ring major changes on conventional patterns of the pastoral." "The pastoral's congenial interaction with the creativity of Don Quijote is apparent in the novel's settings and character conception. With regard to the settings, pastoral style in the Quijote focuses specifically on the geographical configuration and rural backdrop of Don Quijote's adventures and eventually places them in the context of the history of pastoral nomadism on the Iberian peninsula. With regard to characters, shepherds, goatherds, farmers, and other rural people appear everywhere in the Quijote; and Sancho Panza is the leading rustic personage from this group. Sancho's felicitous projection of pastoral life reflects his fundamental optimism. Don Quijote is linked to the literary shepherd through his discourse on the golden age, his imitation of the lovelord shepherd in the Sierra Morena episode of part 1, and the "Pastor Quijotiz" scheme, which signals his demise late in part 2. Dulcinea, Don Quijote's beloved, is conceived with both the rustic and literary dimensions of the pastoral heroine." "One of the essential features of the Quijote is its dialogic structure, which reflects that of the Renaissance academic colloquium and that of the pastoral novel. Another vital pastoral stimulus of Cervantes's art is his direct observation of the effects of imaginative pastoral disguises and mimetic play on his characters. The documented social customs involving pastoral mimesis (such as eclogues, masques, and games) indicate that pastoral expression and values have been integrated to a significant degree into the fabric of the lives of Cervantes's characters." "Cervantes's attitude toward the pastoral may be established through direct statements he made about pastoral authors, poems, and books. It may also be constituted through less direct means - such as the abrupt conclusion and subsequent disappearance of pastoral stories from the main narrative of the Quijote."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: California (State).
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 58
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Book Description
Author: David Quint
Publisher: Princeton University Press
ISBN: 9780691114330
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
Offering a radical reading of 'Don Quijote', this work argues that it is much greater than the sum of its famous parts, discovering a unified narrative and deliberate thematic design in a novel long taught as the very definition of the picaresque and as a rambling succession of individual episodes.
Author: Isabel Jaén
Publisher: Routledge Studies in Renaissance Literature and Culture
ISBN: 9781032058542
Category : Cognition and culture
Languages : en
Pages : 0
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Book Description
This book explores the work of Cervantes in relation to the ideas about the mind that circulated in early modern Europe and were propelled by thinkers such as Juan Luis Vives, Juan Huarte de San Juan, Oliva Sabuco, Andrés Laguna, Andrés Velásquez, Marsilio Ficino, and Gómez Pereira. The editors bring together humanists and scientists: literary scholars and doctors whose interdisciplinary research integrates diverse types of sources (philosophical and medical treatises, natural histories, rhetoric manuals, pharmacopoeias, etc.) alongside Cervantes's works to examine themes and areas including emotion, human development, animal vs. human consciousness, pathologies of the mind, and mind-altering substances. Their chapters trace the cognitive themes and points of inquiry that Cervantes shares with other early modern thinkers, showing how he both echoes and contributes to early modern views of the mind.
Author: John G. Weiger
Publisher: Cambridge University Press
ISBN: 9780521168342
Category : Language Arts & Disciplines
Languages : en
Pages : 310
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Book Description
A 1986 examination of the foundation upon which Cervantes constructed his works from La Galatea (1585) to Persiles y Sigismunda (1617).
Author: Roland Greene
Publisher: University of Chicago Press
ISBN: 022600063X
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
Blood. Invention. Language. Resistance. World. Five ordinary words that do a great deal of conceptual work in everyday life and literature. In this original experiment in critical semantics, Roland Greene considers how these words changed over the course of the sixteenth century and what their changes indicate about broader forces in science, politics, and other disciplines. Rather than analyzing works, careers, or histories, Greene discusses a broad swath of Renaissance and transatlantic literature—including Shakespeare, Cervantes, Camões, and Milton—in terms of the development of these five words. Aiming to shift the conversation around Renaissance literature from current approaches to riskier enterprises, Greene also proposes new methods that take advantage of digital resources like full-text databases, but still depend on the interpreter to fashion ideas out of ordinary language. Five Words is an innovative and accessible book that points the field of literary studies in an exciting new direction.
Author: Giancarlo Maiorino
Publisher: Penn State Press
ISBN: 9780271006796
Category : Art
Languages : en
Pages : 230
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Book Description
This comparative and interdisciplinary study focuses on a cluster of epoch-making themes that emerged in the late sixteenth century. Michelangelo and Giordano Bruno are taken as the founding fathers of the Baroque, and we see that beyond the Alps their lessons were echoed in Montaigne, Cervantes, and the Counter-Reformation culture of the Mediterranean basin. Maiorino shows that the common denominator that links the origins of the Baroque to its maturity is the concept of form as &"process,&" which is then articulated into chapters on the formative unity of the arts, art forms at the threshold, and the development from humanist perfection to Baroque perfectibility. Such an evolution in literature and the arts is situated in relation to the age of explorations (Columbus), scientific inventions (the telescope), and the fundamental shift from the enclosed Ptolemic system to the open universe of the Copernican revolution. At the Baroque point of origin, the inner vitality of Michelangelo's emphasis on creation as &"process&" rather than completed act taught a crucial lesson to Baroque artists. Their response to the infinite and open universe of the &"New Science&" was one that took part to be as dynamic and metamorphic as life itself. It is in the context of &"open&" forms within an &"open&" universe that this study moves from Michelangelo to Bruno. His poetics of immeasurable abundance set &"process&" at the very core of the Baroque art, thought, and science. Applied to the forms of art, growth and metamorphosis are linked to what Maiorino calls (borrowing from Mikhail Bakhtin) the Baroque chronotope of formation, which refers to forms responding to the dynamics of space-time interactions. Such interactions were exhaustive and even tested the boundaries between reality and fiction, creation and denial, conformity and criticism from picaresque Spain to middle-class Holland. And it is the painting of a Dutch artist&—Rembrandt's Aristotle Contemplating the Bust of Homer&— that is taken as a symbol of the Baroque reconciliation of humanist learning with human or humane understanding. Such a humanizing attitude also marked the final transformation of humanist ideals of perfection into the Baroque experience of human perfectibility. This book will be of importance to all scholars concerned with the history of ideas, cultural history, and the Baroque in literature and art.
Author: Henry W. Sullivan
Publisher: Penn State Press
ISBN: 0271041048
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
Cervantes's great novel Don Quixote is a diptych, the first part of which was published in 1605 and the second in 1615. Focusing almost entirely on the novel's second part, Henry W. Sullivan is the first critic to offer a systematic account of Don Quixote's passage from madness to sanity. Sullivan argues that Part II of the novel is a salvation epic, within which the Cave of Montesinos episode is the single most important pivot in the Knight's confrontation with his own emotional difficulties. In this carefully researched and challenging study, Sullivan shows that chapters 22-24 (the Cave of Montesinos episode) represent an entrance into Purgatory, while chapter 55 is the exit from this realm. The Knight and his Squire are made to suffer excruciating torments in the chapters in between, experiencing a Purgatory in this life. This original reading of the book is coupled with an explanation that this Purgatory is &"grotesque&" since Don Quixote's and Sancho's sins are venial and can thus be cleansed by theological means against a background of comedy. By combining these two aspects, Sullivan exposes both the deeply agonizing and the comic aspects of the text. In addition, the combination of theological interpretation and Lacanian analysis to show Don Quixote's salvation/cure in this life results in a truly comprehensive vision of the Knight's progress. Sullivan also summarizes, in five different streams of critical tradition, the accumulated reception history of the Cave of Montesinos incident, drawing on scholarly writings from the nineteenth century to the present.
Author: Donald Gilbert-Santamaria
Publisher: Bucknell University Press
ISBN: 9780838755884
Category : Language Arts & Disciplines
Languages : en
Pages : 284
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Book Description
The beginning of the seventeenth century in Spain marks a rapid rise in the commercial market for cultural production. This book examines the evolution of this commercial market as reflected in the maturation of two genres: the public theater and the novel. Through a comparative analysis of the play-wright Lope de Vega and the novelists Mateo Aleman and Miguel de Cervantes, the author explores the new poetic principles, both implicitly and explicitly, that accompany the rise of this commercialized literature. The book argues that the logic of classical economic theory becomes internalized within the poetic structure of these two genres. Within this logic, the idea of taste comes to play a new and unprecedented role as the arbiter of literary value. Exposed increasingly to the pressures of popular taste, these writers are forced to rework or abandon many of the traditional poetic ideas of the Renaissance in a process that tends to undermine the writer's control over his own work. Donald Gilbert-Santamaria teaches in the Division of Spanish and Portuguese at the University of Washington in Seattle.
