Author: David Zinn
Publisher: Taylor & Francis
ISBN: 9780935016031
Category : Music
Languages : en
Pages : 294
Book Description
Enth.: Vol. 1: Theory
The Structure & Analysis of the Modern Improvised Line: Theory
Author: David Zinn
Publisher: Taylor & Francis
ISBN: 9780935016031
Category : Music
Languages : en
Pages : 294
Book Description
Enth.: Vol. 1: Theory
Publisher: Taylor & Francis
ISBN: 9780935016031
Category : Music
Languages : en
Pages : 294
Book Description
Enth.: Vol. 1: Theory
Organizational Improvisation
Author: Ken N. Kamoche
Publisher: Psychology Press
ISBN: 9780415261753
Category : Organizational change
Languages : en
Pages : 336
Book Description
Thought-provoking papers on the relatively new field of organizational improvisation, which consider the pressures on organizations to react continually to today's ever-changing environment.
Publisher: Psychology Press
ISBN: 9780415261753
Category : Organizational change
Languages : en
Pages : 336
Book Description
Thought-provoking papers on the relatively new field of organizational improvisation, which consider the pressures on organizations to react continually to today's ever-changing environment.
Thinking in Jazz
Author: Paul F. Berliner
Publisher: University of Chicago Press
ISBN: 0226044521
Category : Music
Languages : en
Pages : 904
Book Description
A landmark in jazz studies, Thinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea. The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker. Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators. Berliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. This unprecedented journey to the heart of the jazz tradition will fascinate and enlighten musicians, musicologists, and jazz fans alike.
Publisher: University of Chicago Press
ISBN: 0226044521
Category : Music
Languages : en
Pages : 904
Book Description
A landmark in jazz studies, Thinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea. The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker. Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators. Berliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. This unprecedented journey to the heart of the jazz tradition will fascinate and enlighten musicians, musicologists, and jazz fans alike.
The Essential Jazz Records: Modernism to postmodernism
Author: Max Harrison
Publisher: A&C Black
ISBN: 9780720118223
Category : Music
Languages : en
Pages : 924
Book Description
Following the same format as the acclaimed first volume, this selection of the best 250 modern jazz records and CDs places each in its musical context and reviews it in depth. Additionally, full details of personnel, recording dates, and locations are given. Indexes of album titles, track titles, and musicians are included.
Publisher: A&C Black
ISBN: 9780720118223
Category : Music
Languages : en
Pages : 924
Book Description
Following the same format as the acclaimed first volume, this selection of the best 250 modern jazz records and CDs places each in its musical context and reviews it in depth. Additionally, full details of personnel, recording dates, and locations are given. Indexes of album titles, track titles, and musicians are included.
Reconceiving Structure in Contemporary Music
Author: Judy Lochhead
Publisher: Routledge
ISBN: 1317581083
Category : Music
Languages : en
Pages : 242
Book Description
This book studies recent music in the western classical tradition, offering a critique of current analytical/theoretical approaches and proposing alternatives. The critique addresses the present fringe status of recent music sometimes described as crossover, postmodern, post-classical, post-minimalist, etc. and demonstrates that existing descriptive languages and analytical approaches do not provide adequate tools to address this music in positive and productive terms. Existing tools and concepts were developed primarily in the mid-20th century in tandem with the high modernist compositional aesthetic, and they have changed little since then. The aesthetics of music composition, on the other hand, have been in constant transformation. Lochhead proposes new ways to conceive musical works, their structurings of musical experience and time, and the procedures and goals of analytic close reading. These tools define investigative procedures that engage the multiple perspectives of composers, performers, and listeners, and that generate conceptual modes unique to each work. In action, they rebuild a conceptual, methodological, and experiential place for recent music. These new approaches are demonstrated in analyses of four pieces: Kaija Saariaho’s Lonh (1996), Sofia Gubaidulina’s Second String Quartet (1987), Stacy Garrop’s String Quartet no.2, Demons and Angels (2004-05), and Anna Clyne’s "Choke" (2004). This book defies the prediction of classical music’s death, and will be of interest to scholars and musicians of classical music, and those interested in music theory, musicology, and aural culture.
Publisher: Routledge
ISBN: 1317581083
Category : Music
Languages : en
Pages : 242
Book Description
This book studies recent music in the western classical tradition, offering a critique of current analytical/theoretical approaches and proposing alternatives. The critique addresses the present fringe status of recent music sometimes described as crossover, postmodern, post-classical, post-minimalist, etc. and demonstrates that existing descriptive languages and analytical approaches do not provide adequate tools to address this music in positive and productive terms. Existing tools and concepts were developed primarily in the mid-20th century in tandem with the high modernist compositional aesthetic, and they have changed little since then. The aesthetics of music composition, on the other hand, have been in constant transformation. Lochhead proposes new ways to conceive musical works, their structurings of musical experience and time, and the procedures and goals of analytic close reading. These tools define investigative procedures that engage the multiple perspectives of composers, performers, and listeners, and that generate conceptual modes unique to each work. In action, they rebuild a conceptual, methodological, and experiential place for recent music. These new approaches are demonstrated in analyses of four pieces: Kaija Saariaho’s Lonh (1996), Sofia Gubaidulina’s Second String Quartet (1987), Stacy Garrop’s String Quartet no.2, Demons and Angels (2004-05), and Anna Clyne’s "Choke" (2004). This book defies the prediction of classical music’s death, and will be of interest to scholars and musicians of classical music, and those interested in music theory, musicology, and aural culture.
The New Grove Dictionary of Jazz: Nightclubs-Zwingenberger
Author: Barry Dean Kernfeld
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 1182
Book Description
The New Grove Dictionary of Jazz, second edition will be the definitive resource for any serious lover & listener of jazz. This 3 volume hardcover second edition builds upon the impressive foundation laid by its predecessor in 1988 to become the most comprehensive jazz reference work ever published. Editor Barry Kernfeld, a well-known jazz authority & scholar, has brought together the world's leading experts in jazz, ensuring the accuracy, breadth, & depth expected from Grove's.
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 1182
Book Description
The New Grove Dictionary of Jazz, second edition will be the definitive resource for any serious lover & listener of jazz. This 3 volume hardcover second edition builds upon the impressive foundation laid by its predecessor in 1988 to become the most comprehensive jazz reference work ever published. Editor Barry Kernfeld, a well-known jazz authority & scholar, has brought together the world's leading experts in jazz, ensuring the accuracy, breadth, & depth expected from Grove's.
American Keyboard Artists
Author: Stephen Husarik
Publisher:
ISBN:
Category : Harpsichordists
Languages : en
Pages : 502
Book Description
Publisher:
ISBN:
Category : Harpsichordists
Languages : en
Pages : 502
Book Description
Bibliographic Guide to Music
Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 658
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 658
Book Description
New Structures in Jazz and Improvised Music Since 1960
Author: R. T. Dean
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 264
Book Description
Annual Review of Jazz Studies
Author: Edward Berger
Publisher: Scarecrow Press
ISBN: 9780810824782
Category : Jazz
Languages : en
Pages : 286
Book Description
Articles: DIETRICH, Kurt- Joe "Tricky" Nanton": Duke Ellington's master of the plunger trombone; WIEDEMANN, Erik - Duke Ellington: the composer; WIEDEMANN, Erik - Duke in Denmark: a discographical excursus; CARNER, Gary - The agony and the agony: James Lincoln Collier's jazz writing; PELOTE, Vincent - An annotated bibliography of British Periodicals (1930-1940); HAYWOOD, Mark S - The harmonic role of melody in vertical and horizontal jazz; BERGER, Edward - George Duvivier: arranger and composer; DEMSEY, David - Chromatic third relations in the music of John Coltrane; A Joe Wilder photo gallery. Book reviews.
Publisher: Scarecrow Press
ISBN: 9780810824782
Category : Jazz
Languages : en
Pages : 286
Book Description
Articles: DIETRICH, Kurt- Joe "Tricky" Nanton": Duke Ellington's master of the plunger trombone; WIEDEMANN, Erik - Duke Ellington: the composer; WIEDEMANN, Erik - Duke in Denmark: a discographical excursus; CARNER, Gary - The agony and the agony: James Lincoln Collier's jazz writing; PELOTE, Vincent - An annotated bibliography of British Periodicals (1930-1940); HAYWOOD, Mark S - The harmonic role of melody in vertical and horizontal jazz; BERGER, Edward - George Duvivier: arranger and composer; DEMSEY, David - Chromatic third relations in the music of John Coltrane; A Joe Wilder photo gallery. Book reviews.