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Author: Bryony Dixon
Publisher: Bloomsbury Publishing
ISBN: 1911239643
Category : Performing Arts
Languages : en
Pages : 194
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Book Description
In this vivid and accessible new account of the dawn of film in Britain, internationally respected film historian and curator Bryony Dixon introduces us to Britain's first cinematic pioneers an eclectic mix of chemists, engineers, photography enthusiasts, fairground showmen and magicians who in a few short years built a vibrant new industry. As she chronicles the emergence of the first embryonic film forms and genres, she reveals often surprising innovations, from cutting-edge science to ingeniously witty tricks and comedies, with filmmakers reflecting existing entertainment forms as well as advancing editing and cinematography in ways that shaped the art of film for many decades after. Dixon offers fresh insights by focusing on the films themselves many of them only recently available to view while building on the work of generations of scholars. In the process, Dixon makes a compelling case for the British filmmakers of the era as inventive and creative figures, every bit as influential as their more celebrated contemporaries in France and the US.
Author: Bryony Dixon
Publisher: Bloomsbury Publishing
ISBN: 1911239643
Category : Performing Arts
Languages : en
Pages : 194
Get Book Here
Book Description
In this vivid and accessible new account of the dawn of film in Britain, internationally respected film historian and curator Bryony Dixon introduces us to Britain's first cinematic pioneers an eclectic mix of chemists, engineers, photography enthusiasts, fairground showmen and magicians who in a few short years built a vibrant new industry. As she chronicles the emergence of the first embryonic film forms and genres, she reveals often surprising innovations, from cutting-edge science to ingeniously witty tricks and comedies, with filmmakers reflecting existing entertainment forms as well as advancing editing and cinematography in ways that shaped the art of film for many decades after. Dixon offers fresh insights by focusing on the films themselves many of them only recently available to view while building on the work of generations of scholars. In the process, Dixon makes a compelling case for the British filmmakers of the era as inventive and creative figures, every bit as influential as their more celebrated contemporaries in France and the US.
Author: Bryony Dixon
Publisher: Bloomsbury Publishing
ISBN: 1911239635
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
In this vivid and accessible new account of the dawn of film in Britain, internationally respected film historian and curator Bryony Dixon introduces us to Britain's first cinematic pioneers – an eclectic mix of chemists, engineers, photography enthusiasts, fairground showmen and magicians – who in a few short years built a vibrant new industry. As she chronicles the emergence of the first embryonic film forms and genres, she reveals often surprising innovations, from cutting-edge science to ingeniously witty tricks and comedies, with filmmakers reflecting existing entertainment forms as well as advancing editing and cinematography in ways that shaped the art of film for many decades after. Dixon offers fresh insights by focusing on the films themselves – many of them only recently available to view – while building on the work of generations of scholars. In the process, Dixon makes a compelling case for the British filmmakers of the era as inventive and creative figures, every bit as influential as their more celebrated contemporaries in France and the US.
Author: Richard Brown
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 366
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Book Description
A history of the British Mutoscope and Biograph Company, which discusses social and economic aspects of early film history.
Author: Stephen Herbert
Publisher: BFI Publishing
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 200
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Book Description
Lives of over 250 people involved in history of cinema
Author: Abigail Burnham Bloom
Publisher:
ISBN: 9781604977868
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
Movies began during the Victorian age. Through even the earliest years of filmmaking, Victorian literature provided a ready stock of familiar stories about colorful characters caught up in mystery, fantasy, adventure, sensation, and domestic conflict. Among the earliest films are adaptations of works by Victorian writers like Charles Dickens, Lewis Carroll, Thomas Hardy, and even Alfred, Lord Tennyson. With the proliferation of volumes on adaptation, work is needed that provides theoretical and practical approaches for those who think about literature together with film adaptations whether as scholarship, part of classroom study, or general enjoyment. By bringing together many different approaches to the topic of adaptation, this book provides an important overview of the subject of the adaptation of nineteenth-century British literature, as well as an examination of the constructive and creative use of film adaptations in the classroom. Although a wide range of critical approaches are included, the primary emphasis is on what specific adaptations reveal about the ways in which nineteenth-century British texts are understood, responded to, and analyzed based on particular cultural contexts. This book provides a basis for rethinking adaptation and a template for future discussions and academic courses. They orient the reader within a popular field of study that is currently in need of both greater focus and of practical direction.
Author: Richard Brown
Publisher: Indiana University Press
ISBN: 0861969316
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
The story of how the motion-picture device was developed, and its role in Victorian society and early cinema. The position of the kinetoscope in film history is central and undisputed; indicative of its importance is the detailed attention American scholars have given to examining its history. However, the Kinetoscope’s development in Britain has not been well documented and much current information about it is incomplete and out of date. This book, for the first time, presents a comprehensive account of the unauthorized and often colorful development of British kinetoscopes, using many previously unpublished sources. The commercial and technical backgrounds of the kinetoscope are looked at in detail; the style and content of the earliest British films analyzed; and the device’s place in the wider world of Victorian popular entertainment examined. In addition, a unique legal case is revealed and a number of previously unrecorded film pioneers are identified and discussed.
Author: Nora Gilbert
Publisher: Stanford University Press
ISBN: 0804784876
Category : Literary Collections
Languages : en
Pages : 202
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Book Description
Better Left Unsaid is in the unseemly position of defending censorship from the central allegations that are traditionally leveled against it. Taking two genres generally presumed to have been stymied by the censor's knife—the Victorian novel and classical Hollywood film—this book reveals the varied ways in which censorship, for all its blustery self-righteousness, can actually be good for sex, politics, feminism, and art. As much as Victorianism is equated with such cultural impulses as repression and prudery, few scholars have explored the Victorian novel as a "censored" commodity—thanks, in large part, to the indirectness and intangibility of England's literary censorship process. This indirection stands in sharp contrast to the explicit, detailed formality of Hollywood's infamous Production Code of 1930. In comparing these two versions of censorship, Nora Gilbert explores the paradoxical effects of prohibitive practices. Rather than being ruined by censorship, Victorian novels and Hays Code films were stirred and stimulated by the very forces meant to restrain them.
Author: Dorothy Mavis Jenkins
Publisher:
ISBN:
Category :
Languages : en
Pages : 536
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Book Description
This thesis is a study of the history of Victorian film societies as exemplified, by the Camberwell Film Society, from the 1950s to the 1990s. The study was prompted by the paucity of philosophical and conceptual literature about film societies. As a result, little is known about how and why they were formed. The purpose of this study is to investigate these issues.During the 1950s there was an upsurge of interest in the formation of film societies in the state of Victoria. By the 1990s, the Victorian film society movement had undergone a cyclical pattern of periods of exciting growth followed by episodes of stasis or declining interest. The Camberwell Film Society was selected for the study because it has functioned continuously from its founding in the mid-1950s to the 1990s, emulating these patterns of growth. It remains a viable film society in 2014.Three themes establish the framework for the thesis. These are: the connections between three factors, globalism, localism and film; the contribution of Camberwell's socioeconomic context to the creation of a place conducive to the founding of a film society and, the role of adult, self-directed learning in a community environment, particularly following WW2. Like leitmotivs, these themes recur throughout the study.The study contends that the genesis of film societies lies in the 1890s with the development of machines such as the Kinematograph and Kinetoscope: the former captured moving images, the latter projected these images onto a screen for public viewing. These inventions were the catalysts for the establishment of the film industry which quickly developed into an international entity. Driven by a profit motive, the earliest movies were produced for entertainment purposes. Gradually, diversity of product crept into the film industry, prompting discerning viewers to distinguish between the concepts of film for entertainment/business and film as art. By the early 1920s film groups and ciné-clubs, precursors of film societies, were forming, keen to pursue the notion of cinema as art. Film societies evolved from these early groups. The film society movement grew rapidly in Europe and Britain and, eventually, internationally. These early societies were described as being non-profit, voluntary, community groups in which membership was by subscription. One of the significant and enduring features of film societies is that they notviiionly screen films but they also provide opportunities for engaging with, and studying the films, through post-screening discussion sessions. Another feature is the passionate attachment of core society members to the filmic world. In many cases, the ongoing management and success of a society are attributable to these core members. These features became the characteristics of traditional film societies. The study found that, formed in the mid-1950s, the Camberwell Film Society demonstrates the characteristics of a traditional film society.It is concluded that reasons for the formation of films societies include the production of appropriate filmic product, the existence of a community or group of people who are passionate about film and wish to share this passion with others and, the desire to participate in, and learn more, as part of a filmic educational culture.
Author: Dave Thompson
Publisher: ECW Press
ISBN: 1554903025
Category : Performing Arts
Languages : en
Pages : 339
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Book Description
Until now, there was no modern history of the pornographic movie available - Black and White and Blue fills that void, with exlusive interviews and confrontational style.
Author: Brian J. Robb
Publisher: Voyageur Press
ISBN: 9780760348918
Category : Social Science
Languages : en
Pages : 0
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Book Description
A gorgeously illustrated history of the literary, film, and arts counterculture--now in paperback! Simultaneously a literary movement, ultra-hip subculture, and burgeoning cottage industry, steampunk is the most influential new genre to emerge from the late twentieth century. Spinning tales populated with clockwork leviathans, cannon shots to the moon, and coal-fired robots, it charts alternative histories in which the British Empire never fell and the atom remained unsplit. Spectacularly illustrated and international in scope, this comprehensive history explores steampunk's many intricate expressions in fiction, cinema, television, comics, and video games, and traces its evolution into a truly global aesthetic that has made its mark on art, architecture, fashion, and music. From the classic science-fiction of Jules Verne, H. G. Wells, and Mary Shelley, through the dystopian futurescapes of Cyberpunk, to the otherworldly imaginings of Hayao Miyazaki, Alan Moore, and China Miéville, author Brian J. Robb sets the key works of steampunk squarely under the lens of his brass monocle and ventures into a world where airships still rule the skies.
