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Author: Robert Grayson
Publisher: Simon and Schuster
ISBN: 1422294625
Category : Young Adult Nonfiction
Languages : en
Pages : 64
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Book Description
Dr. Dre was the face of hip-hop by the time he started Aftermath Entertainment in 1996. But like any new record label, even one started by a legend, Aftermath had to go through some growing pains before finding its sound. Once it did, Aftermath was on a roll, producing platinum albums by megastars like Eminem and 50 Cent. The record label combined the creativity and fresh material of new rap stars with the special touch only a musical genius like Dr. Dre could add. Born out of the violent era of the West Coast-East Coast rap feud, Aftermath carried Dr. Dre's hopes of creating a record label that focused solely on music, not violence. There were some false starts along the way. But it did not take Aftermath long to introduce some of rap's biggest names to the world and sell millions upon millions of albums.
Author: Robert Grayson
Publisher: Simon and Schuster
ISBN: 1422294625
Category : Young Adult Nonfiction
Languages : en
Pages : 64
Get Book Here
Book Description
Dr. Dre was the face of hip-hop by the time he started Aftermath Entertainment in 1996. But like any new record label, even one started by a legend, Aftermath had to go through some growing pains before finding its sound. Once it did, Aftermath was on a roll, producing platinum albums by megastars like Eminem and 50 Cent. The record label combined the creativity and fresh material of new rap stars with the special touch only a musical genius like Dr. Dre could add. Born out of the violent era of the West Coast-East Coast rap feud, Aftermath carried Dr. Dre's hopes of creating a record label that focused solely on music, not violence. There were some false starts along the way. But it did not take Aftermath long to introduce some of rap's biggest names to the world and sell millions upon millions of albums.
Author: Diane Bailey
Publisher: Simon and Schuster
ISBN: 1422294676
Category : Juvenile Nonfiction
Languages : en
Pages : 64
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Book Description
Hip-hop started on the streets of New York with African American youths in the 1970s. But with its strong beats and raw lyrics, it quickly spread across the country. It became the music of a generation of young Americans. But hip-hop is more than just music. It's a lifestyle. It's also big business. When Interscope Records was formed in 1990, the company's founders saw an opportunity. Young people loved the energy of hip-hop. Interscope gave rappers like Eminem and 50 Cent their start—and it paid off. Today, Interscope is a multimillion-dollar company that handles all kinds of music. There were setbacks on the way to success. But whether it was Lady Gaga or the Black Eyed Peas, Interscope always managed to find a star!
Author: Trey White
Publisher: Simon and Schuster
ISBN: 142229465X
Category : Juvenile Nonfiction
Languages : en
Pages : 64
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Book Description
For a few years in the mid-1990s, a small music label called Death Row stood atop the hip-hop world. Death Row Records was instrumental in introducing a hard-core style of rap music known as "gangsta rap" to mainstream audiences. Albums like Dr. Dre's The Chronic, Snoop Doggy Dogg's Doggystyle, and Tupac Shakur's All Eyez on Me sold millions of copies and influenced a new generation of artists. The money rolled in for Death Row's founder, Marion "Suge" Knight. The good times could not last, however. Tupac was murdered, Suge Knight was sent to prison for various crimes, and the label's top stars moved on. The dramatic rise and fall of Death Row Records is chronicled in this book.
Author: Kim Osorio
Publisher: Simon and Schuster
ISBN: 1416559809
Category : Biography & Autobiography
Languages : en
Pages : 291
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Book Description
Kim Osorio had a front-row seat for the biggest beefs, battles, and blow-ups in hip-hop. As the first female editor-in-chief of The Source, she had come up. From her corner office, Kim got the goods on hip-hop's hottest names: Jay-Z, Nas, 50 Cent, Lil' Kim. She developed close -- sometimes intimate -- relationships with the artists she exposed to the public. But The Source couldn't hide its own dirty laundry for long. Behind the scenes, the magazine's volatile owners puppeteered every issue -- even coveted honors like the 5-mic album rating and the Power 30 list of industry heavy-hitters. Then The Source declared war on Eminem and began the notorious assault that would send the magazine into swift decline. In a culture dominated by men, Kim rose to the top, and after years in the magazine's pressure cooker, she hit "send" on a two-sentence e-mail that would thrust her from the sidelines of the scandalous world she reported on to the center of one of the most explosive scandals in hip-hop history. Straight From the Source is the Book of Kim, the tell-all memoir only she could write about her influential years at the Bible of Hip-Hop.
Author: Brian C. Young
Publisher: Xlibris Corporation
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 922
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Book Description
RUNAWAY is a fascinating account of the life and music of 60s rock star Del Shannon. From humble beginnings in the rural Midwest, this bar band guitarist rocketed to overnight superstar status when his first big hit clinched the #1 spot on the American Billboard charts, resulting in an international hit in over 20 other countries during the year 1961. Del Shannon soon followed up “Runaway” with more hits, including “Hats Off To Larry,” “So Long Baby,” “Hey! Little Girl,” “The Swiss Maid,” “Little Town Flirt,” “Two Kinds of Teardrops,” “Handy Man,” “Do You Wanna Dance,” “Keep Searchin’,” and “Stranger In Town.” Shannon was the first American artist to cover a Beatles song in “From Me To You.” In the late 60s and early 70s, he shifted his focus into production, launching the career of country artist Johnny Carver, discovering a group called Smith that saw a #3 hit with a Shannon-Smith arrangement of “Baby It’s You,” and produced fellow contemporary Brian Hyland’s Top 5 hit “Gypsy Woman.” Del worked with Jeff Lynne and Dave Edmunds in the 70s, with Tom Petty seeking him out to produce Shannon’s comeback album in 1981, resulting in a #33 hit “Sea of Love” in America.
Author: Mitchell Ohriner
Publisher: Oxford University Press
ISBN: 0190670436
Category : Music
Languages : en
Pages : 297
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Book Description
From its dynamic start at dance parties in the South Bronx in the late 1970s, hip hop and rap music have exploded into a dominant style of popular music in the United States and a force for activism and expression all over the world. So, too, has scholarship on hip hop and rap music grown. Yet much of this scholarship, employing methods drawn from sociology and literature, leaves unaddressed the expressive musical choices made by hip hop artists. Fundamental among these choices is the rhythm of the rapping voice, termed "flow." Flow presents unique theoretical and analytical challenges. It is rhythmic in the same way other music is rhythmic, but also in the way speech and poetry are rhythmic. For the first time, Mitchell Ohriner's Flow: The Rhythmic Voice in Rap Music reconciles approaches to key concepts of rhythm, such as meter, periodicity, patterning, and accent, treated independently across other branches of scholarship. Ohriner theorizes flow by weaving between the methods of computational music analysis and humanistic close reading. Through the analysis of large collections of verses and individual tracks, the book addresses theories of rhythm, meter, and groove in the unique ecology of rap music. In a series of case studies in the second half, the work of Eminem clarifies how flow can relate to text, the work of Black Thought of The Roots clarifies how flow can relate to other instrumental streams, and the work of Talib Kweli clarifies how flow can relate to rap's persistent meter. While Ohriner focuses on rap music throughout the book, the methods he introduces will be useful for other musical genres that feature the voice freely interacting with a more rigid metric framework.
Author: Jeff Burlingame
Publisher: Simon and Schuster
ISBN: 1422294633
Category : Juvenile Nonfiction
Languages : en
Pages : 95
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Book Description
The story of Bad Boy Entertainment is one of triumph and tragedy. It was triumph when the dream of founder Sean "Puffy" Combs was transformed into one of the most successful record labels in the history of hip-hop music. It was tragedy when the life of Bad Boy's most successful artist, Christopher "Biggie" Wallace, was violently ended at the prime of his career. It was triumph again when Puffy evoked Biggie's memory in a chart-topping song that helped jump-start a highly successful performing career of his own. Nearly 20 years after its founding, Bad Boy Entertainment has grown from a record label spinning out rap hits to a do-everything company with dealings in the world of fashion, food, and music.
Author: Emily Barth Isler
Publisher: Carolrhoda Books ®
ISBN: 1728432405
Category : Juvenile Fiction
Languages : en
Pages : 208
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Book Description
"This book is a gift to the culture." —Amy Schumer, writer, actor, and activist After her brother's death from a congenital heart defect, twelve-year-old Lucy is not prepared to be the new kid at school—especially in a grade full of survivors of a shooting that happened four years ago. Without the shared past that both unites and divides her classmates, Lucy feels isolated and unable to share her family's own loss, which is profoundly different from the trauma of her peers. Lucy clings to her love of math, which provides the absolute answers she craves. But through budding friendships and an after-school mime class, Lucy discovers that while grief can take many shapes and sadness may feel infinite, love is just as powerful.
Author: Mack Hagood
Publisher: Duke University Press
ISBN: 1478004479
Category : Social Science
Languages : en
Pages : 189
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Book Description
For almost sixty years, media technologies have promised users the ability to create sonic safe spaces for themselves—from bedside white noise machines to Beats by Dre's “Hear What You Want” ad campaign, in which Colin Kaepernick's headphones protect him from taunting crowds. In Hush, Mack Hagood draws evidence from noise-canceling headphones, tinnitus maskers, LPs that play ocean sounds, nature-sound mobile apps, and in-ear smart technologies to argue the true purpose of media is not information transmission, but rather the control of how we engage our environment. These devices, which Hagood calls orphic media, give users the freedom to remain unaffected in the changeable and distracting spaces of contemporary capitalism and reveal how racial, gendered, ableist, and class ideologies shape our desire to block unwanted sounds. In a noisy world of haters, trolls, and information overload, guarded listening can be a necessity for self-care, but Hagood argues our efforts to shield ourselves can also decrease our tolerance for sonic and social difference. Challenging our self-defeating attempts to be free of one another, he rethinks media theory, sound studies, and the very definition of media.
Author: Associate Professor of Music Education Clint Randles
Publisher: Oxford University Press
ISBN: 0197693210
Category : Music
Languages : en
Pages : 329
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Book Description
The history of music education over the past 100 years has centered on traditional band, choir, and orchestra models. Yet music education has always secured a prominent place in the curriculum when it captures the musical imagination of the masses, and research has shown that more and more students are seeking alternative opportunities to engage with music. Songwriting is a 21st Century curricular offering that considers who we are as a society--our desires, our goals, our passions. Most often, songwriting occurs in Modern Band classes that are beginning to pop up all around North America and many parts of the world. This book provides curricular support for those efforts as we look to the present and future of music teaching and learning.
