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Author: Eric Slauter
Publisher: University of Chicago Press
ISBN: 0226761959
Category : History
Languages : en
Pages : 387
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Book Description
The founding of the United States after the American Revolution was so deliberate and monumental in scope that the key actors considered this new government to be a work of art framed from natural rights. Recognizing the artificial nature of the state, these early politicians believed the culture of a people should inform the development of their governing rules and bodies. The author explores these central ideas in this account of the origins and meanings of the U.S. Constitution. He reveals the cultural histories upon which the document rests, highlights the voices of ordinary people, and considers how the artifice of the state was challenged in its effort to sustain inalienable natural rights alongside slavery and to achieve political secularization at a moment of growing religious expression.
Author: Eric Slauter
Publisher: University of Chicago Press
ISBN: 0226761959
Category : History
Languages : en
Pages : 387
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Book Description
The founding of the United States after the American Revolution was so deliberate and monumental in scope that the key actors considered this new government to be a work of art framed from natural rights. Recognizing the artificial nature of the state, these early politicians believed the culture of a people should inform the development of their governing rules and bodies. The author explores these central ideas in this account of the origins and meanings of the U.S. Constitution. He reveals the cultural histories upon which the document rests, highlights the voices of ordinary people, and considers how the artifice of the state was challenged in its effort to sustain inalienable natural rights alongside slavery and to achieve political secularization at a moment of growing religious expression.
Author: John William O'Hagan
Publisher: Edward Elgar Publishing
ISBN:
Category : Art and state
Languages : en
Pages : 264
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Book Description
This text examines in detail the evolution and rationale for state involvement with the so-called high arts in both Europe and the United States.
Author:
Publisher:
ISBN: 9780333711095
Category : Art and state
Languages : en
Pages : 235
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Book Description
Author: Judith Kapferer
Publisher: Berghahn Books
ISBN: 0857450727
Category : Social Science
Languages : en
Pages : 182
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Book Description
Judith Kapferer and her collaborators present an insightful volume that interrogates relations between the state and the arts in diverse national and cultural settings. The authors critique the taken-for-granted assumption about the place of the arts in liberal or social democratic states and the role of the arts in supporting or opposing the ideological work of government and non-government institutions. This innovative volume explores the challenges posed by the state to the arts and by the arts to the state, focusing on several transformations of the interrelations between state and commercial arts policies in the current era. These ongoing challenges include the control of repressive tolerance, complicity with and resistance to state power, and the commoditization of the arts, including their accommodation to market and state apparatuses. While endeavouring to avoid the currently dominant pragmatic and didactic priorities of officialdom, the contributors tackle social and cultural policy and practice in the arts as well as connections between national states and dissenting art from a range of genres.
Author: Casey Nelson Blake
Publisher: University of Pennsylvania Press
ISBN: 9780812220018
Category : History
Languages : en
Pages : 384
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Book Description
Influenced by two decades of debate inside and outside the academy about the relationship among the arts, politics, and public policy, the essays collected in The Arts of Democracy represent the coming of age of one of the liveliest fields in contemporary academic life. Written by some of the most respected and accomplished scholars working in their fields, this volume illuminates the often contradictory impulses that have shaped the historical intersection of the arts, public culture, and the state in modern America, beginning with an art market at the turn of the twentieth century that supported a notion of civic identity, through the mid-century era of state-sponsored art, to the postmodern disconnect between artistic and civic languages. Topics range from Norman Rockwell as public artist and the creation of the NEA visual arts program to State Department-sponsored jazz tours in the mid-twentieth century and religious displays in the twenty-first century. Taken together, the essays in The Arts of Democracy pave the way for future study in the complex and interwoven histories of artistic expression, values, ideology, statecraft, and democratic aspiration.
Author: Jerry Henderson
Publisher:
ISBN:
Category : Political Science
Languages : en
Pages : 94
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Book Description
The State and the Politics of Culture presents a rare opportunity to view the arts in relationship to politics and government. The results of a research effort that was both descriptive and theoretical, the study offers findings from a critical examination of the National Endowment for the Arts (NEA), including the NEA's evolution. Author Jerry Henderson collected and analyzed data on the framework for governmental involvement and sponsorship of the arts, including the NEA's stated objectives, values, programs, grant allocations, and staffing procedures. Henderson's research specifically focuses on certain institutions and organizations, both cultural and educational, which receive substantial support from the NEA. This research effort was based in the theoretical postulation that the federal government, by way of the NEA, plays a vital role in maintaining cultural hegemony of a particular race and class. Two hypotheses were advanced: 1) the interwoven bureaucracy of the NEA is structured in a way that prevents maximum participation in its programs by the broader arts community, and 2) black and small cultural education institutions and organizations receive minimum support from the Endowment.
Author: Mel Scott
Publisher:
ISBN: 9780598124418
Category :
Languages : en
Pages : 143
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Book Description
Author: Mel Scott
Publisher:
ISBN:
Category : Cultural policy
Languages : en
Pages : 148
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Book Description
Author: Nancy Roche
Publisher: Theatre Communications Group
ISBN: 1559367806
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
The Art of Governance is an essential guide for trustees in the performing arts and for the artists, managers, and community leaders who work with them. This book provides the larger context in which trustees govern—the art, artists, history, institutions, and national policies of the performing arts—and also explores more practical issues, such as board development, planning, finance, and fundraising. A wide range of distinguished artists, trustees, managers, and consultants have contributed articles, covering everything from “The Art of Theater” to “Understanding Financial Statements.” An invaluable tool for building an enlightened and inspired board, this resource above all recognizes the need of trustees in the performing arts to find a balance between the uncertainty of artistic creativity and the need for fiscal stability. Editors Nancy Roche and Jaan Whitehead have served on the boards and staff of numerous theater organizations. Nancy Roche has been a trustee of CENTER-STAGE in Baltimore since 1987, serving as president of the board for seven years and as interim managing director for one year. She has been a consultant on governance for the National Arts Stabilization (now National Arts Strategies), a councilor of the Maryland State Arts Commission from 1992-1999, and has twice served as lay panelist for the NEA. In the summer of 2000, she participated as a theater trustee in the National Critics’ Institute at the Eugene O’Neill Theater Center in Waterford, Connecticut, returning in the following summer as a founding member of their week-long Trustees Program. She is a founding member of the National Council for the American Theatre and serves as a trustee and treasurer of the board of Theatre Communications Group. In addition, she serves on the boards of the Roland Park Country School, the Institute for Christian-Jewish Studies, and the Baltimore School for the Arts. She is a graduate of Dominican University and received an MA in teaching and an LLA, both from The Johns Hopkins University. Jaan Whitehead currently chairs the board of the SITI Company, an ensemble theater in New York led by Anne Bogart. She has served on the boards of The Acting Company, Arena Stage, Living Stage, and The Whole Theatre Company, where her particular interests have been board development and institutional change. She has also been a trustee of Theatre Communications Group and the National Cultural Alliance, an arts advocacy group in Washington, and is a founding member of the National Council for the American Theatre. In addition to her work as a trustee, she has been executive director of Theatre for a New Audience in New York and Development Director of CENTERSTAGE in Baltimore. Ms. Whitehead graduated from Wellesley College, holds and MA in economics from the University of Michigan, and, early in her career, works as an economist for private industry and the Federal Reserve Board. She received her PhD in political theory fro Princeton in 1988. She taught at Georgetown University for several years but, as her involvement in theater deepened, she made the arts her main work while retaining her interests in economic and political theory. Drawing on this background, she has recently been writing a series of essays on the challenges facing the arts in a commercial society.
Author: Bill Ivey
Publisher: Univ of California Press
ISBN: 0520267923
Category : Social Science
Languages : en
Pages : 363
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Book Description
“Bill Ivey has written a thoughtful and thought-provoking book on the state of the arts in America today. He tracks our loss of heritage and risk-taking and comments cogently on the past culture wars. His discussion of the corporate hijacking of intellectual property is highly articulate and should be read by everyone.”—Jane Alexander “You don't have to agree with all his conclusions to recognize that Bill Ivey's Arts, Inc. is an important book. It's a must-read for all those interested in American art and culture and the public interest in preserving access to our heritage for everyone, and as it contributes to the arts of today and tomorrow.”—Frank Hodsoll “Arts, Inc. is the first comprehensive effort to explore the role and potential of a coordinated vision for art, culture, and expression in American public life. Through strands of personal and professional memoir, policy analysis, for-profit and nonprofit industry insights, and personal conviction, Bill Ivey defines a new canvas for more productive and inclusive conversations on the expressive life of our nation and its citizens.”—Andrew Taylor, Bolz Center for Arts Administration, University of Wisconsin-Madison “Very few observers of the contemporary U.S. and global arts worlds have Bill Ivey's capacity for first-hand examples of how trade representatives, artists, music executives, corporate attorneys, elected officials, non-profit executives and many other participants influence the course of the arts, and in particular, the public's access to the arts. Arts, Inc. is an important work because it asserts, in a very thoughtful and urgent manner, that Americans have a right to a better expressive life.”—John Kreidler, retired Executive Director, Cultural Initiatives Silicon Valley "At a time when international polls show doubts about America, our art and culture are a crucial resource for our soft power. Bill Ivey does a wonderful job of explaining the importance of art as a public issue. "—Joseph S. Nye, Jr., author of Soft Power: The Means to Success in World Politics “A profoundly important diagnosis by perhaps America's best-qualified critic of the harm to our culture caused by overregulation and inadequate support. Ivey has given us a rich and beautifully written warning about the culture we're losing, and a powerful and historically compelling image of a culture that could be.”—Lawrence Lessig, Stanford Law School "Walt Whitman was democracy's eloquent poet who understood that democracy is not just a form of government but a way of life rooted in culture. Bill Ivey is culture's eloquent advocate who knows that as democracy needs the arts, the arts need the advocacy of government. His manifesto Arts, Inc. is a passionate attack on the commercialization of culture and a plea for a cultural bill of rights that will restore to all Americans their right to a heritage, to creative expression and to a creative life. This is not just a vital book about the arts, but a vital book about democracy." —Benjamin R. Barber, author of Jihad vs. McWorld and Consumed.
