Actors' and Performers' Yearbook 2022

Actors' and Performers' Yearbook 2022 PDF Author:
Publisher: Bloomsbury Publishing
ISBN: 1350235652
Category : Performing Arts
Languages : en
Pages : 491

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Book Description
This well-established and respected directory supports actors in their training and search for work in theatre, film, TV, radio and comedy. It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies, photographers and much more, this essential reference book editorially selects only the most relevant and reputable contacts for the actor. Actors' and Performers' Yearbook 2022 features: * 4 newly commissioned interviews conducted by Polly Bennett and Joan Iyiola (co-founders of The Mono Box) with theatre industry professionals including Cherrelle Skeete, Hazel Holder, Ned Bennett and Tom Ross Williams * a new foreword by Polly Bennett With the listings updated every year, the Actors' and Performers' Yearbook continues to be the go-to guide for help with auditions, interviews and securing/sustaining work within the industry. Covering training and working in theatre, film, radio, TV and comedy, it contains invaluable resources such as a casting calendar and articles on a range of topics from your social media profile to what drama schools are looking for to financial and tax issues. An invaluable professional tool that anyone working in the industry will benefit from.

Actors' and Performers' Yearbook 2022

Actors' and Performers' Yearbook 2022 PDF Author:
Publisher: Bloomsbury Publishing
ISBN: 1350235652
Category : Performing Arts
Languages : en
Pages : 491

Get Book Here

Book Description
This well-established and respected directory supports actors in their training and search for work in theatre, film, TV, radio and comedy. It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies, photographers and much more, this essential reference book editorially selects only the most relevant and reputable contacts for the actor. Actors' and Performers' Yearbook 2022 features: * 4 newly commissioned interviews conducted by Polly Bennett and Joan Iyiola (co-founders of The Mono Box) with theatre industry professionals including Cherrelle Skeete, Hazel Holder, Ned Bennett and Tom Ross Williams * a new foreword by Polly Bennett With the listings updated every year, the Actors' and Performers' Yearbook continues to be the go-to guide for help with auditions, interviews and securing/sustaining work within the industry. Covering training and working in theatre, film, radio, TV and comedy, it contains invaluable resources such as a casting calendar and articles on a range of topics from your social media profile to what drama schools are looking for to financial and tax issues. An invaluable professional tool that anyone working in the industry will benefit from.

The Stage Year Book

The Stage Year Book PDF Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 330

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Book Description
Vols. for 1908-10 include the section: The Stage provincial guide; 1950-52: The Stage guide. (Other years published separately).

Stage Blood

Stage Blood PDF Author: Michael Blakemore
Publisher: Faber & Faber
ISBN: 0571311237
Category : Performing Arts
Languages : en
Pages : 256

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Book Description
In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat. Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Hall's regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Day's Journey into Night, the extravagant dinners in Hall's Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemore's brave and misrepresented decision to speak out. He would not return to the National for fifteen years.

The Stage Year Book

The Stage Year Book PDF Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 364

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Book Description


Yearbook

Yearbook PDF Author: Darcy Rice
Publisher: Dramatic Publishing
ISBN: 9780871296580
Category : Juvenile Nonfiction
Languages : en
Pages : 124

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Book Description


Actors' and Performers' Yearbook 2021

Actors' and Performers' Yearbook 2021 PDF Author:
Publisher: Methuen Drama
ISBN: 1350159476
Category : Performing Arts
Languages : en
Pages : 518

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Book Description
This well-established and respected directory supports actors in their training and search for work on stage, screen and radio. It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies, photographers and much more, this essential reference book editorially selects only the most relevant and reputable contacts for the actor. With several new articles and commentaries, Actors' and Performers' Yearbook 2021 features aspects of the profession not previously covered, as well as continuing to provide valuable insight into auditions, interviews and securing work alongside a casting calendar and financial issues. This is a valuable professional tool in an industry where contacts and networking are key to career survival. All listings have been updated alongside fresh advice from industry experts.

The Stage Year Book

The Stage Year Book PDF Author: Lionel Carson
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 588

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Book Description


The Back Stage Book of New American Short Plays

The Back Stage Book of New American Short Plays PDF Author: Craig Lucas
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 312

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Book Description
Back Stage Books is proud to introduce its new short play series. Published each fall, the Back Stage New Short Play Series will feature cutting-edge work by some of America's most promising young playwrights. Back Stage Senior Editor Mark Glubke will serve as the series editor. Each year, a different established playwright will serve as the series' guest editor. Craig Lucas, one of the most celebrated playwrights and screenwriters, introduces fresh-voiced, cutting-edge short plays by 12 of the most promising new writers. The plays are stylistically and topically diverse and were culled from the top theater agents in New York and Los Angeles, and playwriting programs across America. • First in a new annual series devoted to short plays • Exciting new work from some of America's most promising young writers • Advertising inBack Stageand on www.backstage.com

Acting for the Stage

Acting for the Stage PDF Author: Anna Weinstein
Publisher: Taylor & Francis
ISBN: 1317370503
Category : Performing Arts
Languages : en
Pages : 292

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Book Description
Acting for the Stage is a highly accessible guide to the business of theater acting, written for those interested in pursuing acting as a profession. This book is a collection of essays by and interviews with talented artists and businesspeople who have built successful careers in the theater; it’s a goldmine of career advice that might take years to find on your own. Herein, the myths around professional acting are dispelled, and the mysteries revealed. Acting for the Stage illuminates practical strategies to help you build a life as a theater professional and find financial rewards and creative fulfillment in the process. Contains essays by and interviews with working stage actors, acting coaches, directors, writers, and agents. Features discussions on selecting a graduate school program, choosing acting classes and workshops, making the most out of your showcase, landing an agent, networking and promoting yourself, and the business of casting. Covers issues of money management, balancing the highs and lows of the profession, finding work to nourish your acting career, and building your creative team and support network.

Community-Making in Early Stuart Theatres

Community-Making in Early Stuart Theatres PDF Author: Anthony W. Johnson
Publisher: Taylor & Francis
ISBN: 1317163303
Category : Literary Criticism
Languages : en
Pages : 450

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Book Description
Twenty-two leading experts on early modern drama collaborate in this volume to explore three closely interconnected research questions. To what extent did playwrights represent dramatis personae in their entertainments as forming, or failing to form, communal groupings? How far were theatrical productions likely to weld, or separate, different communal groupings within their target audiences? And how might such bondings or oppositions among spectators have tallied with the community-making or -breaking on stage? Chapters in Part One respond to one or more of these questions by reassessing general period trends in censorship, theatre attendance, forms of patronage, playwrights’ professional and linguistic networks, their use of music, and their handling of ethical controversies. In Part Two, responses arise from detailed re-examinations of particular plays by Shakespeare, Chapman, Jonson, Beaumont and Fletcher, Cary, Webster, Middleton, Massinger, Ford, and Shirley. Both Parts cover a full range of early-Stuart theatre settings, from the public and popular to the more private circumstances of hall playhouses, court masques, women’s drama, country-house theatricals, and school plays. And one overall finding is that, although playwrights frequently staged or alluded to communal conflict, they seldom exacerbated such divisiveness within their audience. Rather, they tended toward more tactful modes of address (sometimes even acknowledging their own ideological uncertainties) so that, at least for the duration of a play, their audiences could be a community within which internal rifts were openly brought into dialogue.