Author: Andrew Sofer
Publisher: University of Michigan Press
ISBN: 9780472068395
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
Fresh and provocative readings of familiar stage objects provide new ways of understanding theater, dramatic literature, and culture
The Stage Life of Props
Author: Andrew Sofer
Publisher: University of Michigan Press
ISBN: 9780472068395
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
Fresh and provocative readings of familiar stage objects provide new ways of understanding theater, dramatic literature, and culture
Publisher: University of Michigan Press
ISBN: 9780472068395
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
Fresh and provocative readings of familiar stage objects provide new ways of understanding theater, dramatic literature, and culture
The Stage Life of Props
Author: Andrew Sofer
Publisher: University of Michigan Press
ISBN: 047202633X
Category : Performing Arts
Languages : en
Pages : 297
Book Description
In The Stage Life of Props, Andrew Sofer aims to restore to certain props the performance dimensions that literary critics are trained not to see, then to show that these props are not just accessories, but time machines of the theater. Using case studies that explore the Eucharistic wafer on the medieval stage, the bloody handkerchief on the Elizabethan stage, the skull on the Jacobean stage, the fan on the Restoration and early eighteenth-century stage, and the gun on the modern stage, Andrew Sofer reveals how stage props repeatedly thwart dramatic convention and reinvigorate theatrical practice. While the focus is on specific objects, Sofer also gives us a sweeping history of half a millennium of stage history as seen through the device of the prop, revealing that as material ghosts, stage props are a way for playwrights to animate stage action, question theatrical practice, and revitalize dramatic form. Andrew Sofer is Assistant Professor of English, Boston College. He was previously a stage director.
Publisher: University of Michigan Press
ISBN: 047202633X
Category : Performing Arts
Languages : en
Pages : 297
Book Description
In The Stage Life of Props, Andrew Sofer aims to restore to certain props the performance dimensions that literary critics are trained not to see, then to show that these props are not just accessories, but time machines of the theater. Using case studies that explore the Eucharistic wafer on the medieval stage, the bloody handkerchief on the Elizabethan stage, the skull on the Jacobean stage, the fan on the Restoration and early eighteenth-century stage, and the gun on the modern stage, Andrew Sofer reveals how stage props repeatedly thwart dramatic convention and reinvigorate theatrical practice. While the focus is on specific objects, Sofer also gives us a sweeping history of half a millennium of stage history as seen through the device of the prop, revealing that as material ghosts, stage props are a way for playwrights to animate stage action, question theatrical practice, and revitalize dramatic form. Andrew Sofer is Assistant Professor of English, Boston College. He was previously a stage director.
Making Stage Props
Author: Andy Wilson
Publisher: Crowood Press (UK)
ISBN:
Category : Performing Arts
Languages : en
Pages : 196
Book Description
Prop makers everywhere now have available to them a broader range of products and processes than every before. Making Stage Props is a book for anyone involved in prop making who wishes to explore the wealth of materials and techniques open to them. This highly illustrated guide covers planning, costing, and scheduling; tools and safety; working with wood, steel, and clay; making and repairing furniture; painting and finishing; and more. Andy Wilson has worked with theatrical companies throughout Britain, including the Royal Shakespeare Company. He currently teaches propmaking at the Guildhall School of Music and Drama.
Publisher: Crowood Press (UK)
ISBN:
Category : Performing Arts
Languages : en
Pages : 196
Book Description
Prop makers everywhere now have available to them a broader range of products and processes than every before. Making Stage Props is a book for anyone involved in prop making who wishes to explore the wealth of materials and techniques open to them. This highly illustrated guide covers planning, costing, and scheduling; tools and safety; working with wood, steel, and clay; making and repairing furniture; painting and finishing; and more. Andy Wilson has worked with theatrical companies throughout Britain, including the Royal Shakespeare Company. He currently teaches propmaking at the Guildhall School of Music and Drama.
Stage Matters
Author: Annalisa Castaldo
Publisher: Rowman & Littlefield
ISBN: 1683931505
Category : Performing Arts
Languages : en
Pages : 209
Book Description
The collection, edited by Annalisa Castaldo and Rhonda Knight, features essays by scholars interested in exploring how the material culture of sixteenth and early seventeenth English theatrical culture influenced the creation and presentation of drama and how understanding this culture can enrich scholars’ current interactions with these plays as well as offer insights to actors and directors. The essays include discussions of plays by Shakespeare, Marlowe, and Middleton as well as lesser known works and playwrights. This collection is unique in that it includes the body of the actor as a material object that is encountered and manipulated by other actors on the stage. These essays demonstrate how props, bodies and the architectural dimensions of early modern stages have both practical and symbolic registers.
Publisher: Rowman & Littlefield
ISBN: 1683931505
Category : Performing Arts
Languages : en
Pages : 209
Book Description
The collection, edited by Annalisa Castaldo and Rhonda Knight, features essays by scholars interested in exploring how the material culture of sixteenth and early seventeenth English theatrical culture influenced the creation and presentation of drama and how understanding this culture can enrich scholars’ current interactions with these plays as well as offer insights to actors and directors. The essays include discussions of plays by Shakespeare, Marlowe, and Middleton as well as lesser known works and playwrights. This collection is unique in that it includes the body of the actor as a material object that is encountered and manipulated by other actors on the stage. These essays demonstrate how props, bodies and the architectural dimensions of early modern stages have both practical and symbolic registers.
Prop Building for Beginners
Author: Eric Hart
Publisher: Routledge
ISBN: 1000366871
Category : Performing Arts
Languages : en
Pages : 215
Book Description
Prop Building for Beginners outlines the basic concepts of prop building by featuring step-by-step instructions to create twenty of the most commonly featured items in theatrical and filmed productions. This book uses a combination of projects to expose readers to a wide range of materials and tools that they might find in a basic scenery or costume shop, serving both as a guide to building simple props and as a crash course in the variety of items a props person may have to build. The projects require a variety of tools, techniques, and materials so that a practitioner who completes all of them will have received a complete introduction to the basics of prop building. Assuming no previous knowledge of prop building, this is the perfect primer for students, hobbyists, or community theater enthusiasts looking to enter the prop shop. Prop Building for Beginners includes access to full-scale printable versions of the patterns featured in the book.
Publisher: Routledge
ISBN: 1000366871
Category : Performing Arts
Languages : en
Pages : 215
Book Description
Prop Building for Beginners outlines the basic concepts of prop building by featuring step-by-step instructions to create twenty of the most commonly featured items in theatrical and filmed productions. This book uses a combination of projects to expose readers to a wide range of materials and tools that they might find in a basic scenery or costume shop, serving both as a guide to building simple props and as a crash course in the variety of items a props person may have to build. The projects require a variety of tools, techniques, and materials so that a practitioner who completes all of them will have received a complete introduction to the basics of prop building. Assuming no previous knowledge of prop building, this is the perfect primer for students, hobbyists, or community theater enthusiasts looking to enter the prop shop. Prop Building for Beginners includes access to full-scale printable versions of the patterns featured in the book.
Create Your Own Stage Props
Author: Jacquie Govier
Publisher: Fitzhenry & Whiteside Limited
ISBN: 9780713630374
Category : Stage props
Languages : en
Pages : 192
Book Description
A practical book which describes how prop makers can create interesting and unusual stage props out of a variety of materials, such as papier mache, plaster, fibreglass and polystyrene. It is aimed at community, school and college drama societies.
Publisher: Fitzhenry & Whiteside Limited
ISBN: 9780713630374
Category : Stage props
Languages : en
Pages : 192
Book Description
A practical book which describes how prop makers can create interesting and unusual stage props out of a variety of materials, such as papier mache, plaster, fibreglass and polystyrene. It is aimed at community, school and college drama societies.
The Prop Building Guidebook
Author: Eric Hart
Publisher: Taylor & Francis
ISBN: 1317292812
Category : Performing Arts
Languages : en
Pages : 429
Book Description
Experienced prop maker Eric Hart walks readers through techniques used in historical and contemporary prop making and demonstrates how to apply them to a variety of materials. Hundreds of full-color photographs illustrate the tools and techniques used by professional prop makers throughout the entertainment industry. New features to the second edition include: Updated information on the latest tools and materials used in prop making Both metric and standard measuring units Step-by-step photos on common techniques such as upholstery, mold making, and faux finishing Expanded coverage of thermoplastics, foam, and water-based coatings
Publisher: Taylor & Francis
ISBN: 1317292812
Category : Performing Arts
Languages : en
Pages : 429
Book Description
Experienced prop maker Eric Hart walks readers through techniques used in historical and contemporary prop making and demonstrates how to apply them to a variety of materials. Hundreds of full-color photographs illustrate the tools and techniques used by professional prop makers throughout the entertainment industry. New features to the second edition include: Updated information on the latest tools and materials used in prop making Both metric and standard measuring units Step-by-step photos on common techniques such as upholstery, mold making, and faux finishing Expanded coverage of thermoplastics, foam, and water-based coatings
Objects as Actors
Author: Melissa Mueller
Publisher: University of Chicago Press
ISBN: 022631295X
Category : Fiction
Languages : en
Pages : 283
Book Description
'Objects as Actors' charts a new approach to Greek tragedy based on an obvious, yet often overlooked, fact: Greek tragedy was meant to be performed. As plays, the works were incomplete without physical items - theatrical props. The author shows the importance of objects in the staging and reception of Athenian tragedy.
Publisher: University of Chicago Press
ISBN: 022631295X
Category : Fiction
Languages : en
Pages : 283
Book Description
'Objects as Actors' charts a new approach to Greek tragedy based on an obvious, yet often overlooked, fact: Greek tragedy was meant to be performed. As plays, the works were incomplete without physical items - theatrical props. The author shows the importance of objects in the staging and reception of Athenian tragedy.
Blood and Home in Early Modern Drama
Author: Ariane M. Balizet
Publisher: Routledge
ISBN: 1317961943
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
In this volume, the author argues that blood was, crucially, a means by which dramatists negotiated shifting contours of domesticity in 16th and 17th century England. Early modern English drama vividly addressed contemporary debates over an expanding idea of "the domestic," which encompassed the domus as well as sex, parenthood, household order, the relationship between home and state, and the connections between family honor and national identity. The author contends that the domestic ideology expressed by theatrical depictions of marriage and household order is one built on the simultaneous familiarity and violence inherent to blood. The theatrical relation between blood and home is far more intricate than the idealized language of the familial bloodline; the home was itself a bloody place, with domestic bloodstains signifying a range of experiences including religious worship, sex, murder, birth, healing, and holy justice. Focusing on four bleeding figures—the Bleeding Bride, Bleeding Husband, Bleeding Child, and Bleeding Patient—the author argues that the household blood of the early modern stage not only expressed the violence and conflict occasioned by domestic ideology, but also established the home as a site that alternately reified and challenged patriarchal authority.
Publisher: Routledge
ISBN: 1317961943
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
In this volume, the author argues that blood was, crucially, a means by which dramatists negotiated shifting contours of domesticity in 16th and 17th century England. Early modern English drama vividly addressed contemporary debates over an expanding idea of "the domestic," which encompassed the domus as well as sex, parenthood, household order, the relationship between home and state, and the connections between family honor and national identity. The author contends that the domestic ideology expressed by theatrical depictions of marriage and household order is one built on the simultaneous familiarity and violence inherent to blood. The theatrical relation between blood and home is far more intricate than the idealized language of the familial bloodline; the home was itself a bloody place, with domestic bloodstains signifying a range of experiences including religious worship, sex, murder, birth, healing, and holy justice. Focusing on four bleeding figures—the Bleeding Bride, Bleeding Husband, Bleeding Child, and Bleeding Patient—the author argues that the household blood of the early modern stage not only expressed the violence and conflict occasioned by domestic ideology, but also established the home as a site that alternately reified and challenged patriarchal authority.
The Oxford Handbook of Shakespearean Comedy
Author: Heather Hirschfeld
Publisher: Oxford University Press
ISBN: 019104346X
Category : Fiction
Languages : en
Pages : 1056
Book Description
The Oxford Handbook of Shakespearean Comedy offers critical and contemporary resources for studying Shakespeare's comic enterprises. It engages with perennial, yet still urgent questions raised by the comedies and looks at them from a range of new perspectives that represent the most recent methodological approaches to Shakespeare, genre, and early modern drama. Several chapters take up firmly established topics of inquiry such Shakespeare's source materials, gender and sexuality, hetero- and homoerotic desire, race, and religion, and they reformulate these topics in the materialist, formalist, phenomenological, or revisionist terms of current scholarship and critical debate. Others explore subjects that have only relatively recently become pressing concerns for sustained scholarly interrogation, such as ecology, cross-species interaction, and humoral theory. Some contributions, informed by increasingly sophisticated approaches to the material conditions and embodied experience of theatrical practice, speak to a resurgence of interest in performance, from Shakespeare's period through the first decades of the twenty-first century. Others still investigate distinct sets of plays from unexpected and often polemical angles, noting connections between the comedies under inventive, unpredicted banners such as the theology of adultery, early modern pedagogy, global exploration, or monarchical rule. All the chapters offer contemporary perspectives on the plays even as they gesture to critical traditions, and they illuminate as well as challenge some of our most cherished expectations about the ways in which Shakespearean comedy affects its audiences. The Handbook situates these approaches against the long history of criticism and provides a valuable overview of the most up-to-date work in the field.
Publisher: Oxford University Press
ISBN: 019104346X
Category : Fiction
Languages : en
Pages : 1056
Book Description
The Oxford Handbook of Shakespearean Comedy offers critical and contemporary resources for studying Shakespeare's comic enterprises. It engages with perennial, yet still urgent questions raised by the comedies and looks at them from a range of new perspectives that represent the most recent methodological approaches to Shakespeare, genre, and early modern drama. Several chapters take up firmly established topics of inquiry such Shakespeare's source materials, gender and sexuality, hetero- and homoerotic desire, race, and religion, and they reformulate these topics in the materialist, formalist, phenomenological, or revisionist terms of current scholarship and critical debate. Others explore subjects that have only relatively recently become pressing concerns for sustained scholarly interrogation, such as ecology, cross-species interaction, and humoral theory. Some contributions, informed by increasingly sophisticated approaches to the material conditions and embodied experience of theatrical practice, speak to a resurgence of interest in performance, from Shakespeare's period through the first decades of the twenty-first century. Others still investigate distinct sets of plays from unexpected and often polemical angles, noting connections between the comedies under inventive, unpredicted banners such as the theology of adultery, early modern pedagogy, global exploration, or monarchical rule. All the chapters offer contemporary perspectives on the plays even as they gesture to critical traditions, and they illuminate as well as challenge some of our most cherished expectations about the ways in which Shakespearean comedy affects its audiences. The Handbook situates these approaches against the long history of criticism and provides a valuable overview of the most up-to-date work in the field.