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Author: Alex Inkeles
Publisher:
ISBN: 9780674498778
Category :
Languages : en
Pages : 553
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Book Description
Author: Alex Inkeles
Publisher:
ISBN: 9780674498778
Category :
Languages : en
Pages : 553
Get Book Here
Book Description
Author: Eric Lohr
Publisher: Harvard University Press
ISBN: 0674067800
Category : History
Languages : en
Pages : 289
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Book Description
In the first book to trace the Russian state’s citizenship policy throughout its history, Lohr argues that to understand the citizenship dilemmas Russia faces today, we must return to the less xenophobic and isolationist pre-Stalin period—before the drive toward autarky after 1914 eventually sealed the state off from Europe.
Author: Nikolai Tolstoy
Publisher:
ISBN:
Category : History
Languages : en
Pages : 520
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Book Description
Author: Golfo Alexopoulos
Publisher: Cornell University Press
ISBN: 1501720503
Category : History
Languages : en
Pages : 256
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Book Description
"I served not in defense of the bourgeois order, but only for a crumb of bread since I was burdened with five small children.""From 1923 to 1925 I worked as a musician but later my earnings weren't steady and I quickly stopped. Without an income to live on, I was drawn to the nonlaboring path.""As a man almost completely illiterate and therefore not prepared for any kind of work, I was forced to return to my craft as a barber.""I am as ignorant as a pipe."Golfo Alexopoulos focuses on the lishentsy ("outcasts") of the interwar USSR to reveal the defining features of alien and citizen identities under Stalin's rule. Although portrayed as "bourgeois elements," lishentsy actually included a wide variety of people, including prostitutes, gamblers, tax evaders, embezzlers, and ethnic minorities, in particular, Jews. The poor, the weak, and the elderly were frequent targets of disenfranchisement, singled out by officials looking to conserve scarce resources or satisfy their superiors with long lists of discovered enemies.Alexopoulos draws heavily on an untapped resource: an archive in western Siberia that contains over 100,000 individual petitions for reinstatement. Her analysis of these and many other documents concerning "class aliens" shows how Bolshevik leaders defined the body politic and how individuals experienced the Soviet state. Personal narratives with which individuals successfully appealed to officials for reinstatement allow an unusual view into the lives of "outcasts." From Kremlin leaders to marked aliens, many participated in identifying insiders and outsiders and challenging the terms of membership in Stalin's new society.
Author: Eleonory Gilburd
Publisher: Belknap Press
ISBN: 0674980719
Category : History
Languages : en
Pages : 481
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Book Description
A Foreign Affairs Best Book of the Year Winner of the AATSEEL Prize for Best Book in Cultural Studies Winner of the Laura Shannon Prize in Contemporary European Studies Winner of the Marshall D. Shulman Book Prize Winner of the Wayne S. Vucinich Book Prize The Soviet Union was a notoriously closed society until Stalin’s death in 1953. Then, in the mid-1950s, a torrent of Western novels, films, and paintings invaded Soviet streets and homes, acquiring heightened emotional significance. To See Paris and Die is a history of this momentous opening to the West. At the heart of this history is a process of translation, in which Western figures took on Soviet roles: Pablo Picasso as a political rabble-rouser; Rockwell Kent as a quintessential American painter; Erich Maria Remarque and Ernest Hemingway as teachers of love and courage under fire; J. D. Salinger and Giuseppe De Santis as saviors from Soviet clichés. Imported novels challenged fundamental tenets of Soviet ethics, while modernist paintings tested deep-seated notions of culture. Western films were eroticized even before viewers took their seats. The drama of cultural exchange and translation encompassed discovery as well as loss. Eleonory Gilburd explores the pleasure, longing, humiliation, and anger that Soviet citizens felt as they found themselves in the midst of this cross-cultural encounter. The main protagonists of To See Paris and Die are small-town teachers daydreaming of faraway places, college students vicariously discovering a wider world, and factory engineers striving for self-improvement. They invested Western imports with political and personal significance, transforming foreign texts into intimate belongings. With the end of the Soviet Union, the Soviet West disappeared from the cultural map. Gilburd’s history reveals how domesticated Western imports defined the last three decades of the Soviet Union, as well as its death and afterlife.
Author: Brigid O'Keeffe
Publisher: University of Toronto Press
ISBN: 1442665874
Category : History
Languages : en
Pages : 476
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Book Description
As perceived icons of indifferent marginality, disorder, indolence, and parasitism, “Gypsies” threatened the Bolsheviks’ ideal of New Soviet Men and Women. The early Soviet state feared that its Romani population suffered from an extraordinary and potentially insurmountable cultural “backwardness,” and sought to sovietize Roma through a range of nation-building projects. Yet as Brigid O’Keeffe shows in this book, Roma actively engaged with Bolshevik nationality policies, thereby assimilating Soviet culture, social customs, and economic relations. Roma proved the primary agents in the refashioning of so-called “backwards Gypsies” into conscious Soviet citizens. New Soviet Gypsies provides a unique history of Roma, an overwhelmingly understudied and misunderstood diasporic people, by focusing on their social and political lives in the early Soviet Union. O’Keeffe illustrates how Roma mobilized and performed “Gypsiness” as a means of advancing themselves socially, culturally, and economically as Soviet citizens. Exploring the intersection between nationality, performance, and self-fashioning, O’Keeffe shows that Roma not only defy easy typecasting, but also deserve study as agents of history.
Author: Jukka Gronow
Publisher: Suomalaisen Kirjallisuuden Seura
ISBN: 9522227528
Category : History
Languages : en
Pages : 306
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Book Description
This book presents, above all, a study of the establishment and development of the Soviet organization and system of fashion industry and design as it gradually evolved in the years after the Second World War in the Soviet Union, which was, in the understanding of its leaders, reaching the mature or last stage of socialism when the country was firmly set on the straight trajectory to its final goal, Communism. What was typical of this complex and extensive system of fashion was that it was always loyally subservient to the principles of the planned socialist economy. This did not by any means indicate that everything the designers and other fashion professionals did was dictated entirely from above by the central planning agencies. Neither did it mean that their professional judgment would have been only secondary to ideological and political standards set by the Communist Party and the government of the Soviet Union. On the contrary, as our study shows, the Soviet fashion professionals had a lot of autonomy. They were eager and willing to exercise their own judgment in matters of taste and to set the agenda of beauty and style for Soviet citizens. The present book is the first comprehensive and systematic history of the development of fashion and fashion institutions in the Soviet Union after the Second World War. Our study makes use of rich empirical and historical material that has been made available for the first time for scientific analysis and discussion. The main sources for our study came from the state, party and departmental archives of the former Soviet Union. We also make extensive use of oral history and the writings published in Soviet popular and professional press.
Author: Lewis H. Siegelbaum
Publisher: Cornell University Press
ISBN: 0801461480
Category : History
Languages : en
Pages : 329
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Book Description
The automobile and Soviet communism made an odd couple. The quintessential symbol of American economic might and consumerism never achieved iconic status as an engine of Communist progress, in part because it posed an awkward challenge to some basic assumptions of Soviet ideology and practice. In this rich and often witty book, Lewis H. Siegelbaum recounts the life of the Soviet automobile and in the process gives us a fresh perspective on the history and fate of the USSR itself. Based on sources ranging from official state archives to cartoons, car-enthusiast magazines, and popular films, Cars for Comrades takes us from the construction of the huge "Soviet Detroits," emblems of the utopian phase of Soviet planning, to present-day Togliatti, where the fate of Russia's last auto plant hangs in the balance. The large role played by American businessmen and engineers in the checkered history of Soviet automobile manufacture is one of the book's surprises, and the author points up the ironic parallels between the Soviet story and the decline of the American Detroit. In the interwar years, automobile clubs, car magazines, and the popularity of rally races were signs of a nascent Soviet car culture, its growth slowed by the policies of the Stalinist state and by Russia's intractable "roadlessness." In the postwar years cars appeared with greater frequency in songs, movies, novels, and in propaganda that promised to do better than car-crazy America. Ultimately, Siegelbaum shows, the automobile epitomized and exacerbated the contradictions between what Soviet communism encouraged and what it provided. To need a car was a mark of support for industrial goals; to want a car for its own sake was something else entirely. Because Soviet cars were both hard to get and chronically unreliable, and such items as gasoline and spare parts so scarce, owning and maintaining them enmeshed citizens in networks of private, semi-illegal, and ideologically heterodox practices that the state was helpless to combat. Deeply researched and engagingly told, this masterful and entertaining biography of the Soviet automobile provides a new perspective on one of the twentieth century's most iconic—and important—technologies and a novel approach to understanding the history of the Soviet Union itself.
Author: Robert Robinson
Publisher: Acropolis Books (NY)
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 448
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Book Description
"Robert Robinson (1907?-1994) was a Jamaican-born toolmaker who worked in the auto industry in the United States. At the age of 23, he was recruited to work in the Soviet Union, where he spent 44 years after the government refused to give him an exit visa for return. Starting with a one-year contract by Russians to work in the Soviet Union, he twice renewed his contract. He became trapped by the German invasion of the Soviet Union during World War II and the government's refusal to give him an exit visa. He earned a degree in mechanical engineering during the war. He finally left the Soviet Union in 1974 on an approved trip to Uganda, where he asked for and was given asylum. He married an African-American professor working there. He finally gained re-entry to the United States in 1976, and gained attention for his accounts of his 44 years in the Soviet Union."--Wikipedia.
Author: Alexei Yurchak
Publisher: Princeton University Press
ISBN: 1400849101
Category : Social Science
Languages : en
Pages : 347
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Book Description
Soviet socialism was based on paradoxes that were revealed by the peculiar experience of its collapse. To the people who lived in that system the collapse seemed both completely unexpected and completely unsurprising. At the moment of collapse it suddenly became obvious that Soviet life had always seemed simultaneously eternal and stagnating, vigorous and ailing, bleak and full of promise. Although these characteristics may appear mutually exclusive, in fact they were mutually constitutive. This book explores the paradoxes of Soviet life during the period of "late socialism" (1960s-1980s) through the eyes of the last Soviet generation. Focusing on the major transformation of the 1950s at the level of discourse, ideology, language, and ritual, Alexei Yurchak traces the emergence of multiple unanticipated meanings, communities, relations, ideals, and pursuits that this transformation subsequently enabled. His historical, anthropological, and linguistic analysis draws on rich ethnographic material from Late Socialism and the post-Soviet period. The model of Soviet socialism that emerges provides an alternative to binary accounts that describe that system as a dichotomy of official culture and unofficial culture, the state and the people, public self and private self, truth and lie--and ignore the crucial fact that, for many Soviet citizens, the fundamental values, ideals, and realities of socialism were genuinely important, although they routinely transgressed and reinterpreted the norms and rules of the socialist state.
