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Author: John Manning
Publisher: Pinnacle Books
ISBN: 0786030178
Category : Fiction
Languages : en
Pages : 384
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Book Description
A serial killer stalks a young governess as she uncovers the deadly history of a coastal New England village in this “brilliantly executed” thriller (Kevin O'Brien, New York Times bestselling author on All the Pretty Dead Girls) Point Woebegone. From the moment Daphne May steps off the train, it's clear that this small Maine town is aptly named. Even before she reaches Swallowtail, the windswept house where she'll be working as a governess, Daphne's sense of foreboding is justified. A waitress's gruesome death sets the whole town on edge--especially the wealthy, eccentric Witherspoon family. There are rumors, hostile whispers. Daphne tries to adjust to her strange surroundings and difficult pupil, finding a friend in local property developer Gregory Winston. Then a killer strikes again--and again. A psychopath is culling his victims with brutal precision, and Daphne's arrival is far from random. But knowledge may come too late to save her from the secrets in her past, with a killer hiding in plain sight. . . "If you like Dean Koontz, you'll love John Manning!" —Wendy Corsi Staub, New York Times bestselling author
Author: John Manning
Publisher: Pinnacle Books
ISBN: 0786030178
Category : Fiction
Languages : en
Pages : 384
Get Book Here
Book Description
A serial killer stalks a young governess as she uncovers the deadly history of a coastal New England village in this “brilliantly executed” thriller (Kevin O'Brien, New York Times bestselling author on All the Pretty Dead Girls) Point Woebegone. From the moment Daphne May steps off the train, it's clear that this small Maine town is aptly named. Even before she reaches Swallowtail, the windswept house where she'll be working as a governess, Daphne's sense of foreboding is justified. A waitress's gruesome death sets the whole town on edge--especially the wealthy, eccentric Witherspoon family. There are rumors, hostile whispers. Daphne tries to adjust to her strange surroundings and difficult pupil, finding a friend in local property developer Gregory Winston. Then a killer strikes again--and again. A psychopath is culling his victims with brutal precision, and Daphne's arrival is far from random. But knowledge may come too late to save her from the secrets in her past, with a killer hiding in plain sight. . . "If you like Dean Koontz, you'll love John Manning!" —Wendy Corsi Staub, New York Times bestselling author
Author: Elisabeth Weis
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
When moviegoers refer to Alfred Hitchcock's style, they are usually thinking of his virtuoso camera work and editing. Yet this seminal book reveals that Hitchcock's use of sound -- language, sound effects, and music -- is just as essential, distinctive, and masterly. The premise of "The Silent Scream" is that Hitchcock's aural style is inseparably linked with his visual and thematic interests. Technical achievement are treated here not as isolated bravura effects but as components of a film's overall meaning. Hence, much of this book is about aural motifs in the work of a director who could find something healthy in a scream and something sinister in laughter or a children's song. "The Silent Scream" should fascinate anyone interested in learning more about Hitchcock's films or about the ways in which the sound track subtly manipulates the movie audience. -- From publisher's description.
Author: Sean Zdenek
Publisher: University of Chicago Press
ISBN: 022631278X
Category : Art
Languages : en
Pages : 357
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Book Description
The work of writing closed captions for television and DVD is not simply transcribing dialogue, as one might assume at first, but consists largely of making rhetorical choices. For Sean Zdenek, when captioners describe a sound they are interpreting and creating contexts, they are assigning significance, they are creating meaning that doesn t necessarily exist in the soundtrack or the script. And in nine chapters he analyzes the numerous complex rhetorical choices captioners make, from abbreviating dialogue so it will fit on the screen and keep pace with the editing, to whether and how to describe background sounds, accents, or slurred speech, to nonlinguistic forms of sound communication such as sighing, screaming, or laughing, to describing music, captioned silences (as when a continuous noise suddenly stops), and sarcasm, surprise, and other forms of meaning associated with vocal tone. Throughout, he also looks at closed captioning style manuals and draws on interviews with professional captioners and hearing-impaired viewers. Threading through all this is the novel argument that closed captions can be viewed as texts worthy of rhetorical analysis and that this analysis can lead the entertainment industry to better standards and practices for closed captioning, thereby better serve the needs of hearing-impaired viewers. The author also looks ahead to the work yet to be done in bringing better captioning practices to videos on the Internet, where captioning can take on additional functions such as enhancing searchability. While scholarly work has been done on captioning from a legal perspective, from a historical perspective, and from a technical perspective, no one has ever done what Zdenek does here, and the original analytical models he offers are richly interdisciplinary, drawing on work from the fields of technical communication, rhetoric, media studies, and disability studies."
Author: Elena Passarello
Publisher: Sarabande Books
ISBN: 1936747502
Category : Social Science
Languages : en
Pages : 258
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Book Description
“A remarkably entertaining and thought-provoking look at the human voice and all of its myriad functions and sounds . . . Wonderful” (Library Journal, starred review). From Farinelli, the eighteenth-century castrato who brought down opera houses with his high C, to the recording of Johnny B. Goode affixed to the Voyager spacecraft, Let Me Clear My Throat dissects the whys and hows of popular voices, making them hum with significance and emotion. There are murders of punk rock crows, impressionists, and rebel yells; Howard Dean’s “BYAH!” and Marlon Brando’s “Stellaaaaa!” and a stock film yawp that has made cameos in movies from A Star is Born to Spaceballs. The voice is thought’s incarnating instrument and Elena Passarello’s essays are a riotous deconstruction of the ways the sounds we make both express and shape who we are—the annotated soundtrack of us giving voice to ourselves. “Standout pieces include a biography of the most famous scream in Hollywood history; a breakdown of the relationship between song and birdsong; and an analysis of the sounds of disgust. Akin to: A dinner party at which David Sedaris, Mary Roach and Marlon Brando are trying to out-monologue one another.” —Philadelphia Weekly “The beauty of Ellen Passarello’s voice is that it’s so confidently its own . . . I began randomly with her essay wondering what the space aliens will make of ‘Johnny B. Goode’ on the Voyager gold record and couldn’t stop after that.” —John Jeremiah Sullivan, author of Pulphead
Author: Amy Krouse Rosenthal
Publisher: Chronicle Books
ISBN: 1452100047
Category : Juvenile Fiction
Languages : en
Pages : 38
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Book Description
Uses colorful illustrations to demonstrate examples of "wordles," or wordplay phrases that sound alike but have different meanings, including "I see" and "icy," and "I scream" and "ice cream."
Author: Nigel McCrery
Publisher: Quercus
ISBN: 1623652693
Category : Fiction
Languages : en
Pages : 303
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Book Description
As people disappear from his streets, and a handful of battered and broken bodies are discovered on his patch, Lapslie has no idea that he's up against a man who feels sound like he can taste it. He hunts people down. Men, women, anyone with a voice. He makes them hurt, he makes them bleed, he makes them scream. If the sound is ugly, he dispatches them without thought, but if it makes him feel good inside, he keeps them in his basement. Torturing them slowly, listening for that awful, wonderful sound. And sooner or later he'll have enough to make them sing his favorite things.
Author: Juliet Madison
Publisher: Diversion Books
ISBN: 1626817189
Category : Juvenile Fiction
Languages : en
Pages : 222
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Book Description
Five extraordinary sisters discover that they each have a unique talent, an extra-sensory perception that enables them to see what others can't. It makes them incredible, it puts them in danger, and it brings them closer to learning the secrets that have haunted them their entire lives. These are the Delta Girls. Serena and her sisters read a private letter their father wrote to their mother, revealing a clue about his disappearance that they never knew about before. But as they struggle to gain further insight through their sensory visions, trying to solve the mystery continues to prove elusive. The Delta Girls try to move on, balancing their supernatural abilities with the daily trials of being teenagers. Studious Serena teams with the classroom outcast, Lara, and her charming brother, Damon, for a school science project. They end up studying more than they bargained for, though, when strange noises come from rooms in Lara and Damon’s house. There are voices, but only Serena, with her special powers, can hear them. This is until the trio experiment with Electronic Voice Phenomena (EVP) and are able to record and hear them on the computer. Bringing in her extraordinary sisters to help, Serena must figure out who the voices belong to— and what they want—if she is to have a chance at stopping an impending tragedy before it’s too late.
Author: Rob Scotton
Publisher: HarperCollins
ISBN: 0062294202
Category : Juvenile Fiction
Languages : en
Pages : 35
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Book Description
Join Splat and his class on a field trip to an ice-cream factory in this delectable I Can Read book from New York Times bestselling author-artist Rob Scotton. Splat can barely sit still during the bus ride. He's imagining the mountain of ice cream he thinks he'll get to eat! But when Splat gets there, that mountain becomes more of an avalanche. It's up to Splat and his classmates to save the day! Beginning readers will practice the –eam sound in this easy-to-read addition to the Splat series. Splat the Cat: I Scream for Ice Cream is a Level One I Can Read book, which means it's perfect for children learning to sound out words and sentences. Whether shared at home or in a classroom, the short sentences, familiar words, and simple concepts of Level One books support success for children eager to start reading on their own.
Author: Ludovica Grassi
Publisher: Routledge
ISBN: 1000391612
Category : Psychology
Languages : en
Pages : 168
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Book Description
In this book, Ludovica Grassi explores the importance of music in psychoanalysis, arguing that music is a basic working tool for psyche, as words are composed of sound, rhythm and intonation more than lexical meaning. Starting from ethnomusicological, evolutionary, neurodevelopmental, psychological and psychoanalytical perspectives, the book explores music’s symbolic status, structure and way of operating compared to unconscious psychic functioning. Extraordinary similarities are revealed, especially in mechanisms such as repetition, imitation, variation (transformation), intimacy and the work of mourning, of the negative and of nostalgia. Moreover, silence and absence are essential components of music as well as of psychic and symbolic functioning. Time and temporality are specifically investigated in the book as key elements both in music and in symbolization and subjectivation processes. The role of the word’s phonic kernel and of the voice as fundamental links to emotions, the body, the sexual and the infantile has promising implications for psychoanalytic work. All these elements find an articulation in the natural as well as complex activity of listening, which conveys a tri-dimensional and polyphonic dimension of the world, so important both in music and in psychoanalysis. Illuminating the link between music and analysis in new and contemporary ways, The Sound of the Unconscious explores the resulting advances in theory and clinical practice and will be of great interest to practicing and training psychoanalysts and psychotherapists.
Author: Jasmine Hazel Shadrack
Publisher: Emerald Group Publishing
ISBN: 178756925X
Category : Music
Languages : en
Pages : 252
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Book Description
This important book weaves together trauma, black metal theory and disability into a story of both pain and freedom. Drawing on her many years as a black metal guitarist, Jasmine Hazel Shadrack uses autoethnography to explore her own experiences of gender-based violence, misogyny and the healing power of performance.
