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Author: Larry M. Timm
Publisher: Pearson
ISBN:
Category : Business & Economics
Languages : en
Pages : 356
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Book Description
For courses in Film Music. Filling a void in the literature on film music appreciation, this volume provides a consolidation of relevant film music with information about film composers and their scores. The volume also features well-illustrated information about each film with a text that clearly illustrates a well-rounded and in-depth look at film music.
Author: Larry M. Timm
Publisher: Pearson
ISBN:
Category : Business & Economics
Languages : en
Pages : 356
Get Book Here
Book Description
For courses in Film Music. Filling a void in the literature on film music appreciation, this volume provides a consolidation of relevant film music with information about film composers and their scores. The volume also features well-illustrated information about each film with a text that clearly illustrates a well-rounded and in-depth look at film music.
Author: S. Cooper
Publisher: Springer
ISBN: 1137328584
Category : History
Languages : en
Pages : 220
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Book Description
In this innovative book, Sarah Cooper revisits the history of film theory in order to bring to the fore the neglected concept of the soul and to trace its changing fortunes. The Soul of Film Theory charts the legacy of this multi-faceted, contested term, from the classical to the contemporary era.
Author: Tony Watkins
Publisher: Damaris Publishing
ISBN:
Category : Performing Arts
Languages : en
Pages : 276
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Book Description
People love films. Whether it is going out for an evening to the cinema or curling up at home with a DVD, movies are one of our favourite forms of entertainment. It is important for our Christian growth that we learn to watch films thoughtfully rather than just seeing them as entertainment. It's important that we understand the messages which films communicate and how they relate to the good news of Jesus Christ. There are also important sections on 'questions to consider when watching a film' and 'the problem of content - sex and violence'.
Author: Leslie Barnes
Publisher: Rutgers University Press
ISBN: 1978809824
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
Born in 1964, Cambodian filmmaker Rithy Panh grew up in the midst of the Khmer Rouge’s genocidal reign of terror, which claimed the lives of many of his relatives. After escaping to France, where he attended film school, he returned to his homeland in the late 1980s and began work on the documentaries and fiction films that have made him Cambodia’s most celebrated living director. The fourteen essays in The Cinema of Rithy Panh explore the filmmaker’s unique aesthetic sensibility, examining the dynamic and sensuous images through which he suggests that “everything has a soul.” They consider how Panh represents Cambodia’s traumatic past, combining forms of individual and collective remembrance, and the implications of this past for Cambodia’s transition into a global present. Covering documentary and feature films, including his literary adaptations of Marguerite Duras and Kenzaburō Ōe, they examine how Panh’s attention to local context leads to a deep understanding of such major themes in global cinema as justice, imperialism, diaspora, gender, and labor. Offering fresh takes on masterworks like The Missing Picture and S-21 while also shining a light on the director’s lesser-known films, The Cinema of Rithy Panh will give readers a new appreciation for the boundless creativity and ethical sensitivity of one of Southeast Asia’s cinematic visionaries.
Author: Christopher Sieving
Publisher: Wesleyan University Press
ISBN: 0819571326
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
Based on author's dissertation (doctoral) -- University of Wisconsin at Madison.
Author: Jeremi Szaniawski
Publisher: Columbia University Press
ISBN: 0231850522
Category : Performing Arts
Languages : en
Pages : 353
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Book Description
One of the last representatives of a brand of serious, high-art cinema, Alexander Sokurov has produced a massive oeuvre exploring issues such as history, power, memory, kinship, death, the human soul, and the responsibility of the artist. Through contextualization and close readings of each of his feature fiction films (broaching many of his documentaries in the process), this volume unearths a vision of Sokurov's films as equally mournful and passionate, intellectual, and sensual, and also identifies in them a powerful, if discursively repressed, queer sensitivity, alongside a pattern of tensions and paradoxes. This book thus offers new keys to understand the lasting and ever-renewed appeal of the Russian director's Janus-like and surprisingly dynamic cinema – a deeply original and complex body of work in dialogue with the past, the present and the future.
Author: Sarah Cooper
Publisher: Palgrave Macmillan
ISBN: 9780230365131
Category : Body, Mind & Spirit
Languages : en
Pages : 224
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Book Description
In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise. From the origins of film theory – from Hugo Münsterberg through French Impressionism to writings of the Weimar Republic – to the mid-twentieth century work of Henri Agel and Amédée Ayfre, as well as Edgar Morin, the soul emerges as a multi-faceted, if contested, concept. By revisiting such key moments in the history of film theory, and tracing the survival of this concept through to a range of cutting-edge debates today, from the work of Vivian Sobchack to Jean-Luc Nancy, Gilles Deleuze to Torben Grodal, The Soul of Film Theory tells the heretofore tacit tale of the relation between cinema and the soul, from classical to contemporary times, in dialogue with philosophy, religion, and science.
Author: Paul Schrader
Publisher: Univ of California Press
ISBN: 0520969146
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.
Author: Alexander Kluge
Publisher: New Directions Publishing
ISBN: 9780811217354
Category : Fiction
Languages : en
Pages : 130
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Book Description
The thirty-eight tales of Cinema Stories combine fact and fiction, and they all revolve around movie-making. The book compresses a lifetime of feeling, thought, and practice: Kluge -- considered the father of New German Cinema -- is an inventive wellspring of narrative notions. "The power of his prose," as Small Press noted, "exudes the sort of pregnant richness one might find in the brief scenarios of unknown films." Cinema Stories is a treasure box of cinematic lore and movie magic by "Alexander Kluge, that most enlightened of writers" (W. G. Sebald). Alexander Kluge, born in Germany in 1932, is a world-famous author and filmmaker (his 23 films include Yesterday Girl, The Female Patriot, The Candidate), a lawyer, and a media magnate. He has won Germany\'s highest literary award, the Georg Büchner Prize.
Author: Jennifer M. Bean
Publisher: Indiana University Press
ISBN: 0253015073
Category : Performing Arts
Languages : en
Pages : 359
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Book Description
In this cross-cultural history of narrative cinema and media from the 1910s to the 1930s, leading and emergent scholars explore the transnational crossings and exchanges that occurred in early cinema between the two world wars. Drawing on film archives from around the world, this volume advances the premise that silent cinema freely crossed national borders and linguistic thresholds in ways that became far less possible after the emergence of sound. These essays address important questions about the uneven forces–geographic, economic, political, psychological, textual, and experiential–that underscore a non-linear approach to film history. The "messiness" of film history, as demonstrated here, opens a new realm of inquiry into unexpected political, social, and aesthetic crossings of silent cinema.
