Author: Barry Millington
Publisher: Oxford University Press, USA
ISBN: 9780199933761
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
The power of Wagner's music to enchant, to cast a spell, to transport the listener to states of hedonistic delight, has often been remarked - sometimes appreciatively and sometimes not. Indeed, no other composer arouses such fiercely divergent responses as Richard Wagner. For Baudelaire,Wagner's music induced a feeling of being engulfed, intoxicated. For Nietzsche, Wagner was like a disease: "Everything he touches falls sick."In The Sorcerer of Bayreuth, Barry Millington, a leading authority on Wagner, presents an engaging, accessibly written overview of the life and works one of the world's most influential and controversial composers. This richly illustrated book considers a wide range of themes, including Wagner'soriginal sources of inspiration; his compositional process; his relationship with his wife, Cosima, and with his mistress, Mathilde Wesendonck; his perplexing ideology; the anti-Semitism that is undeniably present in the operas; their proto-cinematic nature; and the turbulent legacy both of theBayreuth Festival and of Wagnerism itself.Millington illuminates these issues in a series of chapters, each exploring a theme through text, illustrations, and documents in elegantly designed spreads, thus avoiding the conventional formats of illustrated biography and documentary study. The results are often surprising. Drawing on the verylatest biographical and musicological scholarship - much of it undertaken by the author himself - Millington reassesses received notions about both Wagner's life and his music, demolishing tired cliches and ill-informed opinion in favor of proper critical understanding.Marking the bicentenary of the birth of Richard Wagner, The Sorcerer of Bayreuth offers readers a fascinating reappraisal of this most provocative of composers and the incomparable music he made.
The Sorcerer of Bayreuth
Author: Barry Millington
Publisher: Oxford University Press, USA
ISBN: 9780199933761
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
The power of Wagner's music to enchant, to cast a spell, to transport the listener to states of hedonistic delight, has often been remarked - sometimes appreciatively and sometimes not. Indeed, no other composer arouses such fiercely divergent responses as Richard Wagner. For Baudelaire,Wagner's music induced a feeling of being engulfed, intoxicated. For Nietzsche, Wagner was like a disease: "Everything he touches falls sick."In The Sorcerer of Bayreuth, Barry Millington, a leading authority on Wagner, presents an engaging, accessibly written overview of the life and works one of the world's most influential and controversial composers. This richly illustrated book considers a wide range of themes, including Wagner'soriginal sources of inspiration; his compositional process; his relationship with his wife, Cosima, and with his mistress, Mathilde Wesendonck; his perplexing ideology; the anti-Semitism that is undeniably present in the operas; their proto-cinematic nature; and the turbulent legacy both of theBayreuth Festival and of Wagnerism itself.Millington illuminates these issues in a series of chapters, each exploring a theme through text, illustrations, and documents in elegantly designed spreads, thus avoiding the conventional formats of illustrated biography and documentary study. The results are often surprising. Drawing on the verylatest biographical and musicological scholarship - much of it undertaken by the author himself - Millington reassesses received notions about both Wagner's life and his music, demolishing tired cliches and ill-informed opinion in favor of proper critical understanding.Marking the bicentenary of the birth of Richard Wagner, The Sorcerer of Bayreuth offers readers a fascinating reappraisal of this most provocative of composers and the incomparable music he made.
Publisher: Oxford University Press, USA
ISBN: 9780199933761
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
The power of Wagner's music to enchant, to cast a spell, to transport the listener to states of hedonistic delight, has often been remarked - sometimes appreciatively and sometimes not. Indeed, no other composer arouses such fiercely divergent responses as Richard Wagner. For Baudelaire,Wagner's music induced a feeling of being engulfed, intoxicated. For Nietzsche, Wagner was like a disease: "Everything he touches falls sick."In The Sorcerer of Bayreuth, Barry Millington, a leading authority on Wagner, presents an engaging, accessibly written overview of the life and works one of the world's most influential and controversial composers. This richly illustrated book considers a wide range of themes, including Wagner'soriginal sources of inspiration; his compositional process; his relationship with his wife, Cosima, and with his mistress, Mathilde Wesendonck; his perplexing ideology; the anti-Semitism that is undeniably present in the operas; their proto-cinematic nature; and the turbulent legacy both of theBayreuth Festival and of Wagnerism itself.Millington illuminates these issues in a series of chapters, each exploring a theme through text, illustrations, and documents in elegantly designed spreads, thus avoiding the conventional formats of illustrated biography and documentary study. The results are often surprising. Drawing on the verylatest biographical and musicological scholarship - much of it undertaken by the author himself - Millington reassesses received notions about both Wagner's life and his music, demolishing tired cliches and ill-informed opinion in favor of proper critical understanding.Marking the bicentenary of the birth of Richard Wagner, The Sorcerer of Bayreuth offers readers a fascinating reappraisal of this most provocative of composers and the incomparable music he made.
Wagner in Performance
Author: Jean-Jacques Nattiez
Publisher: Yale University Press
ISBN: 9780300057188
Category : Music
Languages : en
Pages : 238
Book Description
This book, addressed to both specialists and the opera-going public, brings together a team of acknowledged authorities from round the world to examine the performance history and reception of Wagner's works in Europe and America. A connected sequence of essays on conducting, singing, production and stage design explores the nature of Wagner's demands on his interpreters. The book raises questions about the realization of opera on the stage: about the authority of the composer vis-a-vis the director and the audience: about the sanctity of the text, score and stage directions; and about the role of art itself in society.
Publisher: Yale University Press
ISBN: 9780300057188
Category : Music
Languages : en
Pages : 238
Book Description
This book, addressed to both specialists and the opera-going public, brings together a team of acknowledged authorities from round the world to examine the performance history and reception of Wagner's works in Europe and America. A connected sequence of essays on conducting, singing, production and stage design explores the nature of Wagner's demands on his interpreters. The book raises questions about the realization of opera on the stage: about the authority of the composer vis-a-vis the director and the audience: about the sanctity of the text, score and stage directions; and about the role of art itself in society.
Wagnerism
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429944544
Category : Music
Languages : en
Pages : 784
Book Description
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
Publisher: Farrar, Straus and Giroux
ISBN: 1429944544
Category : Music
Languages : en
Pages : 784
Book Description
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
Richard Wagner
Author: Barry Millington
Publisher: Thames & Hudson
ISBN: 0500771391
Category : Music
Languages : en
Pages : 575
Book Description
Published for the 200th anniversary of Richard Wagners birth, and written by one of the most distinguished Wagner scholars in the world, this in-depth and highly readable account of Wagners life, work and times will be the book of the bicentenary. Richard Wagner (18131883) is one of the most influential and also one of the most polarizing composers in the history of music. Over the course of his long career, he produced a stream of spellbinding operas that challenged musical convention through their richness and tonal experimentation, paving the way for modernism. This richly illustrated overview of Wagners life, work and times makes use of the very latest scholarship much of it undertaken by the author in connection with his editorship of The Wagner Journal. The book reassesses received notions, demolishing ill-informed opinion in favour of proper critical understanding. It is a radical and occasionally controversial reappraisal of this most perplexing of composers. A wide range of themes include the composers original sources of inspiration; his fetish for exotic silks; his relationship with his wife, Cosima, and with his mistress; his anti-semitism; and the turbulent legacy both of the Bayreuth Festival and of Wagnerism itself. The books arrangement unique among books on the composer combines an accessible text, intriguing images and original documents in carefully co-ordinated sections, ensuring a consistently fresh approach.
Publisher: Thames & Hudson
ISBN: 0500771391
Category : Music
Languages : en
Pages : 575
Book Description
Published for the 200th anniversary of Richard Wagners birth, and written by one of the most distinguished Wagner scholars in the world, this in-depth and highly readable account of Wagners life, work and times will be the book of the bicentenary. Richard Wagner (18131883) is one of the most influential and also one of the most polarizing composers in the history of music. Over the course of his long career, he produced a stream of spellbinding operas that challenged musical convention through their richness and tonal experimentation, paving the way for modernism. This richly illustrated overview of Wagners life, work and times makes use of the very latest scholarship much of it undertaken by the author in connection with his editorship of The Wagner Journal. The book reassesses received notions, demolishing ill-informed opinion in favour of proper critical understanding. It is a radical and occasionally controversial reappraisal of this most perplexing of composers. A wide range of themes include the composers original sources of inspiration; his fetish for exotic silks; his relationship with his wife, Cosima, and with his mistress; his anti-semitism; and the turbulent legacy both of the Bayreuth Festival and of Wagnerism itself. The books arrangement unique among books on the composer combines an accessible text, intriguing images and original documents in carefully co-ordinated sections, ensuring a consistently fresh approach.
Wagner
Author: Barry Millington
Publisher: Princeton University Press
ISBN: 0691027226
Category : Biography & Autobiography
Languages : en
Pages : 368
Book Description
Wagner is one of the most controversial of composers, and much that has been written about him--including his autobiography--is misleading. Barry Millington draws on the best previous scholarship and his own original research to set the record straight. The first part of this book is devoted to biography; the second, to a detailed study of the operas. Millington offers a historical review of the critical interpretation of each opera, including a discussion of recent methods of formal analysis. In this revised edition, two chapters, those on Tannhauser and Die Meistersinger, include significant new material. The bibliography has also been updated.
Publisher: Princeton University Press
ISBN: 0691027226
Category : Biography & Autobiography
Languages : en
Pages : 368
Book Description
Wagner is one of the most controversial of composers, and much that has been written about him--including his autobiography--is misleading. Barry Millington draws on the best previous scholarship and his own original research to set the record straight. The first part of this book is devoted to biography; the second, to a detailed study of the operas. Millington offers a historical review of the critical interpretation of each opera, including a discussion of recent methods of formal analysis. In this revised edition, two chapters, those on Tannhauser and Die Meistersinger, include significant new material. The bibliography has also been updated.
The 10 Best Games of All Time
Author: Àngels Navarro
Publisher:
ISBN: 9780500650127
Category : Board books
Languages : en
Pages : 12
Book Description
The 10 Best Games of All Time introduces children to ten classic pastimes in one beautifully crafted compendium. From well-loved favourites like Solitaire or Snakes and Ladders to lesser-known treats like Bizingo or the Goose Game, theres lots of fun here for everyone!
Publisher:
ISBN: 9780500650127
Category : Board books
Languages : en
Pages : 12
Book Description
The 10 Best Games of All Time introduces children to ten classic pastimes in one beautifully crafted compendium. From well-loved favourites like Solitaire or Snakes and Ladders to lesser-known treats like Bizingo or the Goose Game, theres lots of fun here for everyone!
The Rest Is Noise
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Selected Letters of Richard Wagner
Author: Richard Wagner
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 1050
Book Description
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 1050
Book Description
The Wagner Compendium: A Guide To Wagner's Life and Music
Author: Barry Millington
Publisher: Thames & Hudson
ISBN: 0500770999
Category : Music
Languages : en
Pages : 570
Book Description
The unrivaled single-volume survey of Wagner's life and work Edited by one of the leading Wagner scholars of modern times, and with contributions from seventeen experts from around the world, The Wagner Compendium is the key to a complete understanding of the composer— the most comprehensive, informative and well-organized guide to his life and times. Features include: calendar of Wagner's life, works and related events who's who of Wagner's contemporaries details of historical, intellectual and musical background exploration of Wagner's character and opinions full list of Wagner's prose writings comprehensive listing and discussion of the works
Publisher: Thames & Hudson
ISBN: 0500770999
Category : Music
Languages : en
Pages : 570
Book Description
The unrivaled single-volume survey of Wagner's life and work Edited by one of the leading Wagner scholars of modern times, and with contributions from seventeen experts from around the world, The Wagner Compendium is the key to a complete understanding of the composer— the most comprehensive, informative and well-organized guide to his life and times. Features include: calendar of Wagner's life, works and related events who's who of Wagner's contemporaries details of historical, intellectual and musical background exploration of Wagner's character and opinions full list of Wagner's prose writings comprehensive listing and discussion of the works
Cosima Wagner
Author: Oliver Hilmes
Publisher: Yale University Press
ISBN: 0300168233
Category : Biography & Autobiography
Languages : en
Pages : 530
Book Description
In this meticulously researched book, Oliver Hilmes paints a fascinating and revealing picture of the extraordinary Cosima Wagner—illegitimate daughter of Franz Liszt, wife of the conductor Hans von Bülow, then mistress and subsequently wife of Richard Wagner. After Wagner’s death in 1883 Cosima played a crucial role in the promulgation and politicization of his works, assuming control of the Bayreuth Festival and transforming it into a shrine to German nationalism. The High Priestess of the Wagnerian cult, Cosima lived on for almost fifty years, crafting the image of Richard Wagner through her organizational ability and ideological tenacity.The first book to make use of the available documentation at Bayreuth, this biography explores the achievements of this remarkable and obsessive woman while illuminating a still-hidden chapter of European cultural history.
Publisher: Yale University Press
ISBN: 0300168233
Category : Biography & Autobiography
Languages : en
Pages : 530
Book Description
In this meticulously researched book, Oliver Hilmes paints a fascinating and revealing picture of the extraordinary Cosima Wagner—illegitimate daughter of Franz Liszt, wife of the conductor Hans von Bülow, then mistress and subsequently wife of Richard Wagner. After Wagner’s death in 1883 Cosima played a crucial role in the promulgation and politicization of his works, assuming control of the Bayreuth Festival and transforming it into a shrine to German nationalism. The High Priestess of the Wagnerian cult, Cosima lived on for almost fifty years, crafting the image of Richard Wagner through her organizational ability and ideological tenacity.The first book to make use of the available documentation at Bayreuth, this biography explores the achievements of this remarkable and obsessive woman while illuminating a still-hidden chapter of European cultural history.