Author: Nezami Ganjavi
Publisher: Penguin
ISBN: 0525505776
Category : Poetry
Languages : en
Pages : 322
Book Description
The Persian epic that inspired Eric Clapton's unforgettable love song "Layla" and that Lord Byron called "the Romeo and Juliet of the East," in a masterly new translation A Penguin Classic The iconic love story of the Middle East, by a twelfth-century Persian poet who has been compared to Shakespeare for his subtlety, inventiveness, and dramatic force, Layli and Majnun tells of star-crossed lovers whose union is tragically thwarted by their families and whose passion continues to ripple out across the centuries. Theirs is a love that lasts a lifetime, and in Nezami's immortal telling, erotic longing blends with spiritual self-denial in an allegory of Sufi aspiration, as the amenities of civilization give way to the elemental wilderness, desire is sublimated into a mystical renunciation of the physical world, and the soul confronts its essence. This is a tour de force of Persian literature, in a translation that captures the extraordinary power and virtuosity of the original.
Layli and Majnun
Author: Nezami Ganjavi
Publisher: Penguin
ISBN: 0525505776
Category : Poetry
Languages : en
Pages : 322
Book Description
The Persian epic that inspired Eric Clapton's unforgettable love song "Layla" and that Lord Byron called "the Romeo and Juliet of the East," in a masterly new translation A Penguin Classic The iconic love story of the Middle East, by a twelfth-century Persian poet who has been compared to Shakespeare for his subtlety, inventiveness, and dramatic force, Layli and Majnun tells of star-crossed lovers whose union is tragically thwarted by their families and whose passion continues to ripple out across the centuries. Theirs is a love that lasts a lifetime, and in Nezami's immortal telling, erotic longing blends with spiritual self-denial in an allegory of Sufi aspiration, as the amenities of civilization give way to the elemental wilderness, desire is sublimated into a mystical renunciation of the physical world, and the soul confronts its essence. This is a tour de force of Persian literature, in a translation that captures the extraordinary power and virtuosity of the original.
Publisher: Penguin
ISBN: 0525505776
Category : Poetry
Languages : en
Pages : 322
Book Description
The Persian epic that inspired Eric Clapton's unforgettable love song "Layla" and that Lord Byron called "the Romeo and Juliet of the East," in a masterly new translation A Penguin Classic The iconic love story of the Middle East, by a twelfth-century Persian poet who has been compared to Shakespeare for his subtlety, inventiveness, and dramatic force, Layli and Majnun tells of star-crossed lovers whose union is tragically thwarted by their families and whose passion continues to ripple out across the centuries. Theirs is a love that lasts a lifetime, and in Nezami's immortal telling, erotic longing blends with spiritual self-denial in an allegory of Sufi aspiration, as the amenities of civilization give way to the elemental wilderness, desire is sublimated into a mystical renunciation of the physical world, and the soul confronts its essence. This is a tour de force of Persian literature, in a translation that captures the extraordinary power and virtuosity of the original.
Unveiling the Garden of Love
Author: Lalita Sinha
Publisher: World Wisdom, Inc
ISBN: 1933316632
Category : Language Arts & Disciplines
Languages : en
Pages : 234
Book Description
Epic love poems often share common thematic elements -love in union, love in separation, and love in reunion. This book investigates common threads and shared symbolism between the literary masterpieces The Story of Layla Majnun (written by Nizami in the Islamic Sufi tradition) and Gita Govinda (written by Jayadeva in the Hindu Bhaktic tradition). Book jacket.
Publisher: World Wisdom, Inc
ISBN: 1933316632
Category : Language Arts & Disciplines
Languages : en
Pages : 234
Book Description
Epic love poems often share common thematic elements -love in union, love in separation, and love in reunion. This book investigates common threads and shared symbolism between the literary masterpieces The Story of Layla Majnun (written by Nizami in the Islamic Sufi tradition) and Gita Govinda (written by Jayadeva in the Hindu Bhaktic tradition). Book jacket.
Chronicles of Majnun Layla and Selected Poems
Author: Qassim Haddad
Publisher: Syracuse University Press
ISBN: 0815652887
Category : Literary Collections
Languages : en
Pages : 157
Book Description
Chronicles of Majnun Layla and Selected Poems brings together in one volume Haddad’s seminal work and a considerable selection of poems from his oeuvre, stretching over forty years. The central poem, Chronicles of Majnun Layla, recasts the seventh-century myth into a contemporary, postmodern narrative that revels in the foibles of oral transmission, weaving a small side cast of characters into the fabric of the poem. Haddad portrays Layla as a daring woman aware of her own needs and desires and not afraid to articulate them. The author succeeds in reviving this classical work of Arabian love while liberating it from its puritanical dimension and tribal overtones. The selected poems reveal Haddad’s playful yet profound meditations. A powerful lyric poet, Haddad juxtaposes classical and modern symbols, and mixes the old with the new, the sensual with the sacred, and the common with the extraordinary. Ghazoul and Verlenden’s masterful translation remains faithful to the cultural and historical context in which the original poetry was produced while also reflecting the uniqueness of the poet’s style and his poetics.
Publisher: Syracuse University Press
ISBN: 0815652887
Category : Literary Collections
Languages : en
Pages : 157
Book Description
Chronicles of Majnun Layla and Selected Poems brings together in one volume Haddad’s seminal work and a considerable selection of poems from his oeuvre, stretching over forty years. The central poem, Chronicles of Majnun Layla, recasts the seventh-century myth into a contemporary, postmodern narrative that revels in the foibles of oral transmission, weaving a small side cast of characters into the fabric of the poem. Haddad portrays Layla as a daring woman aware of her own needs and desires and not afraid to articulate them. The author succeeds in reviving this classical work of Arabian love while liberating it from its puritanical dimension and tribal overtones. The selected poems reveal Haddad’s playful yet profound meditations. A powerful lyric poet, Haddad juxtaposes classical and modern symbols, and mixes the old with the new, the sensual with the sacred, and the common with the extraordinary. Ghazoul and Verlenden’s masterful translation remains faithful to the cultural and historical context in which the original poetry was produced while also reflecting the uniqueness of the poet’s style and his poetics.
Perspectives on Persian Painting
Author: Dr Barbara Brend
Publisher: Routledge
ISBN: 1136854185
Category : Art
Languages : en
Pages : 380
Book Description
This is a detailed study of the illustrations to Amir Khusrau's Khamsah, in which twenty discourses are followed by a brief parable, and four romances. Amir Khusrau (1253-1325) lived the greater part of adventurous life in Delhi; he composed in Persian, and also in Hindi. From the point of view of manuscript illustration, his most important work is his Khamsah (Quintet'). Khusrau's position as a link between cultures of Persia and India means that the early illustrated copies of the Khamsah have a particular interest. The first extant exemplar is from the Persian area in the late 14th century, but a case can be made that work was probably illustrated earlier in India.
Publisher: Routledge
ISBN: 1136854185
Category : Art
Languages : en
Pages : 380
Book Description
This is a detailed study of the illustrations to Amir Khusrau's Khamsah, in which twenty discourses are followed by a brief parable, and four romances. Amir Khusrau (1253-1325) lived the greater part of adventurous life in Delhi; he composed in Persian, and also in Hindi. From the point of view of manuscript illustration, his most important work is his Khamsah (Quintet'). Khusrau's position as a link between cultures of Persia and India means that the early illustrated copies of the Khamsah have a particular interest. The first extant exemplar is from the Persian area in the late 14th century, but a case can be made that work was probably illustrated earlier in India.
Mirror of the Invisible World
Author: Peter J. Chelkowski
Publisher: Metropolitan Museum of Art
ISBN: 0870991426
Category : Illumination of books and manuscripts, Iranian
Languages : en
Pages : 128
Book Description
In this volume three stories from Persian poem the Khamseh - "Khosrow and Shirin," "Layla and Majnum," and "The Seven Princesses" - have been told with abridgement in prose. They are augmented by color reproductions of Persian miniatures based on an early 16th manuscript dated 1524/25.
Publisher: Metropolitan Museum of Art
ISBN: 0870991426
Category : Illumination of books and manuscripts, Iranian
Languages : en
Pages : 128
Book Description
In this volume three stories from Persian poem the Khamseh - "Khosrow and Shirin," "Layla and Majnum," and "The Seven Princesses" - have been told with abridgement in prose. They are augmented by color reproductions of Persian miniatures based on an early 16th manuscript dated 1524/25.
Layla and Majnun
Author: Ganjavi Nizami
Publisher: Blake Publishing
ISBN: 9781857821611
Category : Iran
Languages : en
Pages : 0
Book Description
The text is a prose rendition of Nizami's 12th-century poetic masterpiece, in which he reshapes the legends of Majnun, the quintessential romantic fool, into a tale of the ideal lover. For the Sufis, Majnun represents the perfect devotee of the "religion of the heart," and the story is an allegory of the soul's longing for God. This is a beautiful production, and it includes a final chapter newly translated from the Persian by Omid Safi and Zia Inayat Khan.
Publisher: Blake Publishing
ISBN: 9781857821611
Category : Iran
Languages : en
Pages : 0
Book Description
The text is a prose rendition of Nizami's 12th-century poetic masterpiece, in which he reshapes the legends of Majnun, the quintessential romantic fool, into a tale of the ideal lover. For the Sufis, Majnun represents the perfect devotee of the "religion of the heart," and the story is an allegory of the soul's longing for God. This is a beautiful production, and it includes a final chapter newly translated from the Persian by Omid Safi and Zia Inayat Khan.
The Muse that Sings
Author: Ann McCutchan
Publisher: Oxford University Press, USA
ISBN: 9780195168129
Category : Biography & Autobiography
Languages : en
Pages : 282
Book Description
The Muse That Sings is a unique behind-the-scenes look at both twentieth-century music and the nuts and bolts of creative work. Here, twenty-five of America's leading composers--from Adams to Zorn, from Bolcom to Vierk--talk candidly about their craft, their motivations, their difficulties, and how they how proceed from musical idea to finished composition. While focusing on the process and the stories behind specific works, the composers also touch on topics that will interest anyone involved in creative work. They discuss teachers and mentors, the task of revision, relationships with performers, and the ongoing struggle for a balance between freedom and discipline. They reveal sources of inspiration, artistic goals, and the often unexpected ways their musical ideas develop. Some describe personal tonal systems; others discuss the impact of computers and other electronic tools on their work; still others reflect philosophically on the inner impulses and outer influences that continue to drive them. While serious music has a reputation for being difficult and inaccessible, The Muse That Sings provides a powerful antidote. The composers in this book speak clearly and thoughtfully in response to key questions of concern to all readers interested in contemporary music. Each interview has been edited to stand alone as a concise meditation on muse and technique, and the book includes selected discographies as well as brief biographical sketches. Anyone with an interest in twentieth-century music or in the creative process will find this lively collection a valuable source of inspiration and insight.
Publisher: Oxford University Press, USA
ISBN: 9780195168129
Category : Biography & Autobiography
Languages : en
Pages : 282
Book Description
The Muse That Sings is a unique behind-the-scenes look at both twentieth-century music and the nuts and bolts of creative work. Here, twenty-five of America's leading composers--from Adams to Zorn, from Bolcom to Vierk--talk candidly about their craft, their motivations, their difficulties, and how they how proceed from musical idea to finished composition. While focusing on the process and the stories behind specific works, the composers also touch on topics that will interest anyone involved in creative work. They discuss teachers and mentors, the task of revision, relationships with performers, and the ongoing struggle for a balance between freedom and discipline. They reveal sources of inspiration, artistic goals, and the often unexpected ways their musical ideas develop. Some describe personal tonal systems; others discuss the impact of computers and other electronic tools on their work; still others reflect philosophically on the inner impulses and outer influences that continue to drive them. While serious music has a reputation for being difficult and inaccessible, The Muse That Sings provides a powerful antidote. The composers in this book speak clearly and thoughtfully in response to key questions of concern to all readers interested in contemporary music. Each interview has been edited to stand alone as a concise meditation on muse and technique, and the book includes selected discographies as well as brief biographical sketches. Anyone with an interest in twentieth-century music or in the creative process will find this lively collection a valuable source of inspiration and insight.
Music of Azerbaijan
Author: Aida Huseynova
Publisher: Indiana University Press
ISBN: 0253019494
Category : Music
Languages : en
Pages : 360
Book Description
This book traces the development of Azerbaijani art music from its origins in the Eastern, modal, improvisational tradition known as mugham through its fusion with Western classical, jazz, and world art music. Aida Huseynova places the fascinating and little-known history of music in Azerbaijan against the vivid backdrop of cultural life under Soviet influence, which paradoxically both encouraged and repressed the evolution of national musics and post-Soviet independence. Inspired by their neighbors to the East and West, Azerbaijani musicians enjoyed a period of remarkable creativity, composing and performing the first opera and the first ballet in the Muslim East, establishing the region's first Opera and Ballet Theater and Conservatory of Music, and discovering ways to merge the modal lyricism of mugham with the rhythmic dynamics of jazz. Drawing on previously unstudied archives, letters, and documents as well as her experience as an Azerbaijani musician and educator, Huseynova shows how Azerbaijani musical development was not a product of Soviet cultural policies but rather grew from and reflected deep and complex cultural processes.
Publisher: Indiana University Press
ISBN: 0253019494
Category : Music
Languages : en
Pages : 360
Book Description
This book traces the development of Azerbaijani art music from its origins in the Eastern, modal, improvisational tradition known as mugham through its fusion with Western classical, jazz, and world art music. Aida Huseynova places the fascinating and little-known history of music in Azerbaijan against the vivid backdrop of cultural life under Soviet influence, which paradoxically both encouraged and repressed the evolution of national musics and post-Soviet independence. Inspired by their neighbors to the East and West, Azerbaijani musicians enjoyed a period of remarkable creativity, composing and performing the first opera and the first ballet in the Muslim East, establishing the region's first Opera and Ballet Theater and Conservatory of Music, and discovering ways to merge the modal lyricism of mugham with the rhythmic dynamics of jazz. Drawing on previously unstudied archives, letters, and documents as well as her experience as an Azerbaijani musician and educator, Huseynova shows how Azerbaijani musical development was not a product of Soviet cultural policies but rather grew from and reflected deep and complex cultural processes.
If Not Us
Author: Steve Delanghe
Publisher: Lulu.com
ISBN: 1326121227
Category : Poetry
Languages : en
Pages : 42
Book Description
A book of love poems in a modern Sufi style, plus a retelling of two famous love tales
Publisher: Lulu.com
ISBN: 1326121227
Category : Poetry
Languages : en
Pages : 42
Book Description
A book of love poems in a modern Sufi style, plus a retelling of two famous love tales
Operas in English
Author: Margaret Ross Griffel
Publisher: Scarecrow Press
ISBN: 0810883252
Category : Music
Languages : en
Pages : 1015
Book Description
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Publisher: Scarecrow Press
ISBN: 0810883252
Category : Music
Languages : en
Pages : 1015
Book Description
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.