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Author: Howard Teichmann
Publisher: Dramatists Play Service Inc
ISBN: 9780822210498
Category : Amateur plays
Languages : en
Pages : 76
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Book Description
THE STORY: According to Chapman in the New York News, begins with the annual stockholders' meeting and election of officers of a colossal manufacturing empire called General Products. Some new officers (old ones being moved up a notch) must be ele
Author: Howard Teichmann
Publisher: Dramatists Play Service Inc
ISBN: 9780822210498
Category : Amateur plays
Languages : en
Pages : 76
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Book Description
THE STORY: According to Chapman in the New York News, begins with the annual stockholders' meeting and election of officers of a colossal manufacturing empire called General Products. Some new officers (old ones being moved up a notch) must be ele
Author: Tom Zaniello
Publisher: Cornell University Press
ISBN: 1501711199
Category : Performing Arts
Languages : en
Pages : 447
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Book Description
The revised and expanded edition of Working Stiffs, Union Maids, Reds, and Riffraff offers 350 titles compared to the original edition's 150. The new book is global in scope, with examples of labor films from around the world. Viewers can turn to this comprehensive, annotated guide for films about unions or labor organizations; labor history; working-class life where an economic factor is significant; political movements if they are tied closely to organized labor; production or the struggle between labor and capital from a "top-down"—either entrepreneurial or managerial—perspective. Each entry includes a critical commentary, production data, cast list, MPAA rating (if any), suggested related films, annotated references to books and websites for further reading, and information about availability of films for rental and/or purchase. This edition addresses both historical and contemporary films and features many more documentaries and hard-to-find information about agitprop and union-financed films.Working Stiffs, Union Maids, Reds, and Riffraff: An Expanded Guide to Films about Labor features fifty-eight production stills and frame enlargements. It also includes a greatly expanded Thematic Index of Films. Two new sections will help the reader discover labor films in chronological order or by nationality or affiliation with certain cinematic movements. To read Tom Zaniello's blog on the cinema of labor and globalization, featuring even more reviews, visit http://tzaniello.wordpress.com.Praise for the earlier edition—"Zaniello has created a useful and far-reaching guide with abundant information.... These are the sorts of films that prove what James Agee wrote in these pages nearly fifty years ago: 'The only movies whose temper could possibly be described as heroic, or tragic, or both, have been made by leftists.'"—The Nation"Zaniello has done a monumental job identifying the films that should be included in this genre.... Working Stiffs, Union Maids, Reds, and Riffraff is sorely needed and long overdue."—Cineaste"An engaging and opinionated book.... Even though mining, trucking, Jimmy Hoffa, and class warfare are the book's major themes, what holds the project together is Zaniello's sense of fun and wit. [Zaniello is] a better writer than most major film critics."—Village Voice Literary Supplement
Author: R. J. Cardullo
Publisher: Springer
ISBN: 9463008780
Category : Education
Languages : en
Pages : 351
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Book Description
"André Bazin (1918–58) is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Among those who came under his tutelage were four who would go on to become the most renowned directors of the postwar French cinema: François Truffaut, Jean-Luc Godard, Jacques Rivette, and Claude Chabrol. Bazin can also be considered the principal instigator of the equally influential auteur theory: the idea that, since film is an art form, the director of a movie must be perceived as the chief creator of its unique cinematic style.André Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s contains, for the first time in English in one volume, much if not all of Bazin’s writings on American cinema: on directors such as Orson Welles, Charles Chaplin, Preston Sturges, Alfred Hitchcock, Howard Hawks, John Huston, Nicholas Ray, Erich von Stroheim, and Elia Kazan; and on films such as High Noon, Citizen Kane, Rear Window, Limelight, Scarface, Niagara, The Red Badge of Courage, Greed, and Sullivan’s Travels.André Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s also features a sizable scholarly apparatus, including a contextual introduction to Bazin’s life and work, a complete bibliography of Bazin’s writings on American cinema, and credits of the films discussed. This volume thus represents a major contribution to the still growing academic discipline of cinema studies, as well as a testament to the continuing influence of one of the world’s pre-eminent critical thinkers."
Author: Christian Valnet
Publisher: Edizioni R.E.I.
ISBN: 2372972502
Category : Cooking
Languages : en
Pages : 220
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Book Description
A cocktail is a drink obtained by a proportionate and balanced mixture of different alcoholic ingredients, no alcohol and aromas. A well-executed cocktails must have structure, flavor and color balanced; if you performed without the use of alcohol component is called non-alcoholic cocktail. The cocktail may present inside the cup of the ice, not present at all (as some cocktails winter such as grog), or it can be only cooled with ice. A particular class of cocktails is constituted by the shot, small cocktail that may have all the characteristics of a normal and cocktails are served in two types of glasses, the shot and bite. To prevent the abuse of both fictitious names of cocktails is unauthorized modifications to cocktails known, the International Bartenders Association (IBA) has codified 60 to which each year are added or eliminated other cocktails. The International Bartenders Association, founded on Feb. 24, 1951 in the Saloon of the Grand Hotel in Torquay, United Kingdom, is an organization of barman. The organization is also in charge of drawing up the list of IBA Official Cocktail. November 25, 2011 was the official new list of cocktails IBA which at the moment are 77, divided into three categories: • Contemporary Classics. • The Unforgettables. • New Era Drinks. In addition to the list of 77 cocktails made official on Nov. 25, 2011 by IBA, there are a myriad of other cocktails that still deserve to be mentioned for both their previous membership in the above list, it is because they have been served in all the bars in the world; mention, just as an example: Gibson, Czarina, Alaska, Grand Slam, Old pal, Gin and french, Bronx.
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 428
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Book Description
Author: Larry Goldbeck M.D.
Publisher: Xlibris Corporation
ISBN: 1664153705
Category : Fiction
Languages : en
Pages : 459
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Book Description
Comedy is centuries old. In Medieval Times monarchs were entertained by court jesters. Melodramas provided boredom and stress relief for the pioneers of America’s West. The Nineteenth Century brought vaudeville and burlesque and entertainment jobs for many early comedians. Many of these passed on to their children their comedic skills. These 20th Century comedians are the subject of this book. They moved from burlesque and vaudeville to radio, Broadway, films, and some into television. Some remained “full-time” comedians and some chose serious acting roles at times.
Author: Sam Manning
Publisher: University of London Press
ISBN: 1912702363
Category : History
Languages : en
Pages : 252
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Book Description
Cinema-going was the most popular commercial leisure activity in the first half of the twentieth century, peaking in 1946 with 1.6 billion recorded admissions. Though ‘going to the pictures’ remained a popular pastime, the transition to peacetime altered citizens’ leisure habits. During the 1950s increased affluence, the growth of television ownership and the diversification of leisure led to rapid declines in attendance. Cinema attendances fell in all regions, but the speed, nature and extent of decline varied widely across the United Kingdom. By linking national developments to detailed case studies of Belfast and Sheffield, this book adds nuance to our understanding of regional variations in film exhibition, audience habits and cinema-going experiences during a period of profound social and cultural change. Drawing on a wide range of quantitative and qualitative sources, Cinema and Cinema-Going conveys the diverse nature of this important industry, and the significance of place as a determinant of film attendance in post-war Britain.
Author: Northrop Frye
Publisher: University of Toronto Press
ISBN: 9780802039477
Category : Literary Criticism
Languages : en
Pages : 586
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Book Description
Romance was a theme that ran through much of Northrop Frye's corpus, and his notebooks and typed notes on the subject are plentiful. This unpublished material, written between 1944 and 1989, traces a remarkable re-evaluation in his thinking over the course of time. As a young scholar, Frye insisted that romance was an expression of cultural decadence; however, in his later years, he thought of it as "the structural core of all fiction." The unpublished material Michael Dolzani has gathered for Northrop Frye's Notebooks on Romance shows how the pattern and conventions of romance inform the writing of history, anthropology, psychology, philosophy, and theology. While Frye is best known for his writing on myth and biblical scholarship, he himself eventually conceived of romance as the true and equal contrary to myth and scripture, a "secular scripture" whose message is de te fabula, "this story is about you." Given the current popular revival of romance in fiction and film, the appearance of Frye's unpublished work on romance is of profound importance.
Author: Eric Morris
Publisher: SCB Distributors
ISBN: 0983629927
Category : Performing Arts
Languages : en
Pages : 532
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Book Description
The Diary of a Professional Experiencer is the sixth in a series of books written by Eric Morris. Unlike his other books, this is a very personal account of his frustrations and struggles as he strives to discover how the actor creates reality on the stage or in film. Though the style is autobiographical, this is, nevertheless, a book about acting. It details the specific discoveries and breakthroughs in the evolution of what Morris believes is the most complete acting system to date. The old adage, Necessity is the mother of invention, truly describes his drive to discover, explore, and experiment with incredible techniques for liberating the actor so that acting goes beyond the conventional into the experiential. The book also chronicles Morris' encounters with many famous teachers, actors, directors, producers, and writers, as well as not-so-famous people, who influenced, challenged, and inspired him on his journey. It starts with Morris' early childhood and growing-up years in Chicago and goes on to describe the trials and tribulations of pursuing a career in Hollywood, as well as the fulfillment that comes from creating a truly life-changing approach to living and acting.
Author: Marijean Levering
Publisher: Wayne State University Press
ISBN: 0814343236
Category : Performing Arts
Languages : en
Pages : 309
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Book Description
Detroit on Stage traces the extraordinary history of Detroit’s The Players Club from its beginnings in 1910 until present. Founded in 1910, Detroit’s Players Club is an all-male club devoted to the production of theater by members for other members’ enjoyment. Called simply "The Players," members of the club design, direct, and act in the shows, including playing the female roles. In Detroit on Stage, Marijean Levering takes readers behind the scenes of the club’s private "frolics" to explore the unique history of The Players, discover what traditions they still hold dear, and examine why they have survived relatively unscathed through changes that have shuttered older and more venerable institutions. The Players developed during a nationwide vogue for community and art theater and also as Detroit’s auto elites were in the midst of forming new private clubs to add to their own sense of prestige. By the 1920s, The Players had built their own playhouse and established most of their significant traditions, including the monthly frolics, at which the members perform for each other. At the frolics, members in the audience would wear tuxedos and drink beer out of personalized mugs, customs that remain to this day. Prominent Detroiters have always been among the ranks of the Players, and several well-known auto industry figures were members from the beginning, including banker Henry B. Joy, Oldsmobile sales manager Roy D. Chapin, and Ford executives James Couzens and Edsel Ford. Over the decades that followed the club’s founding, its membership and traditions have remained strong despite major world events that shook Detroit such as Prohibition, the Great Depression, and World War II. In looking at The Players of today, Levering explores the camaraderie and sense of history that has kept the club together and relatively unchanged throughout the years. She also examines the club’s notable members and its unique place in Detroit history. Detroit on Stage places The Players club in the broader contexts of social clubs, explaining how these organizations originate and function. Readers interested in Detroit cultural history and theater studies will enjoy this rare glimpse inside a long-standing Detroit cultural institution.
