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Author: Thomas Morton
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 84
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Book Description
Author: Thomas Morton
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 84
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Book Description
Author: Jeremy O. Harris
Publisher:
ISBN: 9781839043543
Category : Drama
Languages : en
Pages : 0
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Book Description
The Old South lives on at the MacGregor Plantation - in the breeze, in the cotton fields... and in the crack of the whip. Nothing is as it seems, and yet everything is as it seems. Jeremy O. Harris's Slave Play rips apart history to shed new light on the nexus of race, gender and sexuality in twenty-first-century America. It opened at New York Theatre Workshop in November 2018, and transferred to Broadway the following year. This edition is published alongside the West End production in 2024. 'How to explain Harris? He is like Tennessee Williams, if Williams had been Prince. Or Truman Capote, if Capote had been Paradise Garage. He is a firebrand writer with whipcrack humour. He has two brilliant plays under his belt, Slave Play and Daddy. He is such a queer hero of our times that the New York neighbourhood he lives in has become fleetingly famous. One of Jeremy O. Harris's plays coming to London is a major event' Evening Standard
Author: Slave
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
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Book Description
Author: Thomas Morton
Publisher:
ISBN: 9780371172100
Category : History
Languages : en
Pages : 90
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Book Description
This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!
Author: Thomas Morton
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
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Book Description
Author: Thomas Morton
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
Get Book Here
Book Description
Author: Thomas Morton
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
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Book Description
Author: Bennett Zon
Publisher: Routledge
ISBN: 1351557599
Category : Music
Languages : en
Pages : 366
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Book Description
Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.
Author: Stacie Selmon McCormick
Publisher: Black Performance and Cultural
ISBN: 9780814255445
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
Argues that contemporary black dramas use the slave past to complicate views of the history of slavery, of the realities of racial progress, and of black subjectivity.
Author: M. Lundskaer-Nielsen
Publisher: Springer
ISBN: 0230611249
Category : Music
Languages : en
Pages : 234
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Book Description
This is one of the first books to offer a rigorous analysis of the enormous changes in the musical theatre during the 1980s and 90s. In addition, it focuses on the contribution of well-known, serious theatre directors to the mainstream Musical Theatre and it is the first book to offer a dual Anglo-American perspective on this subject.
