The Singing Brakeman - a Jimmie Rodgers Discography PDF Download
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Author: Christian Scott
Publisher: CreateSpace
ISBN: 9781512250299
Category :
Languages : en
Pages : 148
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Book Description
On August 4, 1927 Jimmie Rodgers had the very first recording session of his career, although he had no accompanying personnel that did not affect the session in the least. The session actually got started about 2:00 and lasted until almost 4:30, two songs were recorded from this session the very first was "The Soldier's Sweetheart" and the second track was "Sleep, Baby, Sleep" both would be issued at a later date. Jimmie would sing and play guitar for both songs and for "Sleep, Baby, Sleep" he would also yodel, this would be his first recorded yodel, this is significant in the fact that Jimmie Rodgers would become one of the best, if not the best yodeler to ever record (in my opinion) and this would show in the vast number of his future recordings. This discography covers Jimmie Rodgers recordings from his very first recording at the Bristol Sessions in 1927 to his very last session two days before his death in New York City in 1933. Included are all his 78 RPM issued tracks on the Victor, Bluebird, Electradisk, Montgomery Ward and Sunrise record labels. In addition to his issued tracks there is a section on all unissued tracks (on 78 RPM) many were issued at a later date on 33 and CD. You will also find a comprehensive listing of 45 RPM singles, extended play and 33 RPM (LP / Albums). An International discography of 78 RPM, 45 RPM and 33 RPM records (although not exhaustive) is included. There is a full performer index, song index, unissued track index, record and record label photographs, song writing index and more...
Author: Christian Scott
Publisher: CreateSpace
ISBN: 9781512250299
Category :
Languages : en
Pages : 148
Get Book Here
Book Description
On August 4, 1927 Jimmie Rodgers had the very first recording session of his career, although he had no accompanying personnel that did not affect the session in the least. The session actually got started about 2:00 and lasted until almost 4:30, two songs were recorded from this session the very first was "The Soldier's Sweetheart" and the second track was "Sleep, Baby, Sleep" both would be issued at a later date. Jimmie would sing and play guitar for both songs and for "Sleep, Baby, Sleep" he would also yodel, this would be his first recorded yodel, this is significant in the fact that Jimmie Rodgers would become one of the best, if not the best yodeler to ever record (in my opinion) and this would show in the vast number of his future recordings. This discography covers Jimmie Rodgers recordings from his very first recording at the Bristol Sessions in 1927 to his very last session two days before his death in New York City in 1933. Included are all his 78 RPM issued tracks on the Victor, Bluebird, Electradisk, Montgomery Ward and Sunrise record labels. In addition to his issued tracks there is a section on all unissued tracks (on 78 RPM) many were issued at a later date on 33 and CD. You will also find a comprehensive listing of 45 RPM singles, extended play and 33 RPM (LP / Albums). An International discography of 78 RPM, 45 RPM and 33 RPM records (although not exhaustive) is included. There is a full performer index, song index, unissued track index, record and record label photographs, song writing index and more...
Author: Barry Mazor
Publisher: Oxford University Press on Demand
ISBN: 0195327624
Category : Biography & Autobiography
Languages : en
Pages : 385
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Book Description
Here is the first book to explore the legacy of Jimmie Rodgers, offering a lively look at Rodgers' career, tracing his rise from working-class obscurity to the pinnacle of renown. As Mazor shows, Rodgers brought emotional clarity and a unique sense of narrative drama to every song he performed. But more than anything else, Mazor suggests, it was Rodgers' shape-shifting ability to assume many public personas--working stiff, decked-out cowboy, suave ladies' man--that connected him to a broad public and set the stage for the stars who followed.
Author: Nolan Porterfield
Publisher: Univ. Press of Mississippi
ISBN: 9781604731606
Category : Biography & Autobiography
Languages : en
Pages : 516
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Book Description
Author: Hugh Barker
Publisher: W. W. Norton & Company
ISBN: 0393060780
Category : Music
Languages : en
Pages : 392
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Book Description
Musicians strive to "keep it real"; listeners condemn "fakes"; but does great music really need to be authentic? By investigating this obsession in the last century, this title rethinks what makes popular music work.
Author: Ben Wynne
Publisher: LSU Press
ISBN: 0807157821
Category : Music
Languages : en
Pages : 390
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Book Description
Born into poverty in Mississippi at the close of the nineteenth century, Charley Patton and Jimmie Rodgers established themselves among the most influential musicians of their era. In Tune tells the story of the parallel careers of these two pioneering recording artists -- one white, one black -- who moved beyond their humble origins to change the face of American music. At a time when segregation formed impassable lines of demarcation in most areas of southern life, music transcended racial boundaries. Jimmie Rodgers and Charley Patton drew inspiration from musical traditions on both sides of the racial divide, and their songs about hard lives, raising hell, and the hope of better days ahead spoke to white and black audiences alike. Their music reflected the era in which they lived but evoked a range of timeless human emotions. As the invention of the phonograph disseminated traditional forms of music to a wider audience, Jimmie Rodgers gained fame as the "Father of Country Music," while Patton's work eventually earned him the title "King of the Delta Blues." Patton and Rodgers both died young, leaving behind a relatively small number of recordings. Though neither remains well known to mainstream audiences, the impact of their contributions echoes in the songs of today. The first book to compare the careers of these two musicians, In Tune is a vital addition to the history of American music.
Author: Paul Hemphill
Publisher: University of Georgia Press
ISBN: 0820348635
Category : Music
Languages : en
Pages : 296
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Book Description
While on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were confronted by the new influences and business realities of pop music. The demimonde of the traditional Nashville venues (Tootsie’s Orchid Lounge, Robert’s Western World, and the Ryman Auditorium) and first-wave artists (Roy Acuff, Ernest Tubb, and Lefty Frizzell) are shown coming into first contact, if not conflict, with a new wave of pop-influenced and business savvy country performers (Jeannie C. “Harper Valley PTA” Riley, Johnny Ryles, and Glen Campbell) and rock performers (Bob Dylan, Gram Parsons, the Byrds, and the Grateful Dead) as they took the form well beyond Music City. Originally published in 1970, The Nashville Sound shows the resulting identity crisis as a fascinating, even poignant, moment in country music and entertainment history.
Author: Billy Bragg
Publisher: Faber & Faber
ISBN: 0571327761
Category : Music
Languages : en
Pages : 357
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Book Description
SHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZERoots, Radicals & Rockers: How Skiffle Changed the World is the first book to explore this phenomenon in depth - a meticulously researched and joyous account that explains how skiffle sparked a revolution that shaped pop music as we have come to know it. It's a story of jazz pilgrims and blues blowers, Teddy Boys and beatnik girls, coffee-bar bohemians and refugees from the McCarthyite witch-hunts. Billy traces how the guitar came to the forefront of music in the UK and led directly to the British Invasion of the US charts in the 1960s.Emerging from the trad-jazz clubs of the early '50s, skiffle was adopted by kids who growing up during the dreary, post-war rationing years. These were Britain's first teenagers, looking for a music of their own in a pop culture dominated by crooners and mediated by a stuffy BBC. Lonnie Donegan hit the charts in 1956 with a version of 'Rock Island Line' and soon sales of guitars rocketed from 5,000 to 250,000 a year. Like punk rock that would flourish two decades later, skiffle was a do-it-yourself music. All you needed were three guitar chords and you could form a group, with mates playing tea-chest bass and washboard as a rhythm section.
Author: Michael McCall
Publisher: Oxford University Press
ISBN: 0199770557
Category : Music
Languages : en
Pages : 665
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Book Description
Immediately upon publication in 1998, the Encyclopedia of Country Music became a much-loved reference source, prized for the wealth of information it contained on that most American of musical genres. Countless fans have used it as the source for answers to questions about everything from country's first commercially successful recording, to the genre's pioneering music videos, to what conjunto music is. This thoroughly revised new edition includes more than 1,200 A-Z entries covering nine decades of history and artistry, from the Carter Family recordings of the 1920s to the reign of Taylor Swift in the first decade of the twenty-first century. Compiled by a team of experts at the Country Music Hall of Fame and Museum, the encyclopedia has been brought completely up-to-date, with new entries on the artists who have profoundly influenced country music in recent years, such as the Dixie Chicks and Keith Urban. The new edition also explores the latest and most critical trends within the industry, shedding light on such topics as the digital revolution, the shifting politics of country music, and the impact of American Idol (reflected in the stardom of Carrie Underwood). Other essays cover the literature of country music, the importance of Nashville as a music center, and the colorful outfits that have long been a staple of the genre. The volume features hundreds of images, including a photo essay of album covers; a foreword by country music superstar Vince Gill (the winner of twenty Grammy Awards); and twelve fascinating appendices, ranging from lists of awards to the best-selling country albums of all time. Winner of the Best Reference Award from the Popular Culture Association "Any serious country music fan will treasure this authoritative book." --The Seattle Times "A long-awaited, major accomplishment, which educators, historians and students, broadcasters and music writers, artists and fans alike, will welcome and enjoy." --The Nashville Musician "Should prove a valuable resource to those who work in the country music business. But it's also an entertaining read for the music's true fans." --Houston Chronicle "This big, handsome volume spans the history of country music, listing not only artists and groups but also important individuals and institutions." --San Francisco Examiner "Promises to be the definitive historical and biographical work on the past eight decades of country music. Well written and heavily illustratedan unparalleled work, worth its price and highly recommended." --Library Journal
Author: Tony Russell
Publisher: New York : Oxford University Press
ISBN: 0195139895
Category : Antiques & Collectibles
Languages : en
Pages : 1198
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Book Description
More than twenty years in the making, Country Music Records documents all country music recording sessions from 1921 through 1942. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. This discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. Summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.
Author: Bart Plantenga
Publisher: Routledge
ISBN: 1136716726
Category : Music
Languages : en
Pages : 360
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Book Description
Yodel-Ay-Ee-Oooo is the first book to address the question: How did a centuries-old, Swiss mountain tradition make its way into American country music? Along the way, the reader discovers that yodeling is not just a Swiss thing--everyone from Central African pygmies, Nashville hunks-in-hats, avant-garde tonsil-twisters like Meredith Monk, hiphop stars De La Soul, and pop stars like Jewel have been known to kick back and release a yodeling refrain. Along the way, we encounter a gallery of unique characters, ranging from the legendary, such as country singer Jimmie Rodgers, to the definitely different, including Mary Schneider (the Australian Queen of Yodeling) who specializes in yodeling Mozart, Beethoven, and Brahms, and the Topp Twins, a yodeling lesbian duo who employ the sound in their songs aimed at battling homophobia. The book is both a serious study of the history of yodeling around the world and a fun look at how this unique sound has worked its way into popular culture. Yodel-Ay-Ee-Oooo promises to be a classic for fans of music and popular culture.
