Author: Lowell B. Komie
Publisher: Swordfish Chicago Publisher
ISBN: 9780964195769
Category : Holocaust, Jewish (1939-1945)
Languages : en
Pages : 220

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Book Description

Author: Lowell B. Komie
Publisher: Swordfish Chicago Publisher
ISBN: 9780964195790
Category : Fiction
Languages : en
Pages : 232

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Book Description
This new collection of 13 stories involves relationships that range from seduction, love, and loneliness, to suicide and violence--a reflection of the lives of human beings.

Author: Lowell B. Komie
Publisher: Swordfish Chicago Publisher
ISBN: 9780964195783
Category : Fiction
Languages : en
Pages : 232

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Book Description
A new collection of fiction, 14 stories published in 2008, by the author of The Legal Fiction of Lowell B. Komie, 29 stories published in 2005. Komie is also the author of The Judge's Chambers, 1983, the first collection of short fiction ever published by the American Bar Association in its more than 100 year history. He is the author of The Lawyer's Chambers and Other Stories, which won the Carl Sandburg Award for Fiction. Komie has practiced law in Chicago and Deerfield, Illinois for over 50 years.

Author: Lowell B. Komie
Publisher: Swordfish Chicago Publisher
ISBN: 9780615294360
Category : Fiction
Languages : en
Pages : 220

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Book Description
David Freund, a retired bookseller from San Francisco who buys an English-language bookstore in Paris, is troubled when he discovers the complicity of the French police in the murder of 76,000 Jews, including 11,000 Jewish children.

Author: Gerrit Terstiege
Publisher: Walter de Gruyter
ISBN: 3034609388
Category : Architecture
Languages : en
Pages : 176

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Book Description
This book takes an in-depth look at design processes, with twenty-five depictions of "the making of" products from a wide variety of industries. Its primary focuses are furniture design, transportation design, and household appliances. Renowned designers like Konstantin Grcic, the Bouroullecs, Stefan Diez, Hella Jongerius, and Sir Norman Foster offer step by step accounts of how they go about designing products for Vitra, Grundig, Jura, and Authentics – the tools they use for visualization and how projects change during the model phase. Plus: an interview with design legend Dieter Rams on realized and unrealized products for Braun.

Author: Emily Jackson
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 318

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Book Description

Author: Thomas E. Kennedy
Publisher: Bloomsbury Publishing USA
ISBN: 1608191524
Category : Fiction
Languages : en
Pages : 289

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Book Description
In the Company of Angels is the powerful story of two damaged souls trying to find their way from darkness toward light. Imprisoned and tortured for months by Pinochet's henchmen for teaching political poetry to his students, Bernardo Greene is visited by two angels, who promise him that he will survive to experience beauty and love once again. Months later, at the Torture Rehabilitation Center in Copenhagen, the Chilean exile befriends Michela Ibsen, herself a survivor of domestic abuse. In the long nights of summer, the two of them struggle to heal, to forgive those who have left them damaged, and to trust themselves to love. Dense with wisdom and humanity, possessed of a timeless, fable-like quality, In the Company of Angels is a riveting read and a testament to the resilience and complexity of the human heart. The novel marks the first large-scale US publication of a major American author, known internationally but only within literary circles in his homeland.

Author: Horace Mordaunt Rogers
Publisher: London : Estates Gazette
ISBN:
Category : Art objects
Languages : en
Pages : 784

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Book Description

Author: Jan Gehl
Publisher: Island Press
ISBN: 1597269840
Category : Architecture
Languages : en
Pages : 284

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Book Description
For more than forty years Jan Gehl has helped to transform urban environments around the world based on his research into the ways people actually use—or could use—the spaces where they live and work. In this revolutionary book, Gehl presents his latest work creating (or recreating) cityscapes on a human scale. He clearly explains the methods and tools he uses to reconfigure unworkable cityscapes into the landscapes he believes they should be: cities for people. Taking into account changing demographics and changing lifestyles, Gehl emphasizes four human issues that he sees as essential to successful city planning. He explains how to develop cities that are Lively, Safe, Sustainable, and Healthy. Focusing on these issues leads Gehl to think of even the largest city on a very small scale. For Gehl, the urban landscape must be considered through the five human senses and experienced at the speed of walking rather than at the speed of riding in a car or bus or train. This small-scale view, he argues, is too frequently neglected in contemporary projects. In a final chapter, Gehl makes a plea for city planning on a human scale in the fast- growing cities of developing countries. A “Toolbox,” presenting key principles, overviews of methods, and keyword lists, concludes the book. The book is extensively illustrated with over 700 photos and drawings of examples from Gehl’s work around the globe.

Author: Alexander Nagel
Publisher: MIT Press
ISBN: 1942130430
Category : Art
Languages : en
Pages : 457

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Book Description
A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts. In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists—a landscape obscured by art history's disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals discussed were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be Early Christian antiquities, the acheiropoieton (or “image made without hands”), the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. Although a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories.