The Significance of Fabrics in the Writings of Elizabeth Gaskell PDF Download
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Author: Amanda Ford
Publisher: Taylor & Francis
ISBN: 100081629X
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Elizabeth Gaskell’s writings abound in references to a cultural materiality encompassing different types of fabric, stuffs, calicoes, chintzes and fine-point lace. These are not merely the motifs of the Realist genre but reveal a complex polysemy. Utilizing a metonymic examination of these tropes, this volume exposes the dramatic structural and socio-economic upheaval generated by industrialization, urbanization and the widening sphere of empire. The material evidence testifies to the technological and production innovations evolving diachronically for the period, and the evolution of Manchester as the industrial ‘Cottonpolis’ that clothed the world by the 1840s. This volume analyses Gaskell’s manipulation of the materiality, arguing its firm roots lie in the quotidian of women’s domestic and provincial life within the growing ranks of the middle classes. Exploring Gaskell’s tactile imagination, an embodied relationship with fabrics and sewing, a function of her daily life from an early age, this volume provides insight into the sensory aspects of cloth and its ability to stir affective responses, emotions and memories, whereby worn fabrics and even the absence of previous textile treasures, is poignant, recreating layers of recollection. This book aims to restore the pulsating, dynamic context of ordinary women’s dressed lives and presents innovative interpretations of Gaskell’s texts.
Author: Amanda Ford
Publisher: Taylor & Francis
ISBN: 100081629X
Category : Literary Criticism
Languages : en
Pages : 208
Get Book
Book Description
Elizabeth Gaskell’s writings abound in references to a cultural materiality encompassing different types of fabric, stuffs, calicoes, chintzes and fine-point lace. These are not merely the motifs of the Realist genre but reveal a complex polysemy. Utilizing a metonymic examination of these tropes, this volume exposes the dramatic structural and socio-economic upheaval generated by industrialization, urbanization and the widening sphere of empire. The material evidence testifies to the technological and production innovations evolving diachronically for the period, and the evolution of Manchester as the industrial ‘Cottonpolis’ that clothed the world by the 1840s. This volume analyses Gaskell’s manipulation of the materiality, arguing its firm roots lie in the quotidian of women’s domestic and provincial life within the growing ranks of the middle classes. Exploring Gaskell’s tactile imagination, an embodied relationship with fabrics and sewing, a function of her daily life from an early age, this volume provides insight into the sensory aspects of cloth and its ability to stir affective responses, emotions and memories, whereby worn fabrics and even the absence of previous textile treasures, is poignant, recreating layers of recollection. This book aims to restore the pulsating, dynamic context of ordinary women’s dressed lives and presents innovative interpretations of Gaskell’s texts.
Author: Patrick McDonald
Publisher: Taylor & Francis
ISBN: 1000926303
Category : Literary Criticism
Languages : en
Pages : 166
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Book Description
The 1850s United States witnessed a far-reaching political, social, and economic crisis. Symptomatic of this, a wide range of narrative fiction from sentimental novels to sensational drama identifies a foundational link between liberal institutions and performative utterances. Auctions, trials, marriages, and contracts, this fiction contends, all depend on the self-constituting authority of words and performances which anybody and everybody can appropriate and are always subject to misfiring. Rather than viewing this as a liberatory and egalitarian political force, however, writers from Herman Melville and James Fenimore Cooper to Captain Mayne Reid and E.D.E.N. Southworth insist that such naked authority must be supplemented. A broad swath of 1850s literature insists that this supplement ought to come from Christianity. Anticipating thinkers like Carl Schmitt and Giorgio Agamben, these works suggest that legitimate political authority depends upon its ability to represent Christian transcendence and account for revealed truth, something firmly outside of speech acts’ and performance’s purview. In so doing, this diverse body of fiction registers a desire to reconstitute political authority on transcendent and representable ground, augmenting institutional reliance on mere words and assuaging the contemporary crises of confidence and authority.
Author: Elena Bollinger
Publisher: Taylor & Francis
ISBN: 1000822036
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
This book addresses the narrative construction of Russian cultural memory in the work of Julian Barnes. It investigates how Barnes's texts tend to display a memory process as a transcultural mode of the creation of English and Russian national identities. Examining a need to revisit Russian canonical works, the detailed discursive analysis of the selected English texts exposes an intertextual remembering by duplication, thus contributing to the prevention of forgetting through the recuperation of still misrecollected cultural meanings. By creatively incorporating Russian intertextual elements into his work as a novelist, the author seems to insist on sweeping across and beyond national boundaries, revealing how frail the invention of tradition is when leading to the illusion of a solid collective memory and its political legitimation. The book considers not only a constructive dialogue between Barnes’s fiction and Russian classical literature, but also this writer’s interpretative, mostly imaginative, integration of Russian literature and culture into his work as a novelist. Exploring the double meaning of a literary metaphor as a mnemonic image of memory and a product of imagination, it offers a comprehensive analysis of Barnes’s texts which play with intertextuality as an efficient tool of displacement of official memory, providing a deeper understanding of historical and cultural processes related to the constantly moving architecture of transcultural memory.
Author: Stephen Knight
Publisher: Taylor & Francis
ISBN: 1000633144
Category : History
Languages : en
Pages : 357
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Book Description
This book provides the first comprehensive overview of the complete works of Wilkie Collins’s. Examining his vast array of novels and short stories, this volume includes analysis of the social, historical, and political commentary Collins offered within his works, illuminating Collins as more than a successful crime and sensation author, or the fortunate recipient of Dicken’s grand patronage, but as a hard-thinking and lively-writing part of the rich mid-Victorian literary scene. Overall, Collins is seen as a master of narratives which deal with social and personal issues that were much debated in his fifty-year authorial period. Close attention is paid to the events, themes, and characterization in his fiction, revealing his analytic vigor and the literary power of that period and context. Delivering fresh insight into the variety and richness of Collins’ themes and arguments, this volume provides a key source of information and analysis on all Collins’ fiction.
Author: Sarah Yoon
Publisher: Taylor & Francis
ISBN: 1003801366
Category : Fiction
Languages : en
Pages : 173
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Book Description
The Ambivalent Detective in Victorian Sensation Novels studies how the detective as a literary character evolved through the mid-nineteenth century in England, as seen in sensation novels. In contrast to most assumptions about the English detective, Yoon argues that the detective was more often tolerated than admired following the establishment of professional detectives in the London Metropolitan Police Force in 1842. Through studying the historical and literary contexts between the 1840s to the 1860s, Yoon argues that the detective was seen as a suspicious, even mistrusted and disdained, figure who was nonetheless viewed as necessary to combat rising levels of crime. The detective as a literary character responded to the often contradictory values and aspirations of the middle class, representing an independent masculinity and laying claim to scientific authority. This study surveys novels by Charles Dickens, Mary Elizabeth Braddon, and Wilkie Collins, alongside lesser-known writers like William Russell, James Redding Ware (pseudonym Andrew Forrester), and William Stephens Hayward. This book contributes to the study of mid-nineteenth-century Victorian culture and connects with broader studies of the detective fiction genre.
Author: Christopher R. Clason
Publisher: Taylor & Francis
ISBN: 1000839060
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Memory in German Romanticism treats memory as a core element in the production and reception of German art and literature of the Romantic era. The contributors explore the artistic expression of memory under the categories of imagination, image, and reception. Romantic literary aesthetics raises the subjective imagination to a level of primary importance for the creation of art. It goes beyond challenging reason and objectivity, two leading intellectual faculties of eighteenth-century Enlightenment, and instead elevates subjective invention to form and sustain memory and imagination. Indeed, memory and imagination, both cognitive functions, seek to assemble the elements of one’s own experience, either directed toward the past (memory) or toward the future (imagination), coherently into a narrative. And like memories, images hold the potential to elicit charged emotional responses; those responses live on through time, becoming part of the spatial and temporal reception of the artist and their work. While imagination generates and images trigger and capture memories, reception creates a temporal-spatial context for art, organizing it and rendering it "memorable," both for good and for bad. Thus, through the categories of imagination, image, and reception, this volume explores the phenomenon of German Romantic memory from different perspectives and in new contexts.
Author: Julián Jiménez Heffernan
Publisher: Taylor & Francis
ISBN: 1000912744
Category : Fiction
Languages : en
Pages : 263
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Book Description
The novels of Henry James are filled with ghosts, but most of them escape dramatic treatment. These elusive specters are the voices of precursors that haunt his narratives, compromising their constitutive freedom. The Strange Freedom is an examination of the ways James’s fiction is prepossessed by some major voices of the English literary tradition: those of Shakespeare, Richardson, Fielding, Gibbon, Thackeray, and Dickens. This subtextual arrogation sets constrains to the unfolding, in James’s narratives, of liberal and romantic freedom—it places limits both to the absolute exemptions of aesthetic interest and to radical Bohemian abandon. But these constrains and limits can be regarded, dialectically, as the enabling conditions of the very liberty they imperil. Drawing on recent research on the spectral dynamics and indirections of literary influence by scholars like Adrian Poole, Philip Horne, Nicola Bradbury, Tamara Follini, and Peter Rawlings, but also on earlier deconstructive work by John Carlos Rowe, Prepossessing Henry James offers a speculative account of the way James is simultaneously resourced and restrained by his sources. Along the way, we discover how Hamlet’s ghost instills in James a fantasy of mental autonomy, or how he adapts Gibbon’s Enlightened narrative to inhibit civic liberty with images of female sacrifice. We see the governess in The Turn of the Screw possessed by the specter of Richardson’s Pamela, exposing social freedoms with liberal brutality. We encounter Gray, in The Ivory Tower, striving to obtain personal freedom by repressing Dickensian "figures, monstruous, fantastic." And, finally, we recognize how much The Ambassadors owes to the ambiguous manner of Thackeray. Chapter 3 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author: Li Ou
Publisher: Taylor & Francis
ISBN: 1000912752
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
Keats and Scepticism explores Keats’s affinity with the philosophical tradition of scepticism and reads Keats’s poetry anew in the light of this affinity. It suggests Keats’s links with the origin of scepticism in ancient Greece as recorded in Sextus Empiricus’s Outlines of Scepticism. It also discusses Keats’s connections with Montaigne, the most important Renaissance inheritor of Pyrrhonian scepticism; Voltaire, the Enlightenment philosophe whose sceptical ideas made an indelible impact on Keats; and Hume, the most thoroughgoing sceptic after antiquity. Other than Keats’s affinitive ideas with these sceptical thinkers, this book is particularly interested in Keats’s experiments with the peculiar language, forms, modes, and genres of poetry to convey the non-dogmatic philosophy. In this light, it re-reads Isabella, ‘La Belle Dame sans Merci’, the 1819 odes, the two Hyperions, King Stephen, and Lamia, all of which reveal Keats’s self-reflexive and radical sceptical poetics in challenging poetic dogmas and conventions. This book is for Keats lovers, students, teachers, scholars, or non-academic readers who are interested in Romanticism, nineteenth-century studies, or poetry and philosophy in general. This original, accessible interdisciplinary study aims to offer the reader a fresh perspective to read Keats and appreciate the quintessential Keatsian poetics.
Author: Kristen Pond
Publisher: Taylor & Francis
ISBN: 1000990087
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
Tracing the origins of how we think about strangers to the Victorian period, Strangers and the Enchantment of Space in Victorian Fiction, 1830-1865 explores the vital role strangers had in shaping social relations during the cultural transformations of the industrial revolution, transportation technologies, and globalization. While studies of nineteenth-century Britain tend to trace the rise of an aloof cosmopolitanism and distancing narrative strategies, this volume calls attention to the personalizing impulse in nineteenth-century literary form, investigating the deeply personal reflections on individual and national identities. In her book, Dr. Pond leads the reader through homes of the urban poor, wandering the Great Exhibition in the Crystal Palace, loitering in suburban neighborhoods, riding the railway, and touring a country estate. Readers will experience how the ordinary can be enchanting, and how the mundane can be unexpected, discovering a new way of thinking about strangers and their influence on our lives. Through an examination of the short and long fictional forms of Martineau, Dickens, Brontë, Gaskell, and Braddon, this study locates the figure of the stranger as a powerful topos in the story Victorian literature and the ethics of social relations. This book will be ideal for those seeking to understand the dynamics of the stranger in Victorian fiction as a figure for understanding the changing dynamics of social relations in England in the early nineteenth century.
Author: Clare Pettitt
Publisher: Oxford University Press
ISBN: 0192566156
Category : Literary Criticism
Languages : en
Pages : 477
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Book Description
1848 was a pivotal moment not only in Europe but in much of the rest of the world too. Marx's scornful dismissal of the revolutions created a historiography for 1848 that has persisted for more than 150 years. Serial Revolutions 1848 shows how, far from being the failure that Karl Marx claimed them to be, the revolutions of 1848 were a powerful response to the political failure of governments across Europe to care for their people. Crucially, this revolutionary response was the result of new forms of representation and mediation: until the ragged and the angry could see themselves represented, and represented as a serial phenomenon, such a political consciousness was impossible. By the 1840s, the developments in printing, transport, and distribution discussed in Clare Pettitt's Serial Forms: The Unfinished Project of Modernity, 1815-1848 (Oxford University Press, 2020) had made the social visible in an unprecedented way. This print revolution led to a series of real and bloody revolutions in the streets of European cities. The revolutionaries of 1848 had the temerity to imagine universal human rights and a world in which everyone could live without fear, hunger, or humiliation. If looked at like this, the events of 1848 do not seem such 'poor incidents', as Marx described them, nor such an embarrassing failure after all. Returning to 1848, we can choose to look back on that 'springtime of the peoples' as a moment of tragi-comic failure, obliterated by the brutalities that followed, or we can look again, and see it as a proleptic moment of stored potential, an extraordinary series of events that generated long-distance and sustainable ideas about global citizenship, international co-operation, and a shared and common humanity which have not yet been fully understood or realised.
