Author: Bhāsa
Publisher: Penguin Books India
ISBN: 9780143104308
Category : Fiction
Languages : en
Pages : 164
Book Description
No Marketing Blurb
The Shattered Thigh and Other Plays
Author: Bhāsa
Publisher: Penguin Books India
ISBN: 9780143104308
Category : Fiction
Languages : en
Pages : 164
Book Description
No Marketing Blurb
Publisher: Penguin Books India
ISBN: 9780143104308
Category : Fiction
Languages : en
Pages : 164
Book Description
No Marketing Blurb
How the Nagas Were Pleased by Harsha & The Shattered Thighs by Bhasa
Author: Harṣa
Publisher: NYU Press
ISBN: 0814740669
Category : Drama
Languages : en
Pages : 376
Book Description
"Two plays that break the rules: both show the hero dying on stage, an inauspicious scenario forbidden in Sanskrit dramaturgy. From widely different ideological and social backgrounds, each evokes intense emotion in an exploration of love and heroism, conflict and peace, idealism and pragmatic reconciliation. Each portrays the reconciliation of hate and retaliation in love and mercy." "King Harsha's play, composed in the seventh century, re-examines the Buddhist tale of a magician prince who makes the ultimate sacrifice to save a hostage snake (naga)." "Attributed to Bhasa, the illustrious predecessor to Kali-dasa, The Shattered Thighs transforms a crucial episode of the Maha-bharata war. As he dies from a foul blow to the legs delivered in his duel with Bhima, Duryodhana's infamous character is here inverted, where he is depicted as a noble and gracious exemplar amidst the wreckage of the fearsome battle scene. An ignoble man dies a hero's death." --Book Jacket.
Publisher: NYU Press
ISBN: 0814740669
Category : Drama
Languages : en
Pages : 376
Book Description
"Two plays that break the rules: both show the hero dying on stage, an inauspicious scenario forbidden in Sanskrit dramaturgy. From widely different ideological and social backgrounds, each evokes intense emotion in an exploration of love and heroism, conflict and peace, idealism and pragmatic reconciliation. Each portrays the reconciliation of hate and retaliation in love and mercy." "King Harsha's play, composed in the seventh century, re-examines the Buddhist tale of a magician prince who makes the ultimate sacrifice to save a hostage snake (naga)." "Attributed to Bhasa, the illustrious predecessor to Kali-dasa, The Shattered Thighs transforms a crucial episode of the Maha-bharata war. As he dies from a foul blow to the legs delivered in his duel with Bhima, Duryodhana's infamous character is here inverted, where he is depicted as a noble and gracious exemplar amidst the wreckage of the fearsome battle scene. An ignoble man dies a hero's death." --Book Jacket.
How the Nagas Were Pleased by Harsha & The Shattered Thighs by Bhasa
Author:
Publisher: NYU Press
ISBN: 1479802867
Category : Literary Collections
Languages : en
Pages : 380
Book Description
Two tragic plays that break the rules: both show the hero dying on stage, a scenario forbidden in Sanskrit dramaturgy. King Harsha's play, composed in the seventh century, re-examines the Buddhist tale of a magician prince who makes the ultimate sacrifice to save a hostage snake (naga). The Shattered Thighs, attributed to Bhasa, the illustrious predecessor to ancient Kali·dasa, transforms a crucial episode of the Maha·bhárata war. As he dies from a foul blow to the legs delivered in his duel with Bhima, Duryódhana's character is inverted, depicted as a noble and gracious exemplar amidst the wreckage of the fearsome battle scene.
Publisher: NYU Press
ISBN: 1479802867
Category : Literary Collections
Languages : en
Pages : 380
Book Description
Two tragic plays that break the rules: both show the hero dying on stage, a scenario forbidden in Sanskrit dramaturgy. King Harsha's play, composed in the seventh century, re-examines the Buddhist tale of a magician prince who makes the ultimate sacrifice to save a hostage snake (naga). The Shattered Thighs, attributed to Bhasa, the illustrious predecessor to ancient Kali·dasa, transforms a crucial episode of the Maha·bhárata war. As he dies from a foul blow to the legs delivered in his duel with Bhima, Duryódhana's character is inverted, depicted as a noble and gracious exemplar amidst the wreckage of the fearsome battle scene.
From Dasarajna to Kuruksetra
Author: Kanad Sinha
Publisher: Oxford University Press
ISBN: 0190993456
Category : History
Languages : en
Pages : 470
Book Description
Is it true that the ancient Indians had no sense of History? The book begins with this question, and points out how the ways of perceiving the past could be culture-specific and how the concept of historical traditions can be useful in studying the various ways of memorising and representing the past, even if those ways do not necessarily correspond to the methodology of the Occidental discipline called 'History'. Ancient India had several historical traditions, and the book focuses on one of them, the itihasa. It also shows how the Mahabharata is the best illustration of this tradition, and how a historical study of the contents of the text, with comparison with and corroboration from other contemporary sources and traditions, may help us restore the text in its original context in the bardic historical tradition about the Later Vedic Kurus. Is the Mahabharata then an authentic history? This book does not claim so. However, it shows how the text had originated as a critical reflection on a great period of transition, how it dealt with the conflicting philosophies of the transitional period, how it propounded its thesis by creating new kinds of heroes such as Yudhisthira and Krsna, and how the text was reworked when it was canonized by the brahmanas.
Publisher: Oxford University Press
ISBN: 0190993456
Category : History
Languages : en
Pages : 470
Book Description
Is it true that the ancient Indians had no sense of History? The book begins with this question, and points out how the ways of perceiving the past could be culture-specific and how the concept of historical traditions can be useful in studying the various ways of memorising and representing the past, even if those ways do not necessarily correspond to the methodology of the Occidental discipline called 'History'. Ancient India had several historical traditions, and the book focuses on one of them, the itihasa. It also shows how the Mahabharata is the best illustration of this tradition, and how a historical study of the contents of the text, with comparison with and corroboration from other contemporary sources and traditions, may help us restore the text in its original context in the bardic historical tradition about the Later Vedic Kurus. Is the Mahabharata then an authentic history? This book does not claim so. However, it shows how the text had originated as a critical reflection on a great period of transition, how it dealt with the conflicting philosophies of the transitional period, how it propounded its thesis by creating new kinds of heroes such as Yudhisthira and Krsna, and how the text was reworked when it was canonized by the brahmanas.
Evil in the Mahabharata
Author: Meena Arora Nayak
Publisher: Oxford University Press
ISBN: 0199091838
Category : Religion
Languages : en
Pages : 435
Book Description
Good and evil, loyalty and treachery, faith and doubt, honour and ignominy—the Mahabharata has served as a primer for codes of conduct to generations of Hindus. Over time, the epic has also fascinated those who love a tale well told. In its telling, however, the story has lost much of its richness and nuance, and the characters have become one-dimensional cut-outs—either starkly good or irredeemably evil. In this reinterpretation, Meena Arora Nayak analyses how the values espoused in the Mahabharata came to be distorted into meagre archetypes, creating customary laws that injure society even today.
Publisher: Oxford University Press
ISBN: 0199091838
Category : Religion
Languages : en
Pages : 435
Book Description
Good and evil, loyalty and treachery, faith and doubt, honour and ignominy—the Mahabharata has served as a primer for codes of conduct to generations of Hindus. Over time, the epic has also fascinated those who love a tale well told. In its telling, however, the story has lost much of its richness and nuance, and the characters have become one-dimensional cut-outs—either starkly good or irredeemably evil. In this reinterpretation, Meena Arora Nayak analyses how the values espoused in the Mahabharata came to be distorted into meagre archetypes, creating customary laws that injure society even today.
Sex and Power
Author: Rita Banerji
Publisher: Penguin UK
ISBN: 8184758944
Category : Literary Collections
Languages : en
Pages : 486
Book Description
‘Sex underlies human existence, and if human life is sacred, how can sex not be?’ As squeamish as India is today about sex, this is also the land where queens once copulated with head horses at religious ceremonies, where the art of love-making was declared the revelation of the gods and recorded in elaborate detail in the kama sutras and prostitution was a form of sacred offering at temples adorned with erotic sculptures. Using India as a paradigm, Rita Banerji illustrates that sexual morality is not an absolute but a facet of living that undergoes periodic upheavals. She delineates four major periods in Indian history when there were significant shifts in the collective social perception of sex and sexuality, and the associated customs and beliefs. What causes this revision in sexual ethos? To explain this, Sex and Power proposes a modified version of Nietzsche’s slave versus master morality theory. The theory, which is tested against the dynamics of each of the four defined periods, establishes that the moral overview of any given period is determined not by a set of pre-existing ethics but by the existent power structure of the period in question. The accepted moral code actually serves the party in power. How would this theory play out in the context of India today? Banerji examines this question at length as one of extreme urgency, and concludes that the three most burning issues facing the country today—population explosion, AIDS and female genocide—are the manifestations of a collective sexual malfunctioning of society and need to be redressed in the context of an existent social and economic power hierarchy.
Publisher: Penguin UK
ISBN: 8184758944
Category : Literary Collections
Languages : en
Pages : 486
Book Description
‘Sex underlies human existence, and if human life is sacred, how can sex not be?’ As squeamish as India is today about sex, this is also the land where queens once copulated with head horses at religious ceremonies, where the art of love-making was declared the revelation of the gods and recorded in elaborate detail in the kama sutras and prostitution was a form of sacred offering at temples adorned with erotic sculptures. Using India as a paradigm, Rita Banerji illustrates that sexual morality is not an absolute but a facet of living that undergoes periodic upheavals. She delineates four major periods in Indian history when there were significant shifts in the collective social perception of sex and sexuality, and the associated customs and beliefs. What causes this revision in sexual ethos? To explain this, Sex and Power proposes a modified version of Nietzsche’s slave versus master morality theory. The theory, which is tested against the dynamics of each of the four defined periods, establishes that the moral overview of any given period is determined not by a set of pre-existing ethics but by the existent power structure of the period in question. The accepted moral code actually serves the party in power. How would this theory play out in the context of India today? Banerji examines this question at length as one of extreme urgency, and concludes that the three most burning issues facing the country today—population explosion, AIDS and female genocide—are the manifestations of a collective sexual malfunctioning of society and need to be redressed in the context of an existent social and economic power hierarchy.
Embodied Consciousness
Author: J. McCutcheon
Publisher: Springer
ISBN: 1137320052
Category : Performing Arts
Languages : en
Pages : 211
Book Description
This volume of essays combines research from neuroscience, conscious studies, methods of training performers, modes of creating a staged narrative, Asian aesthetics, and post-modern theories of performance in an examination of the relationship between consciousness and performance.
Publisher: Springer
ISBN: 1137320052
Category : Performing Arts
Languages : en
Pages : 211
Book Description
This volume of essays combines research from neuroscience, conscious studies, methods of training performers, modes of creating a staged narrative, Asian aesthetics, and post-modern theories of performance in an examination of the relationship between consciousness and performance.
The Greek Experience of India
Author: Richard Stoneman
Publisher: Princeton University Press
ISBN: 0691217475
Category : History
Languages : en
Pages : 548
Book Description
An exploration of how the Greeks reacted to and interacted with India from the third to first centuries BCE. When the Greeks and Macedonians in Alexander's army reached India in 326 BCE, they entered a new and strange world. They knew a few legends and travelers' tales, but their categories of thought were inadequate to encompass what they witnessed. The plants were unrecognizable, their properties unknown. The customs of the people were various and puzzling. While Alexander's conquest was brief, ending with his death in 323 BCE, the Greeks would settle in the Indian region for the next two centuries, forging an era of productive interactions between the two cultures. The Greek Experience of India explores the various ways that the Greeks reacted to and constructed life in India during this fruitful period. From observations about botany and mythology to social customs, Richard Stoneman examines the surviving evidence of those who traveled to India. Most particularly, he offers a full and valuable look at Megasthenes, ambassador of the Seleucid king Seleucus to Chandragupta Maurya, and provides a detailed discussion of Megasthenes's now-fragmentary book Indica. Stoneman considers the art, literature, and philosophy of the Indo-Greek kingdom and how cultural influences crossed in both directions, with the Greeks introducing their writing, coinage, and sculptural and architectural forms, while Greek craftsmen learned to work with new materials such as ivory and stucco and to probe the ideas of Buddhists and other ascetics.
Publisher: Princeton University Press
ISBN: 0691217475
Category : History
Languages : en
Pages : 548
Book Description
An exploration of how the Greeks reacted to and interacted with India from the third to first centuries BCE. When the Greeks and Macedonians in Alexander's army reached India in 326 BCE, they entered a new and strange world. They knew a few legends and travelers' tales, but their categories of thought were inadequate to encompass what they witnessed. The plants were unrecognizable, their properties unknown. The customs of the people were various and puzzling. While Alexander's conquest was brief, ending with his death in 323 BCE, the Greeks would settle in the Indian region for the next two centuries, forging an era of productive interactions between the two cultures. The Greek Experience of India explores the various ways that the Greeks reacted to and constructed life in India during this fruitful period. From observations about botany and mythology to social customs, Richard Stoneman examines the surviving evidence of those who traveled to India. Most particularly, he offers a full and valuable look at Megasthenes, ambassador of the Seleucid king Seleucus to Chandragupta Maurya, and provides a detailed discussion of Megasthenes's now-fragmentary book Indica. Stoneman considers the art, literature, and philosophy of the Indo-Greek kingdom and how cultural influences crossed in both directions, with the Greeks introducing their writing, coinage, and sculptural and architectural forms, while Greek craftsmen learned to work with new materials such as ivory and stucco and to probe the ideas of Buddhists and other ascetics.
Tales of The Ten Princes
Author: Dandin
Publisher: Penguin UK
ISBN: 935118675X
Category : Literary Collections
Languages : en
Pages : 245
Book Description
Dandin's work as a novelist, poet and pioneering theorist of literary style has secured for him an important place in classical Sanskrit literature. He lived in Kanchi, near present-day Chennai, in the period c. AD 650?750, during the Pallava rule. The Dasa Kumara Charitam is a prose romance recounting the exploits of Prince Rajavahana and his nine companions. Its colourful tales of adventure are notable for their ironic humour, amoral outlook and uninhibited descriptions of contemporary life and manners. A remarkable feature of the stories is the geographical sweep of their action, ranging from present-day Punjab to Kerala, Gujarat to Assam and all the way to the islands of the Indian Ocean. Also remarkable is the rich variety of characters and situations. Dandin vivifies each personage, major and minor, and provides lively accounts of assassinations, executions, dance festivals and royal assemblies, describes at length the training of a courtesan, and even the tools for burgling a house. Even though Tales of the Ten Princes can be enjoyed for its absorbing stories alone, it is also a wonderfully detailed sociological account of an important age in ancient India.
Publisher: Penguin UK
ISBN: 935118675X
Category : Literary Collections
Languages : en
Pages : 245
Book Description
Dandin's work as a novelist, poet and pioneering theorist of literary style has secured for him an important place in classical Sanskrit literature. He lived in Kanchi, near present-day Chennai, in the period c. AD 650?750, during the Pallava rule. The Dasa Kumara Charitam is a prose romance recounting the exploits of Prince Rajavahana and his nine companions. Its colourful tales of adventure are notable for their ironic humour, amoral outlook and uninhibited descriptions of contemporary life and manners. A remarkable feature of the stories is the geographical sweep of their action, ranging from present-day Punjab to Kerala, Gujarat to Assam and all the way to the islands of the Indian Ocean. Also remarkable is the rich variety of characters and situations. Dandin vivifies each personage, major and minor, and provides lively accounts of assassinations, executions, dance festivals and royal assemblies, describes at length the training of a courtesan, and even the tools for burgling a house. Even though Tales of the Ten Princes can be enjoyed for its absorbing stories alone, it is also a wonderfully detailed sociological account of an important age in ancient India.
Theatres of Independence
Author: Aparna Bhargava Dharwadker
Publisher: University of Iowa Press
ISBN: 158729642X
Category : Drama
Languages : en
Pages : 505
Book Description
Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in which plays are written, produced, translated, circulated, and received in a multi-lingual national culture. The second part traces the formation of significant postcolonial dramatic genres from their origins in myth, history, folk narrative, sociopolitical experience, and the intertextual connections between Indian, European, British, and American drama. The book's ten appendixes collect extensive documentation of the work of leading playwrights and directors, as well as a record of the contemporary multilingual performance histories of major Indian, Western, and non-Western plays from all periods and genres. Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures.
Publisher: University of Iowa Press
ISBN: 158729642X
Category : Drama
Languages : en
Pages : 505
Book Description
Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in which plays are written, produced, translated, circulated, and received in a multi-lingual national culture. The second part traces the formation of significant postcolonial dramatic genres from their origins in myth, history, folk narrative, sociopolitical experience, and the intertextual connections between Indian, European, British, and American drama. The book's ten appendixes collect extensive documentation of the work of leading playwrights and directors, as well as a record of the contemporary multilingual performance histories of major Indian, Western, and non-Western plays from all periods and genres. Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures.