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Author: George Kubler
Publisher: Yale University Press
ISBN: 0300196377
Category : Art
Languages : en
Pages : 165
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Book Description
When it was first released in 1962, The Shape of Time presented a radically new approach to the study of art history. Drawing upon new insights in fields such as anthropology and linguistics, George Kubler replaced the notion of style as the basis for histories of art with the concept of historical sequence and continuous change across time. Kubler’s classic work is now made available in a freshly designed edition. “The Shape of Time is as relevant now as it was in 1962. This book, a sober, deeply introspective, and quietly thrilling meditation on the flow of time and space and the place of objects within a larger continuum, adumbrates so many of the critical and theoretical concerns of the late twentieth and early twenty-first century. It is both appropriate and necessary that it re-appear in our consciousness at this time.”—Edward J. Sullivan, New York University This book will be of interest to all students of art history and to those concerned with the nature and theory of history in general. In a study of formal and symbolic durations the author presents a radically new approach to the problem of historical change. Using new ideas in anthropology and linguistics, he pursues such questions as the nature of time, the nature of change, and the meaning of invention. The result is a view of historical sequence aligned on continuous change more than upon the static notion of style—the usual basis for conventional histories of art. A carefully reasoned and brilliantly suggestive essay in defense of the view that the history of art can be the study of formal relationships, as against the view that it should concentrate on ideas of symbols or biography.—Harper's.It is a most important achievement, and I am sure that it will be studies for many years in many fields. I hope the book upsets people and makes them reformulate.—James Ackerman.In this brief and important essay, George Kubler questions the soundness of the stylistic basis of art historical studies. . . . The Shape of Time ably states a significant position on one of the most complex questions of modern art historical scholarship.—Virginia Quarterly Review.
Author: George Kubler
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 160
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Book Description
Author: Ezra Shales
Publisher: Reaktion Books
ISBN: 1780238843
Category : Art
Languages : en
Pages : 324
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Book Description
Today when we hear the word “craft,” a whole host of things come immediately to mind: microbreweries, artisanal cheeses, and an array of handmade objects. Craft has become so overused, that it can grate on our ears as pretentious and strain our credulity. But its overuse also reveals just how compelling craft has become in modern life. In The Shape of Craft, Ezra Shales explores some of the key questions of craft: who makes it, what do we mean when we think about a crafted object, where and when crafted objects are made, and what this all means to our understanding of craft. He argues that, beyond the clichés, craft still adds texture to sterile modern homes and it provides many people with a livelihood, not just a hobby. Along the way, Shales upends our definition of what is handcrafted or authentic, revealing the contradictions in our expectations of craft. Craft is—and isn’t—what we think.
Author: James Nelson Hathcock
Publisher:
ISBN:
Category :
Languages : en
Pages : 122
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Book Description
Author: Vilém Flusser
Publisher: Reaktion Books
ISBN: 9781861890559
Category : Art
Languages : en
Pages : 136
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Book Description
"This book presents for the first time in English an array of essays on design by the seminal Czech-born media critic and philosopher Vilem Flusser. It puts forward the view that our future depends on design. In a series of insightful short essays, touching on a wide range of subjects - industrial ethics; tents, umbrellas and shamans; the architecture of Wittgenstein; ceramic vessels as bearers of social meaning - Flusser emphasizes the interrelationships between art and science, theology and technology, and archaeology and architecture. Just as formal creativity has produced both weapons of destruction and great works of art, Flusser believed that the shape of things (and the designs behind them) represent both a threat and an opportunity for designers of the future."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Ben Shahn
Publisher: Harvard University Press
ISBN: 9780674805705
Category : Art
Languages : en
Pages : 148
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Book Description
"A modern painter discusses meaning and form in contemporary painting and offers advice to aspiring artists."--
Author: Frank Chimero
Publisher:
ISBN: 9780985472207
Category : Design
Languages : en
Pages : 131
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Book Description
Author: P. J. Corfield
Publisher: Yale University Press
ISBN: 030013794X
Category : Science
Languages : en
Pages : 329
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Book Description
In this lively comedy of love and money in sixteenth-century Venice, Bassanio wants to impress the wealthy heiress Portia, but lacks the necessary funds. He turns to his merchant friend, Antonio, who is forced to borrow from Shylock, a Jewish moneylender. When Antonio's business falters, repayment becomes impossible, and by the terms of the loan agreement, Shylock is able to demand a pound of Antonio's flesh. Portia cleverly intervenes, and all ends well (except of course for Shylock).
Author: Sonia Front
Publisher:
ISBN: 9781443880299
Category : English fiction
Languages : en
Pages : 0
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Book Description
This book addresses the notion of time and temporality and its various conceptualizations in the theories of the new physics, utilized as a thematic and formal framework in the British novel of the twenty-first century. As the Newtonian conception of reality does not provide a reliable framework within which to situate human experience and generate meaning, fiction writers have recognized quantum mechanics as a potent source from which to draw in search of new metaphors. The quantum has become a part of the understanding of reality, and its concepts and assumptions have been absorbed into the textual structure and content of literary fiction. Shapes of Time in British Twenty-First Century Quantum Fiction examines human temporality as mediated by the timeshapes imagined within the context of the new physics, and explores the philosophical implications for human temporality and identity of situating an individual within the realm of physical time. Its chapters deal with various concepts of the new physics connected with temporality, and their appropriation in a selected novel: parallel universes in Andrew Crumeyâ (TM)s Sputnik Caledonia (2008), eternal recurrence and PoincarÃ(c)â (TM)s theorem in David Mitchellâ (TM)s Cloud Atlas (2004), chaos theory in Samantha Harveyâ (TM)s The Wilderness (2009), and the end of time in Scarlett Thomasâ (TM)s The End of Mr. Y (2006). Each of them corresponds to a different conceptual shape of time: tree, concertina, spiral and snapshot, respectively, which is enacted on the formal level. Analyzing the new time constructs in a narrative, this book thus uncovers passages between scientific and humanistic standpoints, and reveals quantum fiction to be an effective tool for visualizing the subjective non-homogenous experience of private time.
Author: Priya Parker
Publisher: Penguin
ISBN: 0698410874
Category : Self-Help
Languages : en
Pages : 322
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Book Description
"Hosts of all kinds, this is a must-read!" --Chris Anderson, owner and curator of TED From the host of the New York Times podcast Together Apart, an exciting new approach to how we gather that will transform the ways we spend our time together—at home, at work, in our communities, and beyond. In The Art of Gathering, Priya Parker argues that the gatherings in our lives are lackluster and unproductive--which they don't have to be. We rely too much on routine and the conventions of gatherings when we should focus on distinctiveness and the people involved. At a time when coming together is more important than ever, Parker sets forth a human-centered approach to gathering that will help everyone create meaningful, memorable experiences, large and small, for work and for play. Drawing on her expertise as a facilitator of high-powered gatherings around the world, Parker takes us inside events of all kinds to show what works, what doesn't, and why. She investigates a wide array of gatherings--conferences, meetings, a courtroom, a flash-mob party, an Arab-Israeli summer camp--and explains how simple, specific changes can invigorate any group experience. The result is a book that's both journey and guide, full of exciting ideas with real-world applications. The Art of Gathering will forever alter the way you look at your next meeting, industry conference, dinner party, and backyard barbecue--and how you host and attend them.
Author: Benjamin Samuel Pitt
Publisher:
ISBN: 9780438088054
Category :
Languages : en
Pages : 75
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Book Description
How do people reason about things they cannot hear, see, or touch? In metaphorical mental representations, people understand abstract conceptual domains, like time and number, using knowledge of other domains, like space. The tendency to spatialize time and number may be a cognitive universal, but the specifics of these metaphorical mappings vary across cultures. In Western cultures, both time and numbers are arranged in people's minds along an imaginary horizontal line, from left to right, but in other cultures the directions of the mental timeline (MTL) and mental number line (MNL) are reversed. How does culture shape our abstract concepts? Using time and number as a testbed, here I propose and test a general principle, which I call the CORrelations in Experience (CORE) principle, according to which different aspects of experience should selectively affect different metaphorical mappings. Across three training experiments, I show that the MTL is shaped by experiences that provide a correlation between space and time, whereas the MNL is shaped by experiences that provide a correlation between space and number. These findings reveal that the MTL and MNL have distinct experiential bases, supporting the CORE principle and challenging the widespread assumption that both mappings are determined by a common set of cultural experiences. The CORE principle provides an account of how domains like time and number, universal fixtures of the natural world, can be conceptualized in culture-specific ways: People map abstract domains in their minds according to the ways those domains are spatialized in their experience.
