Art Directors Annual and the ... Annual International Exhibition PDF Download
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Author:
Publisher:
ISBN:
Category : Advertising
Languages : en
Pages : 548
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Book Description
Author:
Publisher:
ISBN:
Category : Advertising
Languages : en
Pages : 548
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Book Description
Author: Watson-Guptill Publications, Incorporated
Publisher: Watson-Guptill Publications
ISBN: 9780823019076
Category : Art
Languages : en
Pages : 838
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Book Description
Author:
Publisher:
ISBN:
Category : Commercial art
Languages : en
Pages : 298
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Book Description
Author:
Publisher: Macmillan
ISBN: 9780312111021
Category : Fantasy fiction
Languages : en
Pages : 628
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Book Description
Author:
Publisher:
ISBN:
Category : Photoengraving
Languages : en
Pages : 1068
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Book Description
Author: R. Roger Remington
Publisher: Yale University Press
ISBN: 9780300098167
Category : Design
Languages : en
Pages : 202
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Book Description
Presents an account of a key period in American graphic design as it manifested itself in various media, covering major historical influences and significant works.
Author:
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ISBN:
Category : Advertising
Languages : en
Pages : 596
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 654
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Book Description
Author: National Collection of Fine Arts (U.S.)
Publisher: Washington : National Collection of Fine Arts, Smithsonian Institution
ISBN:
Category : Posters, American
Languages : en
Pages : 304
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Book Description
Catalog of the exhibition held Nov. 21, 1975-Jan. 4, 1976 at the Corcoran Gallery of Art, Washington, D.C.; Feb. 2-Mar. 19, 1976 at Contemporary Arts Museum, Houston.; Apr. 1-May 2, 1976 at Museum of Science and Industry, Chicago; May 22-June 31, 1976 at Grey Art Gallery and Study Center, New York University, New York; and autumn 1976-throughout 1977 at several European cities.
Author: Elspeth H. Brown
Publisher: JHU Press
ISBN: 9780801889707
Category : Art
Languages : en
Pages : 352
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Book Description
Winner, Association of American Publishers' Professional and Scholarly Publishing Award in Business, Management and Accounting In the late nineteenth century, corporate managers began to rely on photography for everything from motion studies to employee selection to advertising. This practice gave rise to many features of modern industry familiar to us today: consulting, "scientific" approaches to business practice, illustrated advertising, and the use of applied psychology. In this imaginative study, Elspeth H. Brown examines the intersection of photography as a mass technology with corporate concerns about efficiency in the Progressive period. Discussing, among others, the work of Frederick W. Taylor, Eadweard Muybridge, Frank Gilbreth, and Lewis Hine, Brown explores this intersection through a variety of examples, including racial discrimination in hiring, the problem of photographic realism, and the gendered assumptions at work in the origins of modern marketing. She concludes that the goal uniting the various forms and applications of photographic production in that era was the increased rationalization of the modern economy through a set of interlocking managerial innovations, technologies that sought to redesign not only industrial production but the modern subject as well.
