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Author: Walpole Society (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 16
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Book Description
Author: Walpole Society (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 16
Get Book Here
Book Description
Author: Walpole Society (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 560
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Book Description
Author: University of London. Institute of Historical Research
Publisher:
ISBN:
Category : Archives
Languages : en
Pages : 510
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Book Description
Contains reports on archives and on the problems and methods of historical research; summaries of unpublished historical theses produced at the institute; addenda and corrigenda to the Dictionary of national biography, the New English dictionary, and other standard collections; the migrations of historical manuscripts; etc., etc.
Author: Peter W. Parshall
Publisher: Yale University Press
ISBN: 0300113390
Category : Art
Languages : en
Pages : 396
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Book Description
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
Author: University of London. Institute of Historical Research
Publisher:
ISBN:
Category :
Languages : en
Pages : 420
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Book Description
Author: DavidS. Areford
Publisher: Routledge
ISBN: 1351539671
Category : Art
Languages : en
Pages : 622
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Book Description
Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers. Author David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda. Although the medium's first century was clearly transitional and experimental, Areford explores how its potential to impact viewers in new ways?both positive and negative?was quickly realized.
Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 486
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Book Description
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 926
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Book Description
Author:
Publisher:
ISBN:
Category : Indexes
Languages : en
Pages : 462
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Book Description
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 924
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Book Description
