Author: Hugh Latimer
Publisher:
ISBN:
Category :
Languages : en
Pages : 482
Book Description
The Sermons of the Right Reverend Father in God, and Constant Martyr of Jesus Christ, Hugh Latimer ... To which is Prefixed a Memoir of the Bishop
Author: Hugh Latimer
Publisher:
ISBN:
Category :
Languages : en
Pages : 482
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 482
Book Description
The Sermons of the Right Reverend Father in God, and Constant Martyr of Jesus Christ, Hugh Latimer, Sometime Bishop of Worcester
Author: Hugh Latimer
Publisher:
ISBN:
Category : Sermons, English
Languages : en
Pages : 486
Book Description
Publisher:
ISBN:
Category : Sermons, English
Languages : en
Pages : 486
Book Description
The Sermons of ... Hugh Latimer, Some Time Bishop of Worcester
Author: Hugh Latimer
Publisher:
ISBN:
Category : Sermons, English
Languages : en
Pages : 492
Book Description
Publisher:
ISBN:
Category : Sermons, English
Languages : en
Pages : 492
Book Description
The Sermons of ... Hugh Latimer ... Now First Arranged According to the Order of Time in which They Were Preached ... and Occasionally Illustrated with Notes ... To which is Prefixed a Memoir of the Bishop, by John Watkins
Author: Hugh LATIMER (Bishop of Worcester.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 478
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 478
Book Description
W. White's catalogue
Author: W. White
Publisher:
ISBN:
Category :
Languages : en
Pages : 274
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 274
Book Description
The Art of Colour
Author: Kelly Grovier
Publisher: Thames & Hudson
ISBN: 0500778337
Category : Art
Languages : en
Pages : 260
Book Description
Did you know that the ultramarine that shimmers at the centre of Vermeers Milkmaid connects that masterpiece with 6th-century Zoroastrian paintings found on the walls of cave temples in Bamiyan, Afghanistan? Or that the surging waves that crest and curl in Hokusais perilous Great Wave off Kanagawa owe their absorbing blue lustre to an alchemist who was born in Frankensteins Castle in 1673? And were the Pre-Raphaelites really obsessed with a murky brown hue derived from the pulverized remains of ancient mummies? (Spoiler: they were.) Invented by prehistoric cave-dwellers and medieval conjurers, cunning conmen and savvy scientists, the colours of art tell a riveting tale all their own. Over ten scintillating chapters, acclaimed author Kelly Grovier helps bring that tale vividly to life, revealing the astonishing backstories of the pigments that define the greatest works in the history of art. Interwoven between these chapters is a series of features focusing on key moments in the evolution of colour theory from the revelations of the Enlightenment to the radicalism of the Bauhaus while reproductions of carefully selected artworks help illuminate the narratives twists and turns. The history of colour is an epic saga of human ingenuity and insatiable desire. Read this book and you will never look at a work of art in quite the same way.
Publisher: Thames & Hudson
ISBN: 0500778337
Category : Art
Languages : en
Pages : 260
Book Description
Did you know that the ultramarine that shimmers at the centre of Vermeers Milkmaid connects that masterpiece with 6th-century Zoroastrian paintings found on the walls of cave temples in Bamiyan, Afghanistan? Or that the surging waves that crest and curl in Hokusais perilous Great Wave off Kanagawa owe their absorbing blue lustre to an alchemist who was born in Frankensteins Castle in 1673? And were the Pre-Raphaelites really obsessed with a murky brown hue derived from the pulverized remains of ancient mummies? (Spoiler: they were.) Invented by prehistoric cave-dwellers and medieval conjurers, cunning conmen and savvy scientists, the colours of art tell a riveting tale all their own. Over ten scintillating chapters, acclaimed author Kelly Grovier helps bring that tale vividly to life, revealing the astonishing backstories of the pigments that define the greatest works in the history of art. Interwoven between these chapters is a series of features focusing on key moments in the evolution of colour theory from the revelations of the Enlightenment to the radicalism of the Bauhaus while reproductions of carefully selected artworks help illuminate the narratives twists and turns. The history of colour is an epic saga of human ingenuity and insatiable desire. Read this book and you will never look at a work of art in quite the same way.
Nineteenth Century Short-title Catalogue: phase 1. 1816-1870
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 796
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 796
Book Description
Nineteenth Century Short Title Catalogue Extracted from the Catalogues of the Bodleian Library, the British Library, the Library of Trinity College (Dublin), the National Library of Scotland, and the University Libraries of Cambridge and Newcastle: Phase 1: 1816-1870. v.15. Fort - Fyv and Indexes for volumes 11-15. v.20. Hor-Hunt, W. R. and Indexes for v. 16-20. v.21. Hunten-Jero. v.22. Jerp-Kief. v.23. Kieg-Lecom. v.24. Lecon-Lorc. v.25. Lord-Maccaul and Indexes for volumes 21-25
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 712
Book Description
The Muses on Their Lunch Hour
Author: Marjorie Garber
Publisher: Fordham University Press
ISBN: 082327375X
Category : Education
Languages : en
Pages : 212
Book Description
As a break from their ordained labors, what might the Muses today do on their lunch hour? This collection of witty, shrewd, and imaginative essays addresses interdisciplinary topics that range widely from Shakespeare, to psychoanalysis, to the practice of higher education today. With the ease born of deep knowledge, Marjorie Garber moves from comical journalistic quirks (“Fig Leaves”) to the curious return of myth and ritual in the theories of evolutionary psychologists (“Ovid, Now and Then”). Two themes emerge consistently in Garber’s latest exploration of symptoms of culture. The first is that to predict the “next big thing” in literary studies we should look back at ideas and practices set aside by a previous generation of critics. In the past several decades we have seen the reemergence of—for example—textual editing, biography, character criticism, aesthetics, and philology as “hot” new areas for critical intervention. The second theme expands on this observation, making the case for “cultural forgetting” as the way the arts and humanities renew themselves, both within fields and across them. Although she is never represented in traditional paintings or poetry, a missing Muse—we can call her Amnesia—turns out to be a key figure for the creation of theory and criticism in the arts.
Publisher: Fordham University Press
ISBN: 082327375X
Category : Education
Languages : en
Pages : 212
Book Description
As a break from their ordained labors, what might the Muses today do on their lunch hour? This collection of witty, shrewd, and imaginative essays addresses interdisciplinary topics that range widely from Shakespeare, to psychoanalysis, to the practice of higher education today. With the ease born of deep knowledge, Marjorie Garber moves from comical journalistic quirks (“Fig Leaves”) to the curious return of myth and ritual in the theories of evolutionary psychologists (“Ovid, Now and Then”). Two themes emerge consistently in Garber’s latest exploration of symptoms of culture. The first is that to predict the “next big thing” in literary studies we should look back at ideas and practices set aside by a previous generation of critics. In the past several decades we have seen the reemergence of—for example—textual editing, biography, character criticism, aesthetics, and philology as “hot” new areas for critical intervention. The second theme expands on this observation, making the case for “cultural forgetting” as the way the arts and humanities renew themselves, both within fields and across them. Although she is never represented in traditional paintings or poetry, a missing Muse—we can call her Amnesia—turns out to be a key figure for the creation of theory and criticism in the arts.
University of California Union Catalog of Monographs Cataloged by the Nine Campuses from 1963 Through 1967: Authors & titles
Author: University of California (System). Institute of Library Research
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 874
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 874
Book Description