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Author: Gary Kern
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Author: Gary Kern
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Author: Victor Terras
Publisher: Yale University Press
ISBN: 9780300048681
Category : Literary Criticism
Languages : en
Pages : 584
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Book Description
Profiles the careers of Russian authors, scholars, and critics and discusses the history of the Russian treatment of literary genres such as drama, fiction, and essays
Author: Evgeny Dobrenko
Publisher: University of Pittsburgh Pre
ISBN: 0822977443
Category : Literary Criticism
Languages : en
Pages : 425
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Book Description
This edited volume assembles the work of leading international scholars in a comprehensive history of Russian literary theory and criticism from 1917 to the post-Soviet age. By examining the dynamics of literary criticism and theory in three arenas—political, intellectual, and institutional—the authors capture the progression and structure of Russian literary criticism and its changing function and discourse. The chapters follow early movements such as formalism, the Bakhtin Circle, Proletklut, futurism, the fellow-travelers, and the Russian Association of Proletarian Writers. By the cultural revolution of 1928, literary criticism became a mechanism of Soviet policies, synchronous with official ideology. The chapters follow theory and criticism into the 1930s with examinations of the Union of Soviet Writers, semantic paleontology, and socialist realism under Stalin. A more "humanized" literary criticism appeared during the ravaging years of World War II, only to be supplanted by a return to the party line, Soviet heroism, and anti-Semitism in the late Stalinist period. During Khrushchev's Thaw, there was a remarkable rise in liberal literature and criticism, that was later refuted in the nationalist movement of the "long" 1970s. The same decade saw, on the other hand, the rise to prominence of semiotics and structuralism. Postmodernism and a strong revival of academic literary studies have shared the stage since the start of the post-Soviet era. For the first time anywhere, this collection analyzes all of the important theorists and major critical movements during a tumultuous ideological period in Russian history, including developments in emigre literary theory and criticism.
Author: Leslie Dorfman Davis
Publisher: Northwestern University Press
ISBN: 9780810115798
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
Elizaveta Polonskaja (1890-1969), was a poet, translator, children's writer, journalist and noted memoirist. This text attempts to restore the neglected poet to her rightful place in the Russian literary tradition, while exploring the the politics that served to obscure her.
Author: Rina Lapidus
Publisher: Routledge
ISBN: 1136645470
Category : Social Science
Languages : en
Pages : 224
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Book Description
This book presents the lives and works of eleven Jewish women authors who lived in the Soviet Union, and who wrote and published their works in Russian. The works include poems, novels, memoirs and other writing. The book provides an overview of the life of each author, an overview of each author’s literary output, and an assessment of each author’s often conflicted view of her "feminine self" and of her "Jewish self". At a time when the large Jewish population which lived within the Soviet Union was threatened under Stalin’s prosecutions the book provides highly-informative insights into what it was like to be a Jewish woman in the Soviet Union in this period. The writers presented are: Alexandra Brustein, Elizaveta Polonskaia, Raisa Bloch, Hanna Levina, Ol'ga Ziv, Yulia Neiman, Rahil’ Baumwohl’, Margarita Alliger, Sarah Levina-Kul’neva, Sarah Pogreb and Zinaida Mirkina.
Author: Pete Ayrton
Publisher: Simon and Schuster
ISBN: 1681775832
Category : History
Languages : en
Pages : 312
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Book Description
Commemorating the October 2017 centenary of the Russian Revolution, an anthology of wide-ranging voices and scholarship throwing fresh light on this momentous historical event. This October the world commemorates the centenary of the Russian Revolution, one of the crucial moments of the twentieth century, and an event passionately fought over by those on all sides of the political spectrum. Revolution! will contain writing by Russians and by foreigners who went to Russia and for whom the Russian Revolution was a political litmus test. The themes—hunger and heating, the limits of personal freedom, the infallibility of the party, free love, the role of art in the revolution—dominated twentieth century intellectual life and continue to resonate today. Many books on the Russian Revolution will be published in the centenary year, but Revolution! will be unique in portraying this momentous event through the writings of those who witnessed it (or its immediate after-effects). Following No Man’s Land and No Pasaran, it is an anthology that vividly portrays the many sides of an event that changed the course of world history—and is still contested today. “Leninists, Bolsheviks, anarchists and communists, thugs, registered housebreakers – what a muddle! What a Satanic vinaigrette! What immense work – to raise once more and cleanse from all this garbage the great idea of socialism.” —Teffi
Author:
Publisher:
ISBN:
Category : Soviet Union
Languages : en
Pages : 484
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Book Description
Author:
Publisher:
ISBN:
Category : Soviet Union
Languages : en
Pages : 740
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Book Description
Author: Victor Erlich
Publisher: Harvard University Press
ISBN: 9780674580701
Category : Education
Languages : en
Pages : 336
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Book Description
Now that the political rhetoric can end, Erlich (Russian literature, Yale U.) examines the impact of the 1917 revolution on Russian poetry, criticism, and artistic prose. He looks at the flirtations with modernism of the early 20th century and compares the futurists, formalists, novelists, and short-story writers of the first decade of the new social and political order. Assumes no knowledge of Russian. Annotation copyright by Book News, Inc., Portland, OR
Author: Kirby Olson
Publisher: Texas Tech University Press
ISBN: 9780896724402
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
Is comedy postmodern? Kirby Olson posits that no one has been more marginalized than the comic writer, whose irreverent truths have always made others uncomfortable. In a literary age that purports to champion diversity, comic writers remain an underclass huddling at the fringes of the canon. Olson challenges the status quo by inviting the comic writer into the center of literary debate. In the growing discipline of humor studies, Olson is the first to create a substantial link between the fields of comedy and postmodernism, discovering in comic writers a philosophy of oddness and paradox that parallels and extends the work of the major postmodern thinkers. With elegant clarity, Comedy After Post-modernism examines: Edward Lear as he invents a comic picturesque to challenge the sublime of Kant and Ruskin Gregory Corso as he explodes the Great Chain of Being of his early Catholicism Philippe Soupault as a comic surrealist undoing the sacrificial aesthetics of André Breton P.G. Wodehouse as a social thinker with surprisingly deep affinities to anarchist Peter Kropotkin and radical social theorist Charles Fourier Stewart Home, the infamously violent punk author, as a pacifist whose narrative questions Marxist-anarchist terrorism in favor of patience and tolerance Charles Willeford, the maestro of the black humor police procedural, as a postmodern philosopher who deepens the problems of ethical and aesthetic judgment after postmodernism. "An original, splendidly researched, and necessary book. By pointing to the vast excluded literature of 'comic writers, ' Dr. Olson opens the door to a postmodern scholarship capable of greater flexibility. Comedy After Postmodernism evinces a lucid, passionate, and engaging style." --Andrei Codrescu There was an old man on the Border, Who lived in the utmost disorder; He danced with the cat, and made tea in his hat, Which vexed all the folks on the Border. --From The Complete Nonsense of Edward Lear
