The Sensorium of the Drone and Communities PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Sensorium of the Drone and Communities PDF full book. Access full book title The Sensorium of the Drone and Communities by Kathrin Maurer. Download full books in PDF and EPUB format.
Author: Kathrin Maurer
Publisher: MIT Press
ISBN: 0262374897
Category : Technology & Engineering
Languages : en
Pages : 307
Get Book Here
Book Description
A comprehensive overview of how civilian drones sense the world and how they build the aesthetic imaginaries of our communities. Drone technology has garnered critical attention across many fields, from engineering to the humanities. While the first wave of drone scholarship was key in initiating the debate on drones, it also privileged the idea of the “scopic regime”—a militarized regime of hypervisuality—in its analyses of the connection between vision and power. The Sensorium of the Drone and Communities broadens the drone’s spectrum of perception by acknowledging its creative, life-affirming possibility with the notion of the sensorium. The sensorium of the drone is a multimedia, synesthetic sensing assemblage in which the human agent is enmeshed with the drone. Drone sensoria can sense in many more ways than the scopic regime—with sound, touch, smell, temperature, and movement. In The Sensorium of the Drone and Communities, Kathrin Maurer shows how drone sensoria can change our understanding of human communities by constructing imaginaries of social communities based on decentralized and fluid sensing processes. Maurer takes an aesthetic approach to technology, working with two understandings of aesthetics. One understanding refers to aesthetics as a way of experiencing, and it explores how the drone-human assemblage perceives the world. The other refers to aesthetic mimetic representation, and focuses on how aesthetic drone imaginaries in literature, popular culture, visual arts, and films negotiate the sensorial technology of the drone. Bringing together key ideas in technology studies, studies of aerial views, visual and aesthetic studies, posthuman sensing, machine–human interaction, and communities, The Sensorium of the Drone and Communities sheds a welcome and necessary light on this technology’s creative potential as well as its dangers and risks.
Author: Kathrin Maurer
Publisher: MIT Press
ISBN: 0262374897
Category : Technology & Engineering
Languages : en
Pages : 307
Get Book Here
Book Description
A comprehensive overview of how civilian drones sense the world and how they build the aesthetic imaginaries of our communities. Drone technology has garnered critical attention across many fields, from engineering to the humanities. While the first wave of drone scholarship was key in initiating the debate on drones, it also privileged the idea of the “scopic regime”—a militarized regime of hypervisuality—in its analyses of the connection between vision and power. The Sensorium of the Drone and Communities broadens the drone’s spectrum of perception by acknowledging its creative, life-affirming possibility with the notion of the sensorium. The sensorium of the drone is a multimedia, synesthetic sensing assemblage in which the human agent is enmeshed with the drone. Drone sensoria can sense in many more ways than the scopic regime—with sound, touch, smell, temperature, and movement. In The Sensorium of the Drone and Communities, Kathrin Maurer shows how drone sensoria can change our understanding of human communities by constructing imaginaries of social communities based on decentralized and fluid sensing processes. Maurer takes an aesthetic approach to technology, working with two understandings of aesthetics. One understanding refers to aesthetics as a way of experiencing, and it explores how the drone-human assemblage perceives the world. The other refers to aesthetic mimetic representation, and focuses on how aesthetic drone imaginaries in literature, popular culture, visual arts, and films negotiate the sensorial technology of the drone. Bringing together key ideas in technology studies, studies of aerial views, visual and aesthetic studies, posthuman sensing, machine–human interaction, and communities, The Sensorium of the Drone and Communities sheds a welcome and necessary light on this technology’s creative potential as well as its dangers and risks.
Author: James Patton Rogers
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110742101
Category : Political Science
Languages : en
Pages : 385
Get Book Here
Book Description
In 2010, 60 states had a military drone program. Today at least 113 countries and 65 non-state actors now have access to weaponized drone technologies. Alongside this, established ‘drone powers’ – the U.S., China, Turkey, and Iran – have expanded their own use of military drones, increasing the sale and deployment of drones around the world. In the De Gruyter Handbook of Drone Warfare, drone expert, policy adviser, and historian, Dr James Patton Rogers, brings together 37 of the world’s leading voices on the growing issues of commercial and military drone technologies. From the origins of military drones in the early 1900s and the resurgence of drone use during the War on Terror, through to the global proliferation of drones across Europe, Africa, and the Middle East, this handbook explores the moral, ethical, technological, legal, military, geopolitical, social, and strategic issues at the heart of drone warfare. The first handbook of its kind, the volume also addresses Russia’s offensive war against Ukraine, the rise of Iranian and Houthi drones, and provides a focused analysis of the future of drone warfare and the opportunities and perils of AI, autonomy, and swarming technologies in the coming Third Drone Age.
Author: Lisa Parks
Publisher: Duke University Press
ISBN: 0822372819
Category : Social Science
Languages : en
Pages : 239
Get Book Here
Book Description
This volume's contributors offer a new critical language through which to explore and assess the historical, juridical, geopolitical, and cultural dimensions of drone technology and warfare. They show how drones generate particular ways of visualizing the spaces and targets of war while acting as tools to exercise state power. Essays include discussions of the legal justifications of extrajudicial killings and how US drone strikes in the Horn of Africa impact life on the ground, as well as a personal narrative of a former drone operator. The contributors also explore drone warfare in relation to sovereignty, governance, and social difference; provide accounts of the relationships between drone technologies and modes of perception and mediation; and theorize drones’ relation to biopolitics, robotics, automation, and art. Interdisciplinary and timely, Life in the Age of Drone Warfare extends the critical study of drones while expanding the public discussion of one of our era's most ubiquitous instruments of war. Contributors. Peter Asaro, Brandon Wayne Bryant, Katherine Chandler, Jordan Crandall, Ricardo Dominguez, Derek Gregory, Inderpal Grewal, Lisa Hajjar, Caren Kaplan, Andrea Miller, Anjali Nath, Jeremy Packer, Lisa Parks, Joshua Reeves, Thomas Stubblefield, Madiha Tahir
Author: Andreas Immanuel Graae
Publisher: Manchester University Press
ISBN: 1526145928
Category : Social Science
Languages : en
Pages : 350
Get Book Here
Book Description
There should no longer be any doubt: drones are here to stay. In civil society, they are used for rescue, surveillance, transport and leisure. And on the battlefield, their promises of remote protection and surgical precision have radically changed the way wars are fought. But what impact are drones having on our identity, and how are they affecting the communities around us? This book addresses these questions by investigating the representation of civilian and military drones in visual arts, literature, and architecture. What emerges, the contributors argue, is a compelling new aesthetic: ‘drone imaginary’, a prism of cultural and critical knowledge, through which the complex interplay between drone technology and human communities is explored, and from which its historical, cultural and political dimensions can be assessed. The contributors offer diverse approaches to this interdisciplinary field of aesthetic drone imaginaries. With essays on the aesthetic configurations of drone swarming, historical perspectives on early unmanned aviation, as well as current debates on how drone technology alters the human body and creates new political imaginaries, this book provides new insights to the rapidly evolving field of drone studies. Working across art history, literature, photography, feminism, postcolonialism and cultural studies, Drone imaginaries offers a unique insight into how drones are changing our societies.
Author: Max Bruinsma
Publisher:
ISBN: 9783956793431
Category : Conceptual art
Languages : en
Pages : 195
Get Book Here
Book Description
In the slipstream of conceptual art, the intimate interweaving of meaning and materi- alization in art and design came to be discredited in the second half of the twentieth century. The masters program titled Material Utopias at the Sandberg Institute, Amsterdam, recently put an end to this formula by abolishing the unproductive hierarchy separating concept from making, and content from process. In Material Utopia, various authors reflect on the history of dematerialization and deskilling, the manifold meanings of materials in art and design, and the challenges for education when the innovative power of the artistic process is celebrated. The book includes texts by Max Bruinsma, Amanda du Preez, Domeniek Ruyters, Louise Schouwenberg, Aaron Schuster, and Tamar Shafrir. Book no. 3 is part of a new and on-going series from the Sandberg Institute, Amsterdam.
Author: Michael Richardson
Publisher: Duke University Press
ISBN: 1478027789
Category : Social Science
Languages : en
Pages : 162
Get Book Here
Book Description
In Nonhuman Witnessing Michael Richardson argues that a radical rethinking of what counts as witnessing is central to building frameworks for justice in an era of endless war, ecological catastrophe, and technological capture. Dismantling the primacy and notion of traditional human-based forms of witnessing, Richardson shows how ecological, machinic, and algorithmic forms of witnessing can help us better understand contemporary crises. He examines the media-specificity of nonhuman witnessing across an array of sites, from nuclear testing on First Nations land and autonomous drone warfare to deepfakes, artificial intelligence, and algorithmic investigative tools. Throughout, he illuminates the ethical and political implications of witnessing in an age of profound instability. By challenging readers to rethink their understanding of witnessing, testimony, and trauma in the context of interconnected crises, Richardson reveals the complex entanglements between witnessing and violence and the human and the nonhuman.
Author: Jorella Andrews
Publisher:
ISBN: 9783943365382
Category : Aesthetics
Languages : en
Pages : 0
Get Book Here
Book Description
Largely due to the "linguistic turn" that has dominated the humanities since the mid-twentieth century, many contemporary scholars and artists habitually equate works of art with highly coded texts to be deciphered, deconstructed, or otherwise interpreted. Here, meaning, value, and impact have been fundamentally linked to art's capacity to "speak," to represent, to raise questions about representation, to convey a message, or articulate a concept. Much visual culture scholarship has tried to engage with art and the image-world outside of these logics. Within this quest to consider art differently, Jorella Andrews and Simon O'Sullivan pay attention to the asignifying character of art, or simply its affective qualities. Drawing on the work of key thinkers (for O'Sullivan, the writings of Gilles Deleuze, Félix Guattari, and Jean-François Lyotard) and turning to paradigmatic works of art (for Andrews, film and video pieces by Rosalind Nashashibi and Jayne Parker), they contextualize these art-related matters in relation to a significant recent rise in new thinking about objects, objectness, and objectivity within philosophy, critical theory, and ethics. Copublished with Goldsmiths, University of London
Author: Irene Kopelman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 244
Get Book Here
Book Description
How does science transform observations into scientific facts? What is the role of interpretation in the construction of knowledge? How could art re-signify a historical process? Such are some of the questions raised in A for Alibi, a book which explores the boundaries of scientific practice and art. In the last few decades, a new branch of historical studies, called "experimental history" has begun to investigate scientific processes from a particular perspective, derived from a "hands-on" methodology. Scientific instruments are utilized and combined to become a direct source that leads to an understanding not just of scientific history but also of scientific practice. Similar to contemporary art practice, the experimental historical approach implies a combination of theory, practice and process, sharing a wider understanding of practice in the construction of meanings. Along these lines, the Uqbar Foundation invited a group of artists to perform research and develop projects using the impressive collection of historical instruments and optical devices housed in the Utrecht University Museum. Fully illustrated, this book documents the artists' projects as well as the A for Alibi symposium where renowned scientists and art historians lectured on the origins of modern visual culture, for instance on the relation between vision and representation in history, or on the ways in which science builds up a common and social image of the world. The book also features illustrations of numerous scientific instruments from the Utrecht University Museum collection. A for Alibi accompanies the same-titled show at de Appel, Amsterdam, July 14-August 19, 2007. Texts by Charlotte Bigg, Erna Fiorentini, Mika Hannula, Raimundas Malasauskas, Katrin Solhdju Contributions by the participating artists Maria Barnas, James Beckett, Mariana Castillo Deball, Sebastian Diaz Morales, Suchan Kinoshita, Irene Kopelman, Tine Melzer, and Brian O'Connell Interview with Tiemen Cocquyt
Author: Marie-Pier Boucher
Publisher: MIT Press
ISBN: 0262043289
Category : Art
Languages : en
Pages : 209
Get Book Here
Book Description
Explorations of the many ways of being material in the digital age. In his oracular 1995 book Being Digital, Nicholas Negroponte predicted that social relations, media, and commerce would move from the realm of “atoms to bits”—that human affairs would be increasingly untethered from the material world. And yet in 2019, an age dominated by the digital, we have not quite left the material world behind. In Being Material, artists and technologists explore the relationship of the digital to the material, demonstrating that processes that seem wholly immaterial function within material constraints. Digital technologies themselves, they remind us, are material things—constituted by atoms of gold, silver, silicon, copper, tin, tungsten, and more. The contributors explore five modes of being material: programmable, wearable, livable, invisible, and audible. Their contributions take the form of reports, manifestos, philosophical essays, and artist portfolios, among other configurations. The book's cover merges the possibilities of paper with those of the digital, featuring a bookmark-like card that, when “seen” by a smartphone, generates graphic arrangements that unlock films, music, and other dynamic content on the book's website. At once artist's book, digitally activated object, and collection of scholarship, this book both demonstrates and chronicles the many ways of being material. Contributors Christina Agapakis, Azra Akšamija, Sandy Alexandre, Dewa Alit, George Barbastathis, Maya Beiser, Marie-Pier Boucher, Benjamin H. Bratton, Hussein Chalayan, Jim Cybulski, Tal Danino, Deborah G. Douglas, Arnold Dreyblatt, M. Amah Edoh, Michelle Tolini Finamore, Team Foldscope and Global Foldscope community, Ben Fry, Victor Gama, Stefan Helmreich, Hyphen-Labs, Leila Kinney, Rebecca Konte, Winona LaDuke, Brendan Landis, Grace Leslie, Bill Maurer, Lucy McRae, Tom Özden-Schilling, Trevor Paglen, Lisa Parks, Nadya Peek, Claire Pentecost, Manu Prakash,Casey Reas, Paweł Romańczuk, Natasha D. Schüll, Nick Shapiro, Skylar Tibbits, Rebecca Uchill, Evan Ziporyn Book Design: E Roon Kang Electronics, interactions, and product designer: Marcelo Coelho
Author: Daniel Birnbaum
Publisher: Sternberg Press
ISBN:
Category : Art
Languages : en
Pages : 152
Get Book Here
Book Description
Canvases and Careers Today brings together contributions from the eponymous conference organized by the Institut für Kunstkritik, Frankfurt am Main. Its goal is to provide deeper insights and more complexity to current debates on the relationship between criticism, art, and the market. “It was especially interesting for us to watch a kind of transatlantic divide happening. While the US-American participants mostly declared criticism as obsolete while hoping for turning its weakness into a strength, most European participants departed from the opposite diagnosis: that criticism has never been as strong as it is today, since it is now part of a knowledge-based economy.”—Isabelle Graw/Daniel Birnbaum Contributors George Baker, Johanna Burton, Merlin Carpenter, Melanie Gilligan, Isabelle Graw, Tom Holert, Branden W. Joseph, John Kelsey, André Rottmann, Julia Voss Institut für Kunstkritik Series
