Author: Maurice Merleau-Ponty
Publisher: Northwestern University Press
ISBN: 0810141426
Category : Philosophy
Languages : en
Pages : 315
Book Description
The Sensible World and the World of Expression presents the lecture notes for a course taught by Maurice Marleau-Ponty, a central figure of phenomenological philosophy, at a key point in his career.
The Sensible World and the World of Expression
Author: Maurice Merleau-Ponty
Publisher: Northwestern University Press
ISBN: 0810141426
Category : Philosophy
Languages : en
Pages : 315
Book Description
The Sensible World and the World of Expression presents the lecture notes for a course taught by Maurice Marleau-Ponty, a central figure of phenomenological philosophy, at a key point in his career.
Publisher: Northwestern University Press
ISBN: 0810141426
Category : Philosophy
Languages : en
Pages : 315
Book Description
The Sensible World and the World of Expression presents the lecture notes for a course taught by Maurice Marleau-Ponty, a central figure of phenomenological philosophy, at a key point in his career.
In Praise of Philosophy and Other Essays
Author: Maurice Merleau-Ponty
Publisher: Northwestern University Press
ISBN: 0810107961
Category : Philosophy
Languages : en
Pages : 207
Book Description
In Praise of Philosophy and Other Essays explores Lavelle, Bergson, and Socrates and provides themes from Merleau-Ponty lectures at the Collége de France including “The Problem of Speech” and “Nature and Logos: The Human Body.”
Publisher: Northwestern University Press
ISBN: 0810107961
Category : Philosophy
Languages : en
Pages : 207
Book Description
In Praise of Philosophy and Other Essays explores Lavelle, Bergson, and Socrates and provides themes from Merleau-Ponty lectures at the Collége de France including “The Problem of Speech” and “Nature and Logos: The Human Body.”
Merleau-Ponty's Last Vision
Author: Douglas Beck Low
Publisher: Northwestern University Press
ISBN: 9780810118072
Category : Philosophy
Languages : en
Pages : 150
Book Description
Few writers' unfinished works are considered among their most important, but such is the case with Merleau-Ponty's The Visible and the Invisible. What exists of it is a mere beginning, yet it bridged modernism and postmodernism in philosophy. Low uses material from some of Merleau-Ponty's later works as the basis for completion. Working from this material and the philosopher's own outline, Low presents how this important work would have looked had Merleau-Ponty lived to complete it.
Publisher: Northwestern University Press
ISBN: 9780810118072
Category : Philosophy
Languages : en
Pages : 150
Book Description
Few writers' unfinished works are considered among their most important, but such is the case with Merleau-Ponty's The Visible and the Invisible. What exists of it is a mere beginning, yet it bridged modernism and postmodernism in philosophy. Low uses material from some of Merleau-Ponty's later works as the basis for completion. Working from this material and the philosopher's own outline, Low presents how this important work would have looked had Merleau-Ponty lived to complete it.
The Logos of the Sensible World
Author: John Sallis
Publisher: Indiana University Press
ISBN: 0253040485
Category : Philosophy
Languages : en
Pages : 188
Book Description
This volume of the collected writings of John Sallis presents a two-semester lecture course on Maurice Merleau-Ponty given at Duquesne University from 1970 to 1971. Devoted primarily to a close reading of the French philosopher's magnum opus, Phenomenology of Perception, the course begins with a detailed analysis of The Structure of Behavior. The central topics considered in the lectures include the functions of the phenomenological body; beyond realism and idealism; the structures of the lived world; spatiality, temporality, language, sexuality; and perception and knowledge. Sallis illuminates Merleau-Ponty's first two works and offers a thread to follow through developments in his later essays. Merleau-Ponty's notion of the primacy of perception and his claim that "the end of a philosophy is the account of its beginning" are woven throughout the lectures. For Sallis's part, these lectures are foundational for his extended engagement with Merleau-Ponty's The Visible and the Invisible, which was published in Sallis's Phenomenology and the Return to Beginnings.
Publisher: Indiana University Press
ISBN: 0253040485
Category : Philosophy
Languages : en
Pages : 188
Book Description
This volume of the collected writings of John Sallis presents a two-semester lecture course on Maurice Merleau-Ponty given at Duquesne University from 1970 to 1971. Devoted primarily to a close reading of the French philosopher's magnum opus, Phenomenology of Perception, the course begins with a detailed analysis of The Structure of Behavior. The central topics considered in the lectures include the functions of the phenomenological body; beyond realism and idealism; the structures of the lived world; spatiality, temporality, language, sexuality; and perception and knowledge. Sallis illuminates Merleau-Ponty's first two works and offers a thread to follow through developments in his later essays. Merleau-Ponty's notion of the primacy of perception and his claim that "the end of a philosophy is the account of its beginning" are woven throughout the lectures. For Sallis's part, these lectures are foundational for his extended engagement with Merleau-Ponty's The Visible and the Invisible, which was published in Sallis's Phenomenology and the Return to Beginnings.
The Merleau-Ponty Dictionary
Author: Donald A. Landes
Publisher: A&C Black
ISBN: 1441152008
Category : Philosophy
Languages : en
Pages : 286
Book Description
Maurice Merleau-Ponty (1908-1961) is one of the central figures of 20th-century Continental philosophy, and his work has been hugely influential in a wide range of fields. His writings engage in the study of perception, language, politics, aesthetics, history and ontology, and represent a rich and complex network of exciting ideas. The Merleau-Ponty Dictionary provides the reader and student of Merleau-Ponty with all the tools necessary to engage with this key thinker: a comprehensive A to Z that provides summaries of all his major texts and articles, clear and straightforward explanations of his terminology and innovative concepts, and detailed discussions of the figures and philosophies that influenced his work. The book also includes a philosophical introduction, a chronology of Merleau-Ponty's life and works, and suggestions for further reading. This dictionary is the ideal reading and research companion for students at all levels.
Publisher: A&C Black
ISBN: 1441152008
Category : Philosophy
Languages : en
Pages : 286
Book Description
Maurice Merleau-Ponty (1908-1961) is one of the central figures of 20th-century Continental philosophy, and his work has been hugely influential in a wide range of fields. His writings engage in the study of perception, language, politics, aesthetics, history and ontology, and represent a rich and complex network of exciting ideas. The Merleau-Ponty Dictionary provides the reader and student of Merleau-Ponty with all the tools necessary to engage with this key thinker: a comprehensive A to Z that provides summaries of all his major texts and articles, clear and straightforward explanations of his terminology and innovative concepts, and detailed discussions of the figures and philosophies that influenced his work. The book also includes a philosophical introduction, a chronology of Merleau-Ponty's life and works, and suggestions for further reading. This dictionary is the ideal reading and research companion for students at all levels.
Philosophy-Screens
Author: Mauro Carbone
Publisher: State University of New York Press
ISBN: 1438474660
Category : Philosophy
Languages : en
Pages : 168
Book Description
In The Flesh of Images, Mauro Carbone analyzed Merleau-Ponty's interest in film and modern painting as it relates to his aesthetic theory and as it illuminates our contemporary relationship to images. Philosophy-Screens broadens the work undertaken in this earlier book, looking at the ideas of other twentieth-century thinkers concerning the relationship between philosophy and film, and extending that analysis to address our experience of electronic and digital screens in the twenty-first century. In the first part of the book, Carbone examines the ways that Sartre, Merleau-Ponty, Lyotard, and Deleuze grappled with the philosophical significance of cinema as a novel aesthetic medium unfolding in the twentieth century. He then considers the significance of this philosophical framework for understanding the digital revolution, in particular the extent to which we are increasingly and comprehensively connected with screens. Smartphones, tablets, and computers have become a primary referential optical apparatus for everyday life in ways that influence the experience not only of seeing but also of thinking and desiring. Carbone's Philosophy-Screens follows Deleuze's call for "a philosophy-cinema" that can account for these fundamental changes in perception and aesthetic production, and adapts it to twenty-first-century concerns.
Publisher: State University of New York Press
ISBN: 1438474660
Category : Philosophy
Languages : en
Pages : 168
Book Description
In The Flesh of Images, Mauro Carbone analyzed Merleau-Ponty's interest in film and modern painting as it relates to his aesthetic theory and as it illuminates our contemporary relationship to images. Philosophy-Screens broadens the work undertaken in this earlier book, looking at the ideas of other twentieth-century thinkers concerning the relationship between philosophy and film, and extending that analysis to address our experience of electronic and digital screens in the twenty-first century. In the first part of the book, Carbone examines the ways that Sartre, Merleau-Ponty, Lyotard, and Deleuze grappled with the philosophical significance of cinema as a novel aesthetic medium unfolding in the twentieth century. He then considers the significance of this philosophical framework for understanding the digital revolution, in particular the extent to which we are increasingly and comprehensively connected with screens. Smartphones, tablets, and computers have become a primary referential optical apparatus for everyday life in ways that influence the experience not only of seeing but also of thinking and desiring. Carbone's Philosophy-Screens follows Deleuze's call for "a philosophy-cinema" that can account for these fundamental changes in perception and aesthetic production, and adapts it to twenty-first-century concerns.
Understanding Merleau-Ponty, Understanding Modernism
Author: Ariane Mildenberg
Publisher: Bloomsbury Publishing USA
ISBN: 1501302736
Category : Literary Criticism
Languages : en
Pages : 343
Book Description
Understanding Merleau-Ponty, Understanding Modernism brings into dialogue Maurice Merleau-Ponty's phenomenology with modernist art, literature, music, film and neurophysiological discoveries, opening up the complexities of the philosopher's phenomenology of perception to a broader audience across the arts. An important resource for anyone interested in the links between modernism and philosophy, Understanding Merleau-Ponty, Understanding Modernism offers close readings of Merleau-Ponty's key texts, explores modernist works in light of his thought, and provides an extended glossary of Merleau-Ponty's central terms and concepts.
Publisher: Bloomsbury Publishing USA
ISBN: 1501302736
Category : Literary Criticism
Languages : en
Pages : 343
Book Description
Understanding Merleau-Ponty, Understanding Modernism brings into dialogue Maurice Merleau-Ponty's phenomenology with modernist art, literature, music, film and neurophysiological discoveries, opening up the complexities of the philosopher's phenomenology of perception to a broader audience across the arts. An important resource for anyone interested in the links between modernism and philosophy, Understanding Merleau-Ponty, Understanding Modernism offers close readings of Merleau-Ponty's key texts, explores modernist works in light of his thought, and provides an extended glossary of Merleau-Ponty's central terms and concepts.
Unconsciousness Between Phenomenology and Psychoanalysis
Author: Dorothée Legrand
Publisher: Springer
ISBN: 3319555189
Category : Philosophy
Languages : en
Pages : 283
Book Description
This book contains a series of essays that explore the concept of unconsciousness as it is situated between phenomenology and psychoanalysis. A leading goal of the collection is to carve out phenomenological dimensions within psychoanalysis and, equally, to carve out psychoanalytical dimensions within phenomenology. The book examines the nature of unconsciousness and the role it plays in structuring our sense of self. It also looks at the extent to which the unconscious marks the body as it functions outside of experience as well as manifests itself in experience. In addition, the book explores the relationship between unconsciousness and language, particularly if unconsciousness exists prior to language or if the concept can only be understood through speech. The collection includes contributions from leading scholars, each of whom grounds their investigations in a nuanced mastery of the traditional voices of their fields. These contributors provide diverse viewpoints that challenge both the phenomenological and psychoanalytical traditions in their relation to unconsciousness.
Publisher: Springer
ISBN: 3319555189
Category : Philosophy
Languages : en
Pages : 283
Book Description
This book contains a series of essays that explore the concept of unconsciousness as it is situated between phenomenology and psychoanalysis. A leading goal of the collection is to carve out phenomenological dimensions within psychoanalysis and, equally, to carve out psychoanalytical dimensions within phenomenology. The book examines the nature of unconsciousness and the role it plays in structuring our sense of self. It also looks at the extent to which the unconscious marks the body as it functions outside of experience as well as manifests itself in experience. In addition, the book explores the relationship between unconsciousness and language, particularly if unconsciousness exists prior to language or if the concept can only be understood through speech. The collection includes contributions from leading scholars, each of whom grounds their investigations in a nuanced mastery of the traditional voices of their fields. These contributors provide diverse viewpoints that challenge both the phenomenological and psychoanalytical traditions in their relation to unconsciousness.
Chiasms
Author: Fred Evans
Publisher: State University of New York Press
ISBN: 0791492036
Category : Philosophy
Languages : en
Pages : 293
Book Description
Some of the best interpretations and evaluations of Merleau-Ponty's innovative notions of chiasm and flesh are presented here by prominent scholars from the United States and Europe. Divided into three sections, the book first establishes the notion of the flesh as a consistent concept and unfolds the nuances of flesh that make it a compelling idea. The second section adds to the force of this idea by showing how flesh can be extended to phenomena that Merleau-Ponty was not able to treat, such as the internet and virtual reality, and the third offers criticisms of Merleau-Ponty from feminist and Levinasian points of view. All the essays attest to the fecundity of Merleau-Ponty's later thought for such central philosophical issues as the bonds between self, others, and the world. Contributors include Renaud Barbaras, Mauro Carbone, Edward S. Casey, Suzanne L. Cataldi, Tina Chanter, Françoise Dastur, Jean Greisch, Lawrence Hass, Marjorie Hass, James Hatley, Henri Maldiney, Linda Martin Alcoff, Berhard Waldenfels, Gail Weiss, Hugh J. Silverman, and Edith Wyschogrod.
Publisher: State University of New York Press
ISBN: 0791492036
Category : Philosophy
Languages : en
Pages : 293
Book Description
Some of the best interpretations and evaluations of Merleau-Ponty's innovative notions of chiasm and flesh are presented here by prominent scholars from the United States and Europe. Divided into three sections, the book first establishes the notion of the flesh as a consistent concept and unfolds the nuances of flesh that make it a compelling idea. The second section adds to the force of this idea by showing how flesh can be extended to phenomena that Merleau-Ponty was not able to treat, such as the internet and virtual reality, and the third offers criticisms of Merleau-Ponty from feminist and Levinasian points of view. All the essays attest to the fecundity of Merleau-Ponty's later thought for such central philosophical issues as the bonds between self, others, and the world. Contributors include Renaud Barbaras, Mauro Carbone, Edward S. Casey, Suzanne L. Cataldi, Tina Chanter, Françoise Dastur, Jean Greisch, Lawrence Hass, Marjorie Hass, James Hatley, Henri Maldiney, Linda Martin Alcoff, Berhard Waldenfels, Gail Weiss, Hugh J. Silverman, and Edith Wyschogrod.
The Flesh of Images
Author: Mauro Carbone
Publisher: State University of New York Press
ISBN: 1438458800
Category : Philosophy
Languages : en
Pages : 130
Book Description
In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty's often misunderstood notion of "flesh" was another way to signify what he also called "Visibility." Considering vision as creative voyance, in the visionary sense of creating as a particular presence something which, as such, had not been present before, Carbone proposes original connections between Merleau-Ponty and Paul Gauguin, and articulates his own further development of the "new idea of light" that the French philosopher was beginning to elaborate at the time of his sudden death. Carbone connects these ideas to Merleau-Ponty's continuous interest in cinema—an interest that has been traditionally neglected or circumscribed. Focusing on Merleau-Ponty's later writings, including unpublished course notes and documents not yet available in English, Carbone demonstrates both that Merleau-Ponty's interest in film was sustained and philosophically crucial, and also that his thinking provides an important resource for illuminating our contemporary relationship to images, with profound implications for the future of philosophy and aesthetics. Building on his earlier work on Marcel Proust and considering ongoing developments in optical and media technologies, Carbone adds his own philosophical insight into understanding the visual today.
Publisher: State University of New York Press
ISBN: 1438458800
Category : Philosophy
Languages : en
Pages : 130
Book Description
In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty's often misunderstood notion of "flesh" was another way to signify what he also called "Visibility." Considering vision as creative voyance, in the visionary sense of creating as a particular presence something which, as such, had not been present before, Carbone proposes original connections between Merleau-Ponty and Paul Gauguin, and articulates his own further development of the "new idea of light" that the French philosopher was beginning to elaborate at the time of his sudden death. Carbone connects these ideas to Merleau-Ponty's continuous interest in cinema—an interest that has been traditionally neglected or circumscribed. Focusing on Merleau-Ponty's later writings, including unpublished course notes and documents not yet available in English, Carbone demonstrates both that Merleau-Ponty's interest in film was sustained and philosophically crucial, and also that his thinking provides an important resource for illuminating our contemporary relationship to images, with profound implications for the future of philosophy and aesthetics. Building on his earlier work on Marcel Proust and considering ongoing developments in optical and media technologies, Carbone adds his own philosophical insight into understanding the visual today.