Self-Commentary in Early Modern European Literature, 1400–1700 PDF Download
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Author: Francesco Venturi
Publisher: BRILL
ISBN: 9004396594
Category : Literary Collections
Languages : en
Pages : 445
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Book Description
An investigation into the various ways in which Renaissance writers comment on, present, and defend their own works, and at the same time themselves in Britain, France, Italy, Spain, Poland, and the Dutch Republic.
Author: Francesco Venturi
Publisher: BRILL
ISBN: 9004396594
Category : Literary Collections
Languages : en
Pages : 445
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Book Description
An investigation into the various ways in which Renaissance writers comment on, present, and defend their own works, and at the same time themselves in Britain, France, Italy, Spain, Poland, and the Dutch Republic.
Author: Jennifer Feather
Publisher: Springer
ISBN: 113701041X
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
By examining these competing depictions of combat that coexist in sixteenth-century texts ranging from Arthurian romance to early modern medical texts, this study reveals both the importance of combat in understanding the humanist subject and the contours of the previously neglected pre-modern subject.
Author: Udo Thiel
Publisher: Oxford University Press, USA
ISBN: 019954249X
Category : Philosophy
Languages : en
Pages : 498
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Book Description
Udo Thiel presents a critical evaluation of the understanding of self-consciousness and personal identity in early modern philosophy. He explores over a century of European philosophical debate from Descartes to Hume, and argues that our interest in human subjectivity remains strongly influenced by the conceptual framework of early modern thought.
Author: Charis Charalampous
Publisher: Routledge
ISBN: 1317584201
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
This book explores a neglected feature of intellectual history and literature in the early modern period: the ways in which the body was theorized and represented as an intelligent cognitive agent, with desires, appetites, and understandings independent of the mind. It considers the works of early modern physicians, thinkers, and literary writers who explored the phenomenon of the independent and intelligent body. Charalampous rethinks the origin of dualism that is commonly associated with Descartes, uncovering hitherto unknown lines of reception regarding a form of dualism that understands the body as capable of performing complicated forms of cognition independently of the mind. The study examines the consequences of this way of thinking about the body for contemporary philosophy, theology, and medicine, opening up new vistas of thought against which to reassess perceptions of what literature can be thought and felt to do. Sifting and assessing this evidence sheds new light on a range of historical and literary issues relating to the treatment, perception, and representation of the human body. This book examines the notion of the thinking body across a wide range of genres, topics, and authors, including Montaigne’s Essays, Spenser’s allegorical poetry, Donne’s metaphysical poetry, tragic dramaturgy, Shakespeare, and Milton’s epic poetry and shorter poems. It will be essential for those studying early modern literature, cognition, and the body.
Author: Robbie Richardson
Publisher: University of Toronto Press
ISBN: 148750344X
Category : History
Languages : en
Pages : 258
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Book Description
The Savage and Modern Self examines the representations of North American "Indians" in novels, poetry, plays, and material culture from eighteenth-century Britain. Author Robbie Richardson argues that depictions of "Indians" in British literature were used to critique and articulate evolving ideas about consumerism, colonialism, "Britishness," and, ultimately, the "modern self" over the course of the century. Considering the ways in which British writers represented contact between Britons and "Indians," both at home and abroad, the author shows how these sites of contact moved from a self-affirmation of British authority earlier in the century, to a mutual corruption, to a desire to appropriate perceived traits of "Indianess." Looking at texts exclusively produced in Britain, The Savage and Modern Self reveals that "the modern" finds definition through imagined scenes of cultural contact. By the end of the century, Richardson concludes, the hybrid Indian-Brition emerging in literature and visual culture exemplifies a form of modern, British masculinity.
Author: Cynthia Marshall
Publisher: JHU Press
ISBN: 9780801867781
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
In The Shattering of the Self: Violence, Subjectivity, and Early Modern Texts, Cynthia Marshall reconceptualizes the place and function of violence in Renaissance literature. During the Renaissance an emerging concept of the autonomous self within art, politics, religion, commerce, and other areas existed in tandem with an established, popular sense of the self as fluid, unstable, and volatile. Marshall examines an early modern fascination with erotically charged violence to show how texts of various kinds allowed temporary release from an individualism that was constraining. Scenes such as Gloucester's blinding and Cordelia's death in King Lear or the dismemberment and sexual violence depicted in Titus Andronicus allowed audience members not only a release but a "shattering"—as opposed to an affirmation—of the self. Marshall draws upon close readings of Shakespearean plays, Petrarchan sonnets, John Foxe's Acts and Monuments of the Christian Martyrs, and John Ford's The Broken Heart to successfully address questions of subjectivity, psychoanalytic theory, and identity via a cultural response to art. Timely in its offering of an account that is both historically and psychoanalytically informed, The Shattering of the Self argues for a renewed attention to the place of fantasy in this literature and will be of interest to scholars working in Renaissance and early modern studies, literary theory, gender studies, and film theory. -- Tzachi Zamir
Author: Terry Grey Sherwood
Publisher: Duquesne
ISBN:
Category : History
Languages : en
Pages : 476
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Book Description
"Responding to the debate stimulated by cultural materialist and new historicist claims that the early modern self was fragmented by forces in Elizabethan England, Sherwood argues that the self was capable of unified subjectivity, demonstrating that the intersection of Protestant vocation and Christian civic humanism was a stabilizing factor in the early modern construction of self"--Provided by publisher.
Author: Beth Blum
Publisher: Columbia University Press
ISBN: 0231551088
Category : Literary Criticism
Languages : en
Pages : 507
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Book Description
Samuel Beckett as a guru for business executives? James Joyce as a guide to living a good life? The notion of notoriously experimental authors sharing a shelf with self-help books might seem far-fetched, yet a hidden history of rivalry, influence, and imitation links these two worlds. In The Self-Help Compulsion, Beth Blum reveals the profound entanglement of modern literature and commercial advice from the late nineteenth century to the present day. Blum explores popular reading practices in which people turn to literature in search of practical advice alongside modern writers’ rebukes of such instrumental purposes. As literary authors positioned themselves in opposition to people like Samuel Smiles and Dale Carnegie, readers turned to self-help for the promises of mobility, agency, and practical use that serious literature was reluctant to supply. Blum unearths a series of unlikely cases of the love-hate relationship between serious fiction and commercial advice, from Gustave Flaubert’s mockery of early DIY culture to Dear Abby’s cutting diagnoses of Nathanael West and from Virginia Woolf’s ambivalent polemics against self-improvement to the ways that contemporary global authors such as Mohsin Hamid and Tash Aw explicitly draw on the self-help genre. She also traces the self-help industry’s tendency to popularize, quote, and adapt literary wisdom and considers what it might have to teach today’s university. Offering a new history of self-help’s origins, appeal, and cultural and literary import around the world, this book reveals that self-help’s most valuable secrets are not about getting rich or winning friends but about how and why people read.
Author: Kevin LaGrandeur
Publisher: Routledge
ISBN: 1136220739
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Awarded a 2014 Science Fiction and Technoculture Studies Prize Honourable Mention. This book explores the creation and use of artificially made humanoid servants and servant networks by fictional and non-fictional scientists of the early modern period. Beginning with an investigation of the roots of artificial servants, humanoids, and automata from earlier times, LaGrandeur traces how these literary representations coincide with a surging interest in automata and experimentation, and how they blend with the magical science that preceded the empirical era. In the instances that this book considers, the idea of the artificial factotum is connected with an emotional paradox: the joy of self-enhancement is counterpoised with the anxiety of self-displacement that comes with distribution of agency.In this way, the older accounts of creating artificial slaves are accounts of modernity in the making—a modernity characterized by the project of extending the self and its powers, in which the vision of the extended self is fundamentally inseparable from the vision of an attenuated self. This book discusses the idea that fictional, artificial servants embody at once the ambitions of the scientific wizards who make them and society’s perception of the dangers of those ambitions, and represent the cultural fears triggered by independent, experimental thinkers—the type of thinkers from whom our modern cyberneticists descend.
Author: Subha Mukherji
Publisher: Springer
ISBN: 3319713590
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
The primary aim of Knowing Faith is to uncover the intervention of literary texts and approaches in a wider conversation about religious knowledge: why we need it, how to get there, where to stop, and how to recognise it once it has been attained. Its relative freedom from specialised disciplinary investments allows a literary lens to bring into focus the relatively elusive strands of thinking about belief, knowledge and salvation, probing the particulars of affect implicit in the generalities of doctrine. The essays in this volume collectively probe the dynamic between literary form, religious faith and the process, psychology and ethics of knowing in early modern England. Addressing both the poetics of theological texts and literary treatments of theological matter, they stretch from the Reformation to the early Enlightenment, and cover a variety of themes ranging across religious hermeneutics, rhetoric and controversy, the role of the senses, and the entanglement of justice, ethics and practical theology. The book should appeal to scholars of early modern literature and culture, theologians and historians of religion, and general readers with a broad interest in Renaissance cultures of knowing.
