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Author: Max Jacob
Publisher: Field Translation Series
ISBN:
Category : Poetry
Languages : en
Pages : 140
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Book Description
"Jacob's poems, which use prose as a powerful instrument of investigation into states of ecstasy and disillusion, are now here represented, in thoughtful renderings by William Kulik, in a selection that makes evident Jacob's importance and uniqueness for English-speaking readers."--BOOK JACKET.
Author: Max Jacob
Publisher: Field Translation Series
ISBN:
Category : Poetry
Languages : en
Pages : 140
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Book Description
"Jacob's poems, which use prose as a powerful instrument of investigation into states of ecstasy and disillusion, are now here represented, in thoughtful renderings by William Kulik, in a selection that makes evident Jacob's importance and uniqueness for English-speaking readers."--BOOK JACKET.
Author: Rosanna Warren
Publisher: W. W. Norton & Company
ISBN: 0393247376
Category : Biography & Autobiography
Languages : en
Pages : 970
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Book Description
A comprehensive and moving biography of Max Jacob, a brilliant cubist poet who lived at the margins of fame. Though less of a household name than his contemporaries in early twentieth century Paris, Jewish homosexual poet Max Jacob was Pablo Picasso’s initiator into French culture, Guillaume Apollinaire’s guide out of the haze of symbolism, and Jean Cocteau’s loyal friend. As Picasso reinvented painting, Jacob helped to reinvent poetry with compressed, hard-edged prose poems and synapse-skipping verse lyrics, the product of a complex amalgamation of Jewish, Breton, Parisian, and Roman Catholic influences. In Max Jacob, the poet’s life plays out against the vivid backdrop of bohemian Paris from the turn of the twentieth century through the divisions of World War II. Acclaimed poet Rosanna Warren transports us to Picasso’s ramshackle studio in Montmartre, where Cubism was born; introduces the artists gathered at a seedy bar on the left bank, where Max would often hold court; and offers a front-row seat to the artistic squabbles that shaped the Modernist movement. Jacob’s complex understanding of faith, art, and sexuality animates this sweeping work. In 1909, he saw a vision of Christ in his shabby room in Montmartre, and in 1915 he converted formally from Judaism to Catholicism—with Picasso as his godfather. In his later years, Jacob split his time between Paris and the monastery of Benoît-sur-Loire. In February 1944, he was arrested by the Gestapo and sent to Drancy, where he would die a few days later. More than thirty years in the making, this landmark biography offers a compelling, tragic portrait of Jacob as a man and as an artist alongside a rich study of his groundbreaking poetry—in Warren’s own stunning translations. Max Jacob is a nuanced, deeply researched, and essential contribution to Modernist scholarship.
Author: Max Jacob
Publisher: U of Nebraska Press
ISBN: 9780803225749
Category : Literary Collections
Languages : en
Pages : 264
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Book Description
A serious artist and a literary clown nonpareil, Max Jacob was born in Brittany in 1876 and died in a Nazi prison camp in 1944. His influence on modern French poetry was profound, and his modernist lyrical verse is still widely read. Much of hisøother work is equally exciting and original, but has waited decades for capable translators. Hesitant Fire makes available for the first time in English some of his best prose. The translators, Moishe Black and Maria Green, have succeeded in catching his gift for linguistic innovation, for mimicry and buffoonery often a millimeter away from melancholy. This anthology displays Jacob?s versatility, for he wrote in a dozen styles. The Story of King Kabul the First and Gawain the Kitchen-Boy is a fable populated by Balibridgians and Bouloulabassians. Excerpts from In Defense of Tartufe reveal the poet?s mysticism and aestheticism. Those from The Flowering Plant offer brilliant social analysis behind a mask of the Absurd. Flim-Flam studies such characters as ?The Lawyer Who Meant to Have Two Wives Instead of One? and ?The Unmarried Teacher at the High School in Cherbourg.? The Dullard Prince blends autobiography and fiction. Letters to Mrs. Goldencalf and other imaginary members of the bourgeoisie are taken from The Dark Room. Never before published, ?The Maid? was inspired by a contemporary murder case. Also included here are portions of The Bouchaballe Property, Jacob?s favorite of his own novels; entries from A Traveler?s Notebook; personal letters; and four religious meditations. For many English-language readers, Hesitant Fire will be in introduction to a writer who was an immediate precursor of Surrealism, who was a close friend of Picasso and Apollinaire, who converted to Catholicism but retained an intensely Jewish outlook, and who produced work that is still vivid nearly a half-century after his death.
Author: César Vallejo
Publisher: Wesleyan University Press
ISBN: 9780819564214
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
A highly-praised translation of a seminal work of Spanish literature is once again available.
Author: Andrei Codrescu
Publisher:
ISBN: 9780686108207
Category : California
Languages : en
Pages : 20
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Book Description
Author: Max Jacob
Publisher:
ISBN:
Category : Prose poems, French
Languages : en
Pages : 92
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Book Description
Author: Blaise Cendrars
Publisher: Univ of California Press
ISBN: 0520065808
Category : Literary Criticism
Languages : en
Pages : 426
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Book Description
"At last! A superb translation of one of the great and greatly neglected Modernist poets! The map of Modernist poetry will never be quite the same."—Marjorie Perloff "Padgett's sparkling translations do marvelous justice to the eccentric and exciting poetry of Blaise Cendrars."—John Ashbery
Author: Pierre Reverdy
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 200
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Book Description
Author: Steven Monte
Publisher: U of Nebraska Press
ISBN: 9780803232112
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
For all its recent popularity among poets and critics, prose poetry continues to raise more questions than it answers. How have prose poems been identified as such, and why have similar works been excluded from the genre? What happens when we read a work as a prose poem? How have prose genres such as the novel affected prose poetry and modern poetry in general? In Invisible Fences Steven Monte places prose poetry in historical and theoretical perspective by comparing its development in the French and American literary traditions. In spite of its apparent formal freedom, prose poetry is constrained by specific historical circumstances and is constantly engaged in border disputes with neighboring prose and poetic genres. Monte illuminates these constraints through an examination of works that have influenced the development of the prose poem as well as through a discussion of genre theory and detailed readings of poems ranging from Charles Baudelaire's "La Solitude" to John Ashbery's "The System." Monte explores the ways in which literary-historical narratives affect interpretation: why, for example, prose poetry tends to be seen as a revolutionary genre and how this perspective influences readings of individual works. The American poets he discusses include Ralph Waldo Emerson, William Carlos Williams, T. S. Eliot, Gertrude Stein, and Ashbery; the French poets range from Baudelaire, Arthur Rimbaud, and Stephane Mallarmä to Max Jacob. In exploring prose poetry as a genre, Invisible Fences offers new perspectives not only on modern poetry, but also on genre itself, challenging current theories of genre with a test case that asks for yet eludes definition.
Author: David Keplinger
Publisher: Stephen F. Austin University Press
ISBN: 9781622883080
Category : Poetry
Languages : en
Pages : 0
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Book Description
The Long Answer gleans from David Keplinger's five previous poetry collections, covering two decades of his engagement with the lyric narrative. Through echoes of Dickinson, Rimbaud, William Blake, and the French prose poet Max Jacob, as well as a host of other European and American voices, this volume maps the ongoing "long answer" to the poet's individual inquiries about family, influence, and originality while at the same time tapping the source and substance of a more far-flung, philosophical problem. How is one life both distinct from and the sum of lives that came before? How does one disentangle oneself from the illusion of separateness? Culling together the best work from those previous years, and with nearly forty new pages of material, The Long Answer seeks a question, in Keplinger's title poem, "so old, no one remembers/ what was asked for/in the first place, /and which leaves us . . . /with only each other." His work, here, and historically, seeks less to alter thinking than to undrape it, where poetry can be the means of remembering what we are.
