The Selected Letters of Ezra Pound, 1907-1941 PDF Download
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Author: Ezra Pound
Publisher: New Directions Publishing
ISBN: 9780811201612
Category : Literary Collections
Languages : en
Pages : 388
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Book Description
Originally published in 1950 under title: The letters of Ezra Pound, 1907-1941.
Author: Ezra Pound
Publisher: New Directions Publishing
ISBN: 9780811201612
Category : Literary Collections
Languages : en
Pages : 388
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Book Description
Originally published in 1950 under title: The letters of Ezra Pound, 1907-1941.
Author: Ezra Pound
Publisher:
ISBN:
Category :
Languages : en
Pages : 358
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Book Description
Author: Ezra Pound (Dichter, USA, Italien)
Publisher:
ISBN:
Category : Critics
Languages : en
Pages : 0
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Book Description
Author: Ezra Pound
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 476
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Book Description
Author: D.D. Paige
Publisher:
ISBN:
Category : Poets, American
Languages : en
Pages :
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Book Description
Author: Timothy Materer
Publisher: Duke University Press
ISBN: 0822382903
Category : Literary Collections
Languages : en
Pages : 263
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Book Description
This volume provides a first-hand survey of the arts and literature during a crucial period in modern culture, 1915–1924. Pound was then associated with such germinal magazines as BLAST, The Little Review, The Egoist, and Poetry; he was discovering or publicizing writers such as Robert Frost, Hilda Doolittle, T. S. Eliot, and James Joyce; and he was championing the painters Wyndham Lewis and William Wadsworth as well as the sculptors Jacob Epstein, Henri Gaudier-Brzeska, and Constantin Brancusi. Pound wrote to John Quinn—a New York lawyer, an expert in business law, and a collector of unusual taste and discrimination—about these artists and many more, urging him to support their journals, collect their manuscripts, and buy and exhibit their paintings and sculptures. Quinn at one time owned manuscripts of Ulysses and The Waste Land, Brancusi’s sculpture Mlle. Pogany, and Picasso’s painting Three Musicians. Yet he was often skeptical about the value of new schools of art, such as Vorticism, and disturbed by the outspokenness of authors such as Joyce. Pound’s letters are unusually tactful when he counters Quinn’s doubts and explains the premises of experimental art. Pound’s letters to Quinn are touched with his characteristic humor and wordplay and are especially notable for their lucidity of expression, engendered by Pound’s deep respect for Quinn.
Author: Michael Levenson
Publisher: Cambridge University Press
ISBN: 9780521498661
Category : Art
Languages : en
Pages : 270
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Book Description
In The Cambridge Companion to Modernism, ten eminent scholars from Britain and the United States offer timely new appraisals of the revolutionary cultural transformations of the first decades of the twentieth century. Chapters on the major literary genres, intellectual, political and institutional contexts, film and the visual arts, provide both close analyses of individual works and a broader set of interpretive narratives. A chronology and guide to further reading supply valuable orientation for the study of Modernism. Readers will be able to use the book at once as a standard work of reference and as a stimulating source of compelling new readings of works by writers and artists from Joyce and Woolf to Stein, Picasso, Chaplin, H. D. and Freud, and many others. Students will find much-needed help with the difficulties of approaching Modernism, while the essays' original contributions will send scholars back to this volume for stimulating re-evaluation.
Author: Ezra Pound
Publisher: New Directions Publishing
ISBN: 9780811201599
Category : Language Arts & Disciplines
Languages : en
Pages : 324
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Book Description
Donated by Michael Dillon, June 2009.
Author: Ezra Pound
Publisher:
ISBN:
Category :
Languages : en
Pages : 358
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Book Description
Author: Ezra Pound
Publisher: New Directions Publishing
ISBN: 9780811201605
Category : Literary Criticism
Languages : en
Pages : 132
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Book Description
This selection from the Cantos was made by Ezra Pound himself in 1965. It is intended to "indicate main elements" in the long poem -- his personal epic -- with which he was engaged for more than fifty years. His choice includes, of course, a number of the Cantos most admired by critics and anthologists, such as Canto XIII ("Kung [Confucius] walked by the dynastic temple..."), Canto XLV ("With usura hath no man a house of good stone...") and the passage from The Pisan Cantos (LXXXI) beginning "What thou lovest well remains / the rest is dross," and so the book is an ideal introduction for newcomers to the great work. But it has, too, particular interest for the already initiated reader and the specialist, in its revelation, through Pound's own selection of "main elements," of the relative importance which he himself placed on various motifs as they figure in the architecture of the whole poem. Book jacket.
