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Author: Matthew J. Smith
Publisher:
ISBN: 9781138884519
Category : Comic books, strips, etc
Languages : en
Pages : 0
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Book Description
Cover -- Half Title -- Titel Page -- Copyright Page -- Dedication -- Contents -- List of Figures -- Foreword: Comics Studies, the Anti-Discipline -- Preface -- PART 1 The Educators -- 1 Educating with Comics -- 2 Educating about Comics -- A Pioneer's Perspective: Waldomiro Vergueiro -- A Pioneer's Perspective: James "Bucky" Carter -- PART 2 The Historians -- 3 The Historians of the Creators -- Sidebar: Magazines and Online -- Sidebar: A Herstorian's Perspective -- Sidebar: International Creators -- 4 The Historians of the Comics Industry -- A Pioneer's Perspective: Maurice Horn -- 5 The Historians of the Art Form -- Sidebar: Comic Art -- Sidebar: Bande Dessinée and the Problem of Form -- A Pioneer's Perspective: David Kunzle -- 6 The Librarians and Archivists -- PART 3 The Theorists -- 7 Literary Theory/Narrative Theory -- 8 Semiotics and Linguistics -- Sidebar: Sound Effects -- 9 Myths, Archetypes, and Religions -- Sidebar: Comics' Shortcut to the Sacred -- Sidebar: Comics as (Pseudo- ) Religion -- 10 Ideological/Sociological -- Sidebar: The Immigrant Space -- Sidebar: Trauma and Disability in Comics -- A Pioneer's Perspective: Wolfgang Fuchs -- 11 Formalist Theory: The Cartoonists -- 12 Formalist Theory: Academics -- Sidebar: Materiality -- 13 Psychology/Psychiatry -- Sidebar: Martin Barker -- 14 Gender Studies and Queer Studies -- 15 Manga Studies, A History -- PART 4 The Institutions -- 16 The Organizations -- A Pioneer's Perspective: John A. Lent -- A Pioneer's Perspective: Peter M. Coogan -- 17 The Galleries -- Sidebar: Yoshihiro Yonezawa -- 18 The Conferences -- A Pioneer's Perspective: M. Thomas Inge -- 19 The Journals -- 20 The Presses -- A Pioneer's Perspective: Pascal Lefèvre -- Contributors -- Index
Author: Matthew J. Smith
Publisher:
ISBN: 9781138884519
Category : Comic books, strips, etc
Languages : en
Pages : 0
Get Book Here
Book Description
Cover -- Half Title -- Titel Page -- Copyright Page -- Dedication -- Contents -- List of Figures -- Foreword: Comics Studies, the Anti-Discipline -- Preface -- PART 1 The Educators -- 1 Educating with Comics -- 2 Educating about Comics -- A Pioneer's Perspective: Waldomiro Vergueiro -- A Pioneer's Perspective: James "Bucky" Carter -- PART 2 The Historians -- 3 The Historians of the Creators -- Sidebar: Magazines and Online -- Sidebar: A Herstorian's Perspective -- Sidebar: International Creators -- 4 The Historians of the Comics Industry -- A Pioneer's Perspective: Maurice Horn -- 5 The Historians of the Art Form -- Sidebar: Comic Art -- Sidebar: Bande Dessinée and the Problem of Form -- A Pioneer's Perspective: David Kunzle -- 6 The Librarians and Archivists -- PART 3 The Theorists -- 7 Literary Theory/Narrative Theory -- 8 Semiotics and Linguistics -- Sidebar: Sound Effects -- 9 Myths, Archetypes, and Religions -- Sidebar: Comics' Shortcut to the Sacred -- Sidebar: Comics as (Pseudo- ) Religion -- 10 Ideological/Sociological -- Sidebar: The Immigrant Space -- Sidebar: Trauma and Disability in Comics -- A Pioneer's Perspective: Wolfgang Fuchs -- 11 Formalist Theory: The Cartoonists -- 12 Formalist Theory: Academics -- Sidebar: Materiality -- 13 Psychology/Psychiatry -- Sidebar: Martin Barker -- 14 Gender Studies and Queer Studies -- 15 Manga Studies, A History -- PART 4 The Institutions -- 16 The Organizations -- A Pioneer's Perspective: John A. Lent -- A Pioneer's Perspective: Peter M. Coogan -- 17 The Galleries -- Sidebar: Yoshihiro Yonezawa -- 18 The Conferences -- A Pioneer's Perspective: M. Thomas Inge -- 19 The Journals -- 20 The Presses -- A Pioneer's Perspective: Pascal Lefèvre -- Contributors -- Index
Author: Matthew Smith
Publisher: Routledge
ISBN: 1317505786
Category : Social Science
Languages : en
Pages : 626
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Book Description
In The Secret Origins of Comics Studies, today’s leading comics scholars turn back a page to reveal the founding figures dedicated to understanding comics art. Edited by comics scholars Matthew J. Smith and Randy Duncan, this collection provides an in-depth study of the individuals and institutions that have created and shaped the field of Comics Studies over the past 75 years. From Coulton Waugh to Wolfgang Fuchs, these influential historians, educators, and theorists produced the foundational work and built the institutions that inspired the recent surge in scholarly work in this dynamic, interdisciplinary field. Sometimes scorned, often underappreciated, these visionaries established a path followed by subsequent generations of scholars in literary studies, communication, art history, the social sciences, and more. Giving not only credit where credit is due, this volume both offers an authoritative account of the history of Comics Studies and also helps move the field forward by being a valuable resource for creating graduate student reading lists and the first stop for anyone writing a comics-related literature review.
Author: Paul S. Hirsch
Publisher: University of Chicago Press
ISBN: 022635055X
Category : Comics & Graphic Novels
Languages : en
Pages : 346
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Book Description
"Paul Hirsch's revelatory book opens the archives to show the complex relationships between comic books and American foreign relations in the mid-twentieth century. Scourged and repressed on the one hand, yet co-opted and deployed as propaganda on the other, violent, sexist comic books were both vital expressions of American freedom and upsetting depictions of the American id. Hirsch draws on previously classified material and newly available personal records to weave together the perspectives of government officials, comic-book publishers and creators, and people in other countries who found themselves on the receiving end of American culture"--
Author: Shirrel Rhoades
Publisher: Peter Lang
ISBN: 9781433101076
Category : Art
Languages : en
Pages : 370
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Book Description
This book is an updated history of the American comic book by an industry insider. You'll follow the development of comics from the first appearance of the comic book format in the Platinum Age of the 1930s to the creation of the superhero genre in the Golden Age, to the current period, where comics flourish as graphic novels and blockbuster movies. Along the way you will meet the hustlers, hucksters, hacks, and visionaries who made the American comic book what it is today. It's an exciting journey, filled with mutants, changelings, atomized scientists, gamma-ray accidents, and supernaturally empowered heroes and villains who challenge the imagination and spark the secret identities lurking within us.
Author: Randy Duncan
Publisher: A&C Black
ISBN: 082642936X
Category : Literary Criticism
Languages : en
Pages : 714
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Book Description
Offers undergraduate students with an understanding of the comics medium and its communication potential. This book deals with comic books and graphic novels. It focuses on comic books because in their longer form they have the potential for complexity of expression.
Author: Amy Kiste Nyberg
Publisher: Univ. Press of Mississippi
ISBN: 9780878059751
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
The content of comic books has been governed by an industry self-regulatory code adopted by publishers in 1954 in response to public and governmental pressure. This book, the first full-length study of this period of comic book history, examines the reasons that comic books were the subject of heated controversy. In tracing the evolution of the controversy and the resulting code, Seal of Approval shows that the comic book has yet to achieve legitimation as a unique form of expression appreciated by readers of all ages.
Author: Lauren R. O'Connor
Publisher: Rutgers University Press
ISBN: 1978819811
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
Holy adolescence, Batman! Robin and the Making of American Adolescence offers the first character history and analysis of the most famous superhero sidekick, Robin. Debuting just a few months after Batman himself, Robin has been an integral part of the Dark Knight’s history—and debuting just a few months prior to the word “teenager” first appearing in print, Robin has from the outset both reflected and reinforced particular images of American adolescence. Closely reading several characters who have “played” Robin over the past eighty years, Robin and the Making of American Adolescence reveals the Boy (and sometimes Girl!) Wonder as a complex figure through whom mainstream culture has addressed anxieties about adolescents in relation to sexuality, gender, and race. This book partners up comics studies and adolescent studies as a new Dynamic Duo, following Robin as he swings alongside the ever-changing American teenager and finally shining the Bat-signal on the latter half of “Batman and—.”
Author: Matthew J. Smith
Publisher: Routledge
ISBN: 1136884742
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
Critical Approaches to Comics offers students a deeper understanding of the artistic and cultural significance of comic books and graphic novels by introducing key theories and critical methods for analyzing comics. Each chapter explains and then demonstrates a critical method or approach, which students can then apply to interrogate and critique the meanings and forms of comic books, graphic novels, and other sequential art. The authors introduce a wide range of critical perspectives on comics, including fandom, genre, intertextuality, adaptation, gender, narrative, formalism, visual culture, and much more. As the first comprehensive introduction to critical methods for studying comics, Critical Approaches to Comics is the ideal textbook for a variety of courses in comics studies. Contributors: Henry Jenkins, David Berona, Joseph Witek, Randy Duncan, Marc Singer, Pascal Lefevre, Andrei Molotiu, Jeff McLaughlin, Amy Kiste Nyberg, Christopher Murray, Mark Rogers, Ian Gordon, Stanford Carpenter, Matthew J. Smith, Brad J. Ricca, Peter Coogan, Leonard Rifas, Jennifer K. Stuller, Ana Merino, Mel Gibson, Jeffrey A. Brown, Brian Swafford
Author: Sam Cowling
Publisher: Bloomsbury Publishing
ISBN: 1350098485
Category : Philosophy
Languages : en
Pages : 377
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Book Description
What exactly are comics? Can they be art, literature, or even pornography? How should we understand the characters, stories, and genres that shape them? Thinking about comics raises a bewildering range of questions about representation, narrative, and value. Philosophy of Comics is an introduction to these philosophical questions. In exploring the history and variety of the comics medium, Sam Cowling and Wesley D. Cray chart a path through the emerging field of the philosophy of comics. Drawing from a diverse range of forms and genres and informed by case studies of classic comics such as Watchmen, Tales from the Crypt, and Fun Home, Cowling and Cray explore ethical, aesthetic, and ontological puzzles, including: - What does it take to create-or destroy-a fictional character like Superman? - Can all comics be adapted into films, or are some comics impossible to adapt? - Is there really a genre of “superhero comics”? - When are comics obscene, pornographic, and why does it matter? At a time of rapidly growing interest in graphic storytelling, this is an ideal introduction to the philosophy of comics and some of its most central and puzzling questions.
Author: Frederick Luis Aldama
Publisher: Oxford University Press
ISBN: 0190917962
Category : Art
Languages : en
Pages : 745
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Book Description
Comic book studies has developed as a solid academic discipline, becoming an increasingly vibrant field in the United States and globally. A growing number of dissertations, monographs, and edited books publish every year on the subject, while world comics represent the fastest-growing sector of publishing. The Oxford Handbook of Comic Book Studies looks at the field systematically, examining the history and evolution of the genre from a global perspective. This includes a discussion of how comic books are built out of shared aesthetic systems such as literature, painting, drawing, photography, and film. The Handbook brings together readable, jargon-free essays written by established and emerging scholars from diverse geographic, institutional, gender, and national backgrounds. In particular, it explores how the term "global comics" has been defined, as well the major movements and trends that will drive the field in the years to come. Each essay will help readers understand comic books as a storytelling form grown within specific communities, and will also show how these forms exist within what can be considered a world system of comics.
