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Author: Gernot Meyer
Publisher: GRIN Verlag
ISBN: 3668411557
Category : Literary Criticism
Languages : en
Pages : 26
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Book Description
Seminar paper from the year 2017 in the subject English Language and Literature Studies - Literature, grade: 1,3, Bielefeld University (Fakultät für Linguistik und Literaturwissenschaft: Anglistik), course: Modulprüfung (Profilmodul 2 – British Studies), language: English, abstract: Zombies are - considering the significant amount of media input – nearly all around us. What was once a niche genre, has long spread and entered the public consciousness and pop culture through a variety of movies and, more recently, through one very successful TV series adaption of a comic series, "The Walking Dead" (2010) and its recent spinoff, "Fear the Walking Dead" (2015). Video game series like Left 4 Dead or Dead Island likewise increased the ever-growing stack of zombie productions. And whereas there were few or no academic works specifically about zombies in the past, there is now a considerable part of academia that explores and observes the zombie from many different angles. There are works which examine the zombie culture according to philosophical, religious, historical, political or even environmental points of view. One issue that is being explored in these works is the question of humanity and how much of it is still contained in a zombie. As zombies are still able to fulfill basic human functions such as eating or walking, this inevitably leads to questions of human and zombie consciousness. If a person is “zombified”, does he or she still have access to the feelings of the person that was bitten? Can these feelings be accessed and influence the zombie’s behavior? Or will a zombie always act like a mindless machine, never stopping and never settling for any less than human flesh? This paper seeks to explore the questions mentioned above by analyzing scenes from the first, second and third season of AMC’s TWD. I will first (Chapter 2) seek to explore how alive and conscious the living dead actually are, essentially ask, how much of a human there is still in them. I will first introduce neuroscientific/biological ideas to discuss how “active” a zombie’s brain is and later add neurobiological and philosophical input about consciousness. These thoughts, with an emphasis on the neuroscientific/biological theories, will provide the background for the analysis (Chapter 3): There I will analyze a selection of scenes from TWD’s first three seasons and investigate how the series portrays the zombies’ level of consciousness and agency. Finally, I will conclude my findings.
Author: Gernot Meyer
Publisher: GRIN Verlag
ISBN: 3668411557
Category : Literary Criticism
Languages : en
Pages : 26
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Book Description
Seminar paper from the year 2017 in the subject English Language and Literature Studies - Literature, grade: 1,3, Bielefeld University (Fakultät für Linguistik und Literaturwissenschaft: Anglistik), course: Modulprüfung (Profilmodul 2 – British Studies), language: English, abstract: Zombies are - considering the significant amount of media input – nearly all around us. What was once a niche genre, has long spread and entered the public consciousness and pop culture through a variety of movies and, more recently, through one very successful TV series adaption of a comic series, "The Walking Dead" (2010) and its recent spinoff, "Fear the Walking Dead" (2015). Video game series like Left 4 Dead or Dead Island likewise increased the ever-growing stack of zombie productions. And whereas there were few or no academic works specifically about zombies in the past, there is now a considerable part of academia that explores and observes the zombie from many different angles. There are works which examine the zombie culture according to philosophical, religious, historical, political or even environmental points of view. One issue that is being explored in these works is the question of humanity and how much of it is still contained in a zombie. As zombies are still able to fulfill basic human functions such as eating or walking, this inevitably leads to questions of human and zombie consciousness. If a person is “zombified”, does he or she still have access to the feelings of the person that was bitten? Can these feelings be accessed and influence the zombie’s behavior? Or will a zombie always act like a mindless machine, never stopping and never settling for any less than human flesh? This paper seeks to explore the questions mentioned above by analyzing scenes from the first, second and third season of AMC’s TWD. I will first (Chapter 2) seek to explore how alive and conscious the living dead actually are, essentially ask, how much of a human there is still in them. I will first introduce neuroscientific/biological ideas to discuss how “active” a zombie’s brain is and later add neurobiological and philosophical input about consciousness. These thoughts, with an emphasis on the neuroscientific/biological theories, will provide the background for the analysis (Chapter 3): There I will analyze a selection of scenes from TWD’s first three seasons and investigate how the series portrays the zombies’ level of consciousness and agency. Finally, I will conclude my findings.
Author: Camilla Fojas
Publisher: University of Illinois Press
ISBN: 0252099443
Category : Social Science
Languages : en
Pages : 268
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Book Description
The alarm and anxiety unleashed by the Great Recession found fascinating expression across popular culture. Harried survivors negotiated societal collapse in The Walking Dead. Middle-class whites crossed the literal and metaphorical Mexican border on Breaking Bad or coped with a lack of freedom among the marginalized on Orange Is the New Black. Camilla Fojas uses representations of people of color, the incarcerated, and trans/queers--vulnerable populations all--to work through the contradictions created by the economic crisis and its freefalling aftermath. Television, film, advertising, and media coverage of the crisis created a distinct kind of story about capitalism and the violence that supports it. Fojas shows how these pop culture moments reshaped social dynamics and people's economic sensibilities and connects the ways pop culture reflected economic devastation. She also examines how these artifacts illuminated parts of society usually kept off-screen or on the margins even as they defaulted to stories of white protagonists.
Author: Steven C. Schlozman
Publisher: Hachette+ORM
ISBN: 0446574171
Category : Fiction
Languages : en
Pages : 139
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Book Description
As the walking dead rise up throughout the world, a few brave doctors attempt to find a cure by applying forensic techniques to captured zombies. On a remote island a crack medical team has been sent to explore a radical theory that could uncover a cure for the epidemic. Based on the team's research and the observations of renowned zombie expert Dr. Stanley Blum, The Zombie Autopsies documents for the first time the unique biology of zombie organisms. Detailed drawings of the internal organs of actual zombies provide an accurate anatomy of these horrifying creatures. Zombie brains, hearts, lungs, skin, and digestive system are shown, while Dr. Blum's notes reveal shocking insights into how they function--even as Blum and his colleagues themselves begin to succumb to the plague. No one knows the ultimate fate of Dr. Blum or his researchers. But now that his notebook, The Zombie Autopsies, has been made available to the UN, the World Health Organization, and the general public, his scientific discoveries may be the last hope for humans on earth. "Humanity has a new weapon against the living dead and that weapon is Steven Schlozman!" -- New York Times bestselling author Max Brooks "I've written and made films about zombies for over forty years. In all that time, I've never been able to convince my audience that zombies actually exist. On page one of The Zombie Autopsies, Steven Schlozman takes away any doubt. This fast-moving, entertaining work will have you chuckling...and worrying." -- George A. Romero, director of Night of the Living Dead "Gruesome and gripping! Steven Schlozman reveals the science behind zombies from the inside out." -- Seth Grahame-Smith, New York Times bestselling author of Abraham Lincoln: Vampire Hunter "With The Zombie Autopsies, Steven Schlozman redefines 'weird science' for the 21st Century. Brilliant, bizarre and wonderfully disturbing." -- Jonathan Maberry, New York Times bestselling author of Rot & Ruin and Patient Zero "Dr. Steve's Zombie Autopsy will charm and excite a new generation into loving science." --Chuck Palahniuk, New York Times bestselling author of Fight Club
Author: William Seabrook
Publisher: Courier Dover Publications
ISBN: 048679962X
Category : Social Science
Languages : en
Pages : 433
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Book Description
This 1929 volume offers firsthand accounts of Haitian voodoo and witchcraft rituals. Author William Seabrook introduced the concept of the walking dead to the West with this illustrated travelogue.
Author: John Vervaeke
Publisher: Open Book Publishers
ISBN: 178374331X
Category : Social Science
Languages : en
Pages : 96
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Book Description
Why has the zombie become such a pervasive figure in twenty-first-century popular culture? John Vervaeke, Christopher Mastropietro and Filip Miscevic seek to answer this question by arguing that particular aspects of the zombie, common to a variety of media forms, reflect a crisis in modern Western culture. The authors examine the essential features of the zombie, including mindlessness, ugliness and homelessness, and argue that these reflect the outlook of the contemporary West and its attendant zeitgeists of anxiety, alienation, disconnection and disenfranchisement. They trace the relationship between zombies and the theme of secular apocalypse, demonstrating that the zombie draws its power from being a perversion of the Christian mythos of death and resurrection. Symbolic of a lost Christian worldview, the zombie represents a world that can no longer explain itself, nor provide us with instructions for how to live within it. The concept of 'domicide' or the destruction of home is developed to describe the modern crisis of meaning that the zombie both represents and reflects. This is illustrated using case studies including the relocation of the Anishinaabe of the Grassy Narrows First Nation, and the upheaval of population displacement in the Hellenistic period. Finally, the authors invoke and reformulate symbols of the four horseman of the apocalypse as rhetorical analogues to frame those aspects of contemporary collapse that elucidate the horror of the zombie. Zombies in Western Culture: A Twenty-First Century Crisis is required reading for anyone interested in the phenomenon of zombies in contemporary culture. It will also be of interest to an interdisciplinary audience including students and scholars of culture studies, semiotics, philosophy, religious studies, eschatology, anthropology, Jungian studies, and sociology.
Author: Daniel Waters
Publisher: Simon and Schuster
ISBN: 0857071270
Category : Juvenile Fiction
Languages : en
Pages : 303
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Book Description
Stephenie Meyer meets John Green in this original supernatural romance! Love knows no boundaries . . . even death. Phoebe Kendall is just your typical goth girl with a crush. He's strong and silent . . . and dead. All over the country, a strange phenomenon is occurring. Some teenagers who die aren't staying dead. But when they come back to life, they are no longer the same. Feared and misunderstood, they are doing their best to blend into a society that doesn’t want them. The administration at Oakvale High attempts to be more welcoming of the 'differently biotic'. But the students don’t want to take classes or eat in the cafeteria next to someone who isn’t breathing. And there are no laws that exist to protect the 'living impaired' from the people who want them to disappear—for good. When Phoebe falls for Tommy Williams, the leader of the dead kids, no one can believe it; not her best friend, Margi, and especially not her neighbor, Adam, the star of the football team. Adam has feelings for Phoebe that run much deeper than just friendship; he would do anything for her. But what if protecting Tommy is the one thing that would make her happy? The first book in the bestselling Generation Dead series. Also by Daniel Waters: The Kiss of Life Passing Strange
Author: Robert Kirkman
Publisher: Macmillan
ISBN: 1429995785
Category : Fiction
Languages : en
Pages : 317
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Book Description
Winner of the 2011 Diamond Gem Award for Trade Book of the Year In the Walking Dead universe, there is no greater villain than The Governor. The despot who runs the walled-off town of Woodbury, he has his own sick sense of justice: whether it's forcing prisoners to battle zombies in an arena for the townspeople's amusement, or chopping off the appendages of those who cross him. The Governor was voted "Villain of the Year" by Wizard magazine the year he debuted, and his story arc was the most controversial in the history of the Walking Dead comic book series. Now, for the first time, fans of The Walking Dead will discover how The Governor became the man he is, and what drove him to such extremes.
Author: Barbara Gurr
Publisher: Springer
ISBN: 1137493313
Category : Performing Arts
Languages : en
Pages : 128
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Book Description
This book offers analyses of the roles of race, gender, and sexuality in the post-apocalyptic visions of early twenty-first century film and television shows. Contributors examine the production, reproduction, and re-imagination of some of our most deeply held human ideals through sociological, anthropological, historical, and feminist approaches.
Author: Catherine Grant
Publisher: MIT Press
ISBN: 1912685132
Category : Art
Languages : en
Pages : 299
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Book Description
An illustrated exploration of fandom that combines academic essays with artist pages and experimental texts. Fandom as Methodology examines fandom as a set of practices for approaching and writing about art. The collection includes experimental texts, autobiography, fiction, and new academic perspectives on fandom in and as art. Key to the idea of “fandom as methodology” is a focus on the potential for fandom in art to create oppositional spaces, communities, and practices, particularly from queer perspectives, but also through transnational, feminist and artist-of-color fandoms. The book provides a range of examples of artists and writers working in this vein, as well as academic essays that explore the ways in which fandom can be theorized as a methodology for art practice and art history. Fandom as Methodology proposes that many artists and art writers already draw on affective strategies found in fandom. With the current focus in many areas of art history, art writing, and performance studies around affective engagement with artworks and imaginative potentials, fandom is a key methodology that has yet to be explored. Interwoven into the academic essays are lavishly designed artist pages in which artists offer an introduction to their use of fandom as methodology. Contributors Taylor J. Acosta, Catherine Grant, Dominic Johnson, Kate Random Love, Maud Lavin, Owen G. Parry, Alice Butler, SooJin Lee, Jenny Lin, Judy Batalion, Ika Willis. Artists featured in the artist pages Jeremy Deller, Ego Ahaiwe Sowinski, Anna Bunting-Branch, Maria Fusco, Cathy Lomax, Kamau Amu Patton, Holly Pester, Dawn Mellor, Michelle Williams Gamaker, The Women of Colour Index Reading Group, Liv Wynter, Zhiyuan Yang
Author: W. Scott Poole
Publisher:
ISBN: 9781481308823
Category : Animals, Mythical
Languages : en
Pages : 311
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Book Description
Monsters are here to stay.--Christopher James Blythe "Journal of Religion and Popular Culture"
