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Author: Lillian Loewenthal
Publisher: Princeton Book Company Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 280
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Book Description
An appreciation of one of the 20th century's most significant artistic influences. A Main Selection of the Dance Book Club.
Author: Lillian Loewenthal
Publisher: Princeton Book Company Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 280
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Book Description
An appreciation of one of the 20th century's most significant artistic influences. A Main Selection of the Dance Book Club.
Author: Amelia Gray
Publisher:
ISBN: 0374279985
Category : Fiction
Languages : en
Pages : 401
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Book Description
A fictional "portrait of an artist and woman drawn to the brink of destruction by the cruelty of life. In her ... novel, Amelia Gray offers a ... portrayal of a legendary artist churning through prewar Europe. [The book] seeks to obliterate the mannered portrait of a dancer and to introduce the reader to a woman who lived and loved without limits, even in the darkest days of her life"--Amazon.com.
Author: Isadora Duncan
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 440
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Book Description
Unquestionably brave, creative, and erudite, the free spirit Isadora Duncan (1877-1927) captivated the American, European, and Soviet cultural scenes with her innovative modern dance and un-self-conscious lifestyle.
Author: Ann Daly
Publisher: Wesleyan University Press
ISBN: 0819570966
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
This cultural study of modern dance icon Isadora Duncan is the first to place her within the thought, politics and art of her time. Duncan's dancing earned her international fame and influenced generations of American girls and women, yet the romantic myth that surrounds her has left some questions unanswered: What did her audiences see on stage, and how did they respond? What dreams and fears of theirs did she play out? Why, in short, was Duncan's dancing so compelling? First published in 1995 and now back in print, Done into Dance reveals Duncan enmeshed in social and cultural currents of her time — the moralism of the Progressive Era, the artistic radicalism of prewar Greenwich Village, the xenophobia of the 1920s, her association with feminism and her racial notion of "Americanness."
Author: Irma Duncan
Publisher: Wesleyan
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 400
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Book Description
Reprint of the ed. published by Wesleyan University Press, Middletown, Conn.
Author: Ann Daly
Publisher: Wesleyan University Press
ISBN: 0819565660
Category : Performing Arts
Languages : en
Pages : 421
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Book Description
Part II, Making history, includes reviews and essays on Isadora Duncan.
Author: David Willbern
Publisher: McFarland
ISBN: 1476602484
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
Through the perspectives of selected best-selling novels from the end of World War II to the end of the 20th century--including The Catcher in the Rye, To Kill a Mockingbird, The Godfather, Jaws, Beloved, The Silence of the Lambs, and Jurassic Park--this book examines the crucial issues the U.S. was experiencing during those decades. These novels represent the voices of popular conversations, as Americans considered issues of family, class, racism and sexism, feminism, economic ambition, sexual violence, war, law, religion and science. Through the windows of fiction, the book surveys the Cold War and anti-communism, the prefeminist era of the 1950s and the sexual revolution of the 1970s, forms of corporate power in the 1960s and 1980s, the traumatic legacies of slavery and Vietnam, the American fascination with lawyers, cops and criminals, alternate styles of romance in the era of late capitalism, our abiding distrust of science, and our steadfast wonder about the Great Mysteries.
Author: Davinia Caddy
Publisher: Cambridge University Press
ISBN: 1107379008
Category : Music
Languages : en
Pages : 255
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Book Description
Belle-époque Paris witnessed the emergence of a vibrant and diverse dance scene, one that crystallized around the Ballets Russes, the Russian dance company formed by impresario Sergey Diaghilev. The company has long served as a convenient turning point in the history of dance, celebrated for its revolutionary choreography and innovative productions. This book presents a fresh slant on this much-told history. Focusing on the relation between music and dance, Davinia Caddy approaches the Ballets Russes with a wide-angled lens that embraces not just the choreographic, but also the cultural, political, theatrical and aesthetic contexts in which the company made its name. In addition, Caddy examines and interprets contemporary French dance practices, throwing new light on some of the most important debates and discourses of the day.
Author: Fiona Macintosh
Publisher: Oxford University Press
ISBN: 0191634387
Category : Literary Criticism
Languages : en
Pages :
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Book Description
When the eighteenth-century choreographer Jean-Georges Noverre sought to develop what is now known as modern ballet, he turned to ancient pantomime as his source of inspiration; and when Isadora Duncan and her contemporaries looked for alternatives to the strictures of classical ballet, they looked to ancient Greek vases for models for what they termed 'natural' movement. This is the first book to examine systematically the long history of the impact of ideas about ancient Greek and Roman dance on modern theatrical and choreographic practices. With contributions from eminent classical scholars, dance historians, theatre specialists, modern literary critics, and art historians, as well as from contemporary practitioners, it offers a very wide conspectus on an under-explored but central aspect of classical reception, dance and theatre history, and the history of ideas.
Author: Mary Simonson
Publisher: Oxford University Press
ISBN: 0199898022
Category : Performing Arts
Languages : en
Pages : 304
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Book Description
While female performers in the early 20th century were regularly advertised as dancers, mimics, singers, or actresses, they wove together techniques and elements drawn from a wide variety of genres and media. Onstage and onscreen, performers borrowed from musical scores and narratives, referred to contemporary shows, films, and events, and mimicked fellow performers. Behind the scenes, they experimented with cross-promotion and new advertising techniques and technologies to broadcast images and tales of their performances and lives well beyond the walls of American theaters, cabarets, and halls. The performances and conceptions of art that emerged were innovative, compelling, and deeply meaningful. Body Knowledge examines these performances and the performers behind them, highlighting the Ziegfeld Follies and The Passing Show revues, Salome dancers, Isadora Duncan's Wagner dances, Adeline Genée and Bessie Clayton's danced histories, Hazel Mackaye and Ruth St. Denis's pageants, and Anna Pavlova's opera and film projects. As a whole, it re-imagines early twentieth-century art and entertainment as both fluid and convergent.
