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Author: J. A. Ward
Publisher: UNC Press Books
ISBN: 0807836826
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
This volume is a study of the structure of certain of James's works, as well as a search for the structural principles that inform James's fiction and lie behind the technical dicta of his essays and prefaces. It also develops the thesis that most of James's structures are determined by logical and spatial, rather than chronological, concepts of relationships. Originally published in 1967. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: J. A. Ward
Publisher: UNC Press Books
ISBN: 0807836826
Category : Literary Criticism
Languages : en
Pages : 243
Get Book Here
Book Description
This volume is a study of the structure of certain of James's works, as well as a search for the structural principles that inform James's fiction and lie behind the technical dicta of his essays and prefaces. It also develops the thesis that most of James's structures are determined by logical and spatial, rather than chronological, concepts of relationships. Originally published in 1967. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Joseph A. Mugnaini
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 172
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Book Description
True competence in drawing is an essential skill for anyone in the graphic arts. In this important book, one of America's most distinguished art teachers guides the reader beyond mere surface fluency to a serious understanding and mastery of the basic structural principles common to all forms, human, animal and natural. The clear, straightforward text and schematic diagrams, photographs and drawings show how these forms express perfectly their growth and function. Drawing the human figure is covered in detail, with emphasis on movement, foreshortening and perspective. The structure and interrelationships of body cavity, arms and legs and head are clearly presented with photographs of male and female models and student and master drawings, which are analyzed in detail with diagrams printed in two colors. The dynamic structure of animals is visualized and related to the other subjects. The natural forms of landscape, as well as overall design and composition in nature, are related to other organic structures and illustrated with drawings by students and professionals to indicate the wide range of individual aesthetic responses evoked by the same subject. Basic elements of graphic design -- line, tone, rhythm, movement and value -- are demonstrated in a variety of materials and tools: charcoal, pencil, ink, brush, pen, twigs. A gallery of drawings by leading contemporary artists brings to life that most important goal of the serious artist: the development of an expressive, personal idiom. - Jacket flap.
Author: Allison Morehead
Publisher: Penn State Press
ISBN: 027107938X
Category : Art
Languages : en
Pages : 467
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Book Description
This provocative study argues that some of the most inventive artwork of the 1890s was strongly influenced by the methods of experimental science and ultimately foreshadowed twentieth-century modernist practices. Looking at avant-garde figures such as Maurice Denis, Édouard Vuillard, August Strindberg, and Edvard Munch, Allison Morehead considers the conjunction of art making and experimentalism to illuminate how artists echoed the spirit of an increasingly explorative scientific culture in their work and processes. She shows how the concept of “nature’s experiments”—the belief that the study of pathologies led to an understanding of scientific truths, above all about the human mind and body—extended from the scientific realm into the world of art, underpinned artists’ solutions to the problem of symbolist form, and provided a ready-made methodology for fin-de-siècle truth seekers. By using experimental methods to transform symbolist theories into visual form, these artists broke from naturalist modes and interrogated concepts such as deformation, automatism, the arabesque, and madness to create modern works that were radically and usefully strange. Focusing on the scientific, psychological, and experimental tactics of symbolism, Nature’s Experiments and the Search for Symbolist Form demystifies the avant-garde value of experimentation and reveals new and important insights into a foundational period for the development of European modernism.
Author: Allison Morehead
Publisher: Penn State Press
ISBN: 0271079401
Category : Art
Languages : en
Pages : 260
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Book Description
This provocative study argues that some of the most inventive artwork of the 1890s was strongly influenced by the methods of experimental science and ultimately foreshadowed twentieth-century modernist practices. Looking at avant-garde figures such as Maurice Denis, Édouard Vuillard, August Strindberg, and Edvard Munch, Allison Morehead considers the conjunction of art making and experimentalism to illuminate how artists echoed the spirit of an increasingly explorative scientific culture in their work and processes. She shows how the concept of “nature’s experiments”—the belief that the study of pathologies led to an understanding of scientific truths, above all about the human mind and body—extended from the scientific realm into the world of art, underpinned artists’ solutions to the problem of symbolist form, and provided a ready-made methodology for fin-de-siècle truth seekers. By using experimental methods to transform symbolist theories into visual form, these artists broke from naturalist modes and interrogated concepts such as deformation, automatism, the arabesque, and madness to create modern works that were radically and usefully strange. Focusing on the scientific, psychological, and experimental tactics of symbolism, Nature’s Experiments and the Search for Symbolist Form demystifies the avant-garde value of experimentation and reveals new and important insights into a foundational period for the development of European modernism.
Author: Jennifer Snodgrass
Publisher:
ISBN:
Category :
Languages : en
Pages : 150
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Book Description
Author: William R. Stanek
Publisher: Sams Publishing
ISBN: 9780672322051
Category : Computers
Languages : en
Pages : 1244
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Book Description
A thorough, detailed guide to fully exploiting all the power of FrontPage 2002-written for the experienced Web developer.
Author: Kevin Potts
Publisher: Apress
ISBN: 1430202629
Category : Computers
Languages : en
Pages : 386
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Book Description
This book teaches you all you need to know to create effective web sites for businesses of all sizes. It’s packed with useful tips and practical examples. First you are taken through the planning stage, including overall site structure, grouping content, using content and language effectively, and planning for accessibility. Next, you are shown how to effectively design the different parts of your site as well as how to add specialized improvements, including feedback forms and search functionality. The examples focus largely on CSS and HTML, but the principles are applicable to any site and some useful Flash examples are also provided.
Author: Harvey K. Littleton
Publisher:
ISBN: 9780442243418
Category : Glass blowing and working
Languages : en
Pages : 0
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Book Description
Author: Joseph C. Zinker
Publisher: Taylor & Francis
ISBN: 1135061696
Category : Psychology
Languages : en
Pages : 346
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Book Description
With In Search of Good Form, Joseph Zinker emphasizes seeing and being with as keys to a phenomenological approach in which therapist and patient co-create and mutually articulate their own experiences and meanings. He considers Gestalt field theory, the Gestalt interactive cycle, and Gestalt concepts.
Author:
Publisher:
ISBN:
Category : Patents
Languages : en
Pages : 162
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Book Description
