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Author: Craig Dobson
Publisher: Field Books
ISBN:
Category : Art
Languages : en
Pages : 327
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Book Description
The human spirit is a testament to resilience. Even amidst the storms of trauma, our capacity for growth and healing remains boundless. This book explores the profound connection between the act of sculpting with clay and the process of healing from trauma. It is a guide for anyone seeking to reclaim their inner strength and find solace in the creative expression of their emotions. Through a blend of scientific research, personal anecdotes, and practical exercises, we will delve into the therapeutic potential of sculpture. We will explore how shaping clay can translate into shaping our minds, how tactile engagement with this malleable medium can foster self-awareness, and how the creative process can empower us to reclaim our sense of agency. "The Sculpted Self" is not merely a book about art therapy; it is an invitation to journey inwards and discover the sculptor within. It is an invitation to embrace the power of your own creative spirit to reshape your story, find meaning in your experiences, and build a foundation of resilience for the future.
Author: Craig Dobson
Publisher: Field Books
ISBN:
Category : Art
Languages : en
Pages : 327
Get Book Here
Book Description
The human spirit is a testament to resilience. Even amidst the storms of trauma, our capacity for growth and healing remains boundless. This book explores the profound connection between the act of sculpting with clay and the process of healing from trauma. It is a guide for anyone seeking to reclaim their inner strength and find solace in the creative expression of their emotions. Through a blend of scientific research, personal anecdotes, and practical exercises, we will delve into the therapeutic potential of sculpture. We will explore how shaping clay can translate into shaping our minds, how tactile engagement with this malleable medium can foster self-awareness, and how the creative process can empower us to reclaim our sense of agency. "The Sculpted Self" is not merely a book about art therapy; it is an invitation to journey inwards and discover the sculptor within. It is an invitation to embrace the power of your own creative spirit to reshape your story, find meaning in your experiences, and build a foundation of resilience for the future.
Author: Muhammad Umar Faruque
Publisher: University of Michigan Press
ISBN: 0472132628
Category : Social Science
Languages : en
Pages : 329
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Book Description
Sculpting the Self addresses “what it means to be human” in a secular, post-Enlightenment world by exploring notions of self and subjectivity in Islamic and non-Islamic philosophical and mystical thought. Alongside detailed analyses of three major Islamic thinkers (Mullā Ṣadrā, Shāh Walī Allāh, and Muhammad Iqbal), this study also situates their writings on selfhood within the wider constellation of related discussions in late modern and contemporary thought, engaging the seminal theoretical insights on the self by William James, Jean-Paul Sartre, and Michel Foucault. This allows the book to develop its inquiry within a spectrum theory of selfhood, incorporating bio-physiological, socio-cultural, and ethico-spiritual modes of discourse and meaning-construction. Weaving together insights from several disciplines such as religious studies, philosophy, anthropology, critical theory, and neuroscience, and arguing against views that narrowly restrict the self to a set of cognitive functions and abilities, this study proposes a multidimensional account of the self that offers new options for addressing central issues in the contemporary world, including spirituality, human flourishing, and meaning in life. This is the first book-length treatment of selfhood in Islamic thought that draws on a wealth of primary source texts in Arabic, Persian, Urdu, Greek, and other languages. Muhammad U. Faruque’s interdisciplinary approach makes a significant contribution to the growing field of cross-cultural dialogue, as it opens up the way for engaging premodern and modern Islamic sources from a contemporary perspective by going beyond the exegesis of historical materials. He initiates a critical conversation between new insights into human nature as developed in neuroscience and modern philosophical literature and millennia-old Islamic perspectives on the self, consciousness, and human flourishing as developed in Islamic philosophical, mystical, and literary traditions.
Author: Michael Anton Budd
Publisher: NYU Press
ISBN: 0814712673
Category : History
Languages : en
Pages : 247
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Book Description
Michael Anton Budd's THE SCULPTURE MACHINE traces the tension between the modern world and the classical interpretation of physicality as influenced by technological forces of industry and revolution. This insightful work illustrates how ideas about bodies influence the building of identities in concert with the construction of a larger consumer culture. Illustrations. Copyright © Libri GmbH. All rights reserved.
Author: Louise Nevelson
Publisher: Yale University Press
ISBN: 0300121725
Category : Art
Languages : en
Pages : 268
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Book Description
Presents a catalog of an exhibition showcasing the works of the American sculptor and artist.
Author: Gregory Minissale
Publisher: Rodopi
ISBN: 9042025816
Category : Art
Languages : en
Pages : 391
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Book Description
Framing Consciousness in Art examines how the conscious mind enacts and processes the frame that both surrounds the work of art yet is also shown as an element inside its space. These `frames-in-frames¿ may be seen in works by Teniers, Velázquez, Vermeer, Degas, Rodin, and Cartier-Bresson and in the films of Alfred Hitchcock and Buñuel. The book also deals with framing in a variety of cultural contexts: Indian, Chinese and African, going beyond Euro-American formalist and aesthetic concerns which dominate critical theories of the frame.
Author: Elizabeth Bergmann Loizeaux
Publisher: Syracuse University Press
ISBN: 9780815629955
Category : Art
Languages : en
Pages : 276
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Book Description
This beautifully illustrated book traces W. B. Yeats's fascination with the visual arts from his early years, which were strongly influenced by his father's paintings and the Pre-Raphaelite brotherhood, to his celebration in his old age of Greek sculpture, Byzantine mosaics, and Michaelangelo's art.
Author: Asher Biemann
Publisher: Stanford University Press
ISBN: 0804784361
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
Dreaming of Michelangelo is the first book-length study to explore the intellectual and cultural affinities between modern Judaism and the life and work of Michelangelo Buonarroti. It argues that Jewish intellectuals found themselves in the image of Michelangelo as an "unrequited lover" whose work expressed loneliness and a longing for humanity's response. The modern Jewish imagination thus became consciously idolatrous. Writers brought to life—literally—Michelangelo's sculptures, seeing in them their own worldly and emotional struggles. The Moses statue in particular became an archetype of Jewish liberation politics as well as a central focus of Jewish aesthetics. And such affinities extended beyond sculpture: Jewish visitors to the Sistine Chapel reinterpreted the ceiling as a manifesto of prophetic socialism, devoid of its Christian elements. According to Biemann, the phenomenon of Jewish self-recognition in Michelangelo's work offered an alternative to the failed promises of the German enlightenment. Through this unexpected discovery, he rethinks German Jewish history and its connections to Italy, the Mediterranean, and the art of the Renaissance.
Author: Jon Wood
Publisher: Getty Publications
ISBN: 1606061062
Category : Art
Languages : en
Pages : 546
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Book Description
In many anthologies of art, sculpture is given short shrift in relation to other media, if it is treated at all. Modern Sculpture Reader aims to rectify this situation by presenting a collection of important texts that have defined sculpture’s radically changing status and role since the end of the nineteenth century, a time marked by a general reappraisal of the forms and functions of art. From the rigorously theoretical to the experimental and poetic, Modern Sculpture Reader offers a lively discourse on the medium by a range of artists, writers, critics, and poets—Marcel Duchamp, Louise Bourgeois, Claes Oldenberg, André Breton, Ezra Pound, and Clement Greenberg—in a variety of genres: poems, lectures, transcribed interviews, newspaper and magazine articles, and artists’ statements. These diverse text selections offer valuable insight into the development of the critical language of sculpture and its connections to other media in an era of increasingly conceptual artistic practice. Many of the essays highlight key ongoing concerns such as sculpture’s physical properties and conditions of display, both of which have important implications for the viewer’s tactile and emotional interaction with sculptural works.
Author: Lydia L. Moland
Publisher:
ISBN: 0190847328
Category : Philosophy
Languages : en
Pages : 353
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Book Description
Hegel's Aesthetics is the first comprehensive interpretation of Hegel's philosophy of art in English in thirty years. It gives a new analysis of his notorious "end of art" thesis, shows the indispensability of his aesthetics to his philosophy generally, and argues for his theory's relevance today.
Author: Tomas Macsotay
Publisher: Routledge
ISBN: 1351550543
Category : Art
Languages : en
Pages : 295
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Book Description
The world that shaped Europe's first national sculptor-celebrities, from Schadow to David d'Angers, from Flaxman to Gibson, from Canova to Thorvaldsen, was the city of Rome. Until around 1800, the Holy See effectively served as Europe's cultural capital, and Roman sculptors found themselves at the intersection of the Italian marble trade, Grand Tour expenditure, the cult of the classical male nude, and the Enlightenment republic of letters. Two sets of visitors to Rome, the David circle and the British traveler, have tended to dominate Rome's image as an open artistic hub, while the lively community of sculptors of mixed origins has not been awarded similar attention. Rome, Travel and the Sculpture Capital, c.1770?1825 is the first study to piece together the labyrinthine sculptors' world of Rome between 1770 and 1825. The volume sheds new light on the links connecting Neo-classicism, sculpture collecting, Enlightenment aesthetics, studio culture, and queer studies. The collection offers ideal introductory reading on sculpture and Rome around 1800, but its combination of provocative perspectives is sure to appeal to a readership interested in understanding a modernized Europe's overwhelmingly transnational desire for Neo-classical, Roman sculpture.
